{"id":{"repo_id":"essex","oai_identifier":"oai:repository.essex.ac.uk:24537"},"canonical_url":"https://search.dev.ndltd.org/etd/essex/oai:repository.essex.ac.uk:24537","repository":{"repo_id":"essex","name":"University of Essex","base_url":"https://repository.essex.ac.uk/cgi/oai2"},"display":{"title":"Flieder, 1945 / Lilac, 2015 : visibility, memory, gender : writing and re-imagining National Socialist atrocity for the stage","abstract":"This dissertation examines the case of two satellite concentration camps of Buchenwald in the German towns of Altenburg and Meuselwitz and the fate of the – mostly female – prisoners, forced to work in the factories of the arms manufacturer HASAG. The dissertation itself consists of two parts: In the stage play \"Flieder, 1945 / Lilac, 2015\", I investigate the history and memory of the camps, factories, and the community which produced those through the frayed relationships of three generations of German women and a group of prisoners attempting to survive the camp. The commentary \"Visibility, Memory, Gender: Writing and Re-imagining National Socialist Atrocity for the Stage\" addresses the history of the camps in Altenburg and Meuselwitz, documents the creative process, and engages with various theatrical and filmic representation of National Socialist atrocity. Particular focus is placed on questions of visibility of atrocity, the role of the ‘bystander’, and the female experience of atrocity, as well as the implications of the legacy of National Socialism for next-generation Germans.","abstract_html":"This dissertation examines the case of two satellite concentration camps of Buchenwald in the German towns of Altenburg and Meuselwitz and the fate of the – mostly female – prisoners, forced to work in the factories of the arms manufacturer HASAG. The dissertation itself consists of two parts: In the stage play "Flieder, 1945 / Lilac, 2015", I investigate the history and memory of the camps, factories, and the community which produced those through the frayed relationships of three generations of German women and a group of prisoners attempting to survive the camp. The commentary "Visibility, Memory, Gender: Writing and Re-imagining National Socialist Atrocity for the Stage" addresses the history of the camps in Altenburg and Meuselwitz, documents the creative process, and engages with various theatrical and filmic representation of National Socialist atrocity. Particular focus is placed on questions of visibility of atrocity, the role of the ‘bystander’, and the female experience of atrocity, as well as the implications of the legacy of National Socialism for next-generation Germans.","abstract_has_math":false,"creators":["Becker, Mona"],"institution":"University of Essex","degree_name":"phd","degree_level":"doctoral","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019-03","date_published":"2019-03","updated_at":"2026-07-24T02:18:26Z","subjects":["D731 World War II","DD Germany","PN0080 Criticism","PN1993 Motion Pictures","PN2000 Dramatic representation. The Theater"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Becker, Mona"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2019-03"]},{"key":"dc:date.issued","label":"Date","values":["2019-03"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of Literature, Film, and Theatre Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Essex"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://repository.essex.ac.uk/24537/"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["phd"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["D731 World War II","DD Germany","PN0080 Criticism","PN1993 Motion Pictures","PN2000 Dramatic representation. 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The dissertation itself consists of two parts: In the stage play \"Flieder, 1945 / Lilac, 2015\", I investigate the history and memory of the camps, factories, and the community which produced those through the frayed relationships of three generations of German women and a group of prisoners attempting to survive the camp. The commentary \"Visibility, Memory, Gender: Writing and Re-imagining National Socialist Atrocity for the Stage\" addresses the history of the camps in Altenburg and Meuselwitz, documents the creative process, and engages with various theatrical and filmic representation of National Socialist atrocity. Particular focus is placed on questions of visibility of atrocity, the role of the ‘bystander’, and the female experience of atrocity, as well as the implications of the legacy of National Socialism for next-generation Germans."]},{"key":"dc:format","label":"Dc Format","values":["text"]},{"key":"dc:title","label":"Title","values":["Flieder, 1945 / Lilac, 2015 : visibility, memory, gender : writing and re-imagining National Socialist atrocity for the stage"]}]}],"canonical_facts":{"dc:creator":["Becker, Mona"],"dc:date":["2019-03"],"dc:date.issued":["2019-03"],"dc:description.abstract":["This dissertation examines the case of two satellite concentration camps of Buchenwald in the German towns of Altenburg and Meuselwitz and the fate of the – mostly female – prisoners, forced to work in the factories of the arms manufacturer HASAG. The dissertation itself consists of two parts: In the stage play \"Flieder, 1945 / Lilac, 2015\", I investigate the history and memory of the camps, factories, and the community which produced those through the frayed relationships of three generations of German women and a group of prisoners attempting to survive the camp. The commentary \"Visibility, Memory, Gender: Writing and Re-imagining National Socialist Atrocity for the Stage\" addresses the history of the camps in Altenburg and Meuselwitz, documents the creative process, and engages with various theatrical and filmic representation of National Socialist atrocity. Particular focus is placed on questions of visibility of atrocity, the role of the ‘bystander’, and the female experience of atrocity, as well as the implications of the legacy of National Socialism for next-generation Germans."],"dc:format":["text"],"dc:identifier.uri":["https://repository.essex.ac.uk/24537/1/190501_Becker_Mona_Thesis.pdf"],"dc:language":["en"],"dc:publisher.department":["Department of Literature, Film, and Theatre Studies"],"dc:publisher.institution":["University of Essex"],"dc:relation.isreferencedby":["https://repository.essex.ac.uk/24537/"],"dc:subject":["D731 World War II","DD Germany","PN0080 Criticism","PN1993 Motion Pictures","PN2000 Dramatic representation. The Theater"],"dc:title":["Flieder, 1945 / Lilac, 2015 : visibility, memory, gender : writing and re-imagining National Socialist atrocity for the stage"],"dc:type":["Thesis"],"dc:type.qualificationlevel":["doctoral"],"dc:type.qualificationname":["phd"]},"updated_at":"2026-07-24T02:18:26Z"}