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University of Essex

Do ̶N̶o̶t̶ Enter, Do ̶N̶o̶t̶ Touch

Abstract

dc:description.abstract

Do ̶N̶o̶t̶ Enter, Do ̶N̶o̶t̶ Touch, is an invitation to the viewer to enter the exhibition area and to interact physically with all the components of my installation. By this physical act of involvement, it highlights the questions of fear, vulnerability, courage and connection in relation to my personal history and my developing practice in art. I put these ideas into context, by looking at artists and thinkers whose work and life have been particularly useful and influential in the progression of my own work. Examining my own artistic development and its relationship to my previous careers in the healthcare profession, allowed me to investigate the feelings provoked alongside the materials I chose when producing art pieces. By condensing all this information, a narrative account of the installation presented in May 2017 will be discussed with analysis of the public’s response to it, and the pivotal role this had in understanding fear. I will end with some proposals for future research/practice.

Degree

thesis:*
Level dc:type.qualificationlevel
masters
Grantor dc:publisher.institution
University of Essex
Year dc:date.issued
2018

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Wetton, Danielle

Subjects

dc:subject × 6

Rights

Language dc:language
en

Chain of custody

source
Harvested from
University of Essex
Base URL
repository.essex.ac.uk/cgi/oai2
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Wetton, Danielle. Do ̶N̶o̶t̶ Enter, Do ̶N̶o̶t̶ Touch. masters thesis, University of Essex, 2018.