{"id":{"repo_id":"essex","oai_identifier":"oai:repository.essex.ac.uk:16873"},"canonical_url":"https://search.dev.ndltd.org/etd/essex/oai:repository.essex.ac.uk:16873","repository":{"repo_id":"essex","name":"University of Essex","base_url":"https://repository.essex.ac.uk/cgi/oai2"},"display":{"title":"I Dreamt of Saltwater and Eggs: Magic, Nationhood, and the Writer-out-of-Country","abstract":"This dissertation includes a novel entitled I Dreamt of Saltwater and Eggs and an accom- panying critical commentary which aims at examining themes and issues of post-colonial and commonwealth fiction in relation to the context of Cyprus. The novel is a magical realist story about a boy who sets out to find the girl he is in love with, while at the same time an anti-colonial fight breaks out in his homeland, Sarouiki. During his travels he is confronted with questions of identity, belonging and nationhood. While extensive research has been conducted on post-colonial writing and the over- running themes in fiction which falls under this category, Cyprus has remained fairly un- explored, mainly due to the fact that its anti-colonial struggle and post-colonial trauma are not deemed important enough. The thesis of this project is that magical realism as a genre is an organic occurrence that is interlinked with the post-colonial trauma in various countries. Magical realism serves as a way of seeing the world by using magic to understand the human dimensions of history. It is a way of reaching historical, national, and political truths and is thus a natural way of expression for post-colonial writers. By focusing on Cyprus, a fairly uninvestigated area of post-colonial writing, we can expand our understating of the issues and themes linked to this body of literature. As a Cypriot writer, I look at the ways in which I wrote I Dreamt of Saltwater and Eggs and how post-colonial discourses emerged in their creative process, and by doing so, I create the space to further explore minor post-colonial literatures in the light of the global issues they are linked to.","abstract_html":"This dissertation includes a novel entitled I Dreamt of Saltwater and Eggs and an accom- panying critical commentary which aims at examining themes and issues of post-colonial and commonwealth fiction in relation to the context of Cyprus. The novel is a magical realist story about a boy who sets out to find the girl he is in love with, while at the same time an anti-colonial fight breaks out in his homeland, Sarouiki. During his travels he is confronted with questions of identity, belonging and nationhood. While extensive research has been conducted on post-colonial writing and the over- running themes in fiction which falls under this category, Cyprus has remained fairly un- explored, mainly due to the fact that its anti-colonial struggle and post-colonial trauma are not deemed important enough. The thesis of this project is that magical realism as a genre is an organic occurrence that is interlinked with the post-colonial trauma in various countries. Magical realism serves as a way of seeing the world by using magic to understand the human dimensions of history. It is a way of reaching historical, national, and political truths and is thus a natural way of expression for post-colonial writers. By focusing on Cyprus, a fairly uninvestigated area of post-colonial writing, we can expand our understating of the issues and themes linked to this body of literature. As a Cypriot writer, I look at the ways in which I wrote I Dreamt of Saltwater and Eggs and how post-colonial discourses emerged in their creative process, and by doing so, I create the space to further explore minor post-colonial literatures in the light of the global issues they are linked to.","abstract_has_math":false,"creators":["Savva, Stefanie"],"institution":"University of Essex","degree_name":"phd","degree_level":"doctoral","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-01","date_published":"2016-01","updated_at":"2026-07-24T02:18:05Z","subjects":["PR English literature"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Savva, Stefanie"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2016-01-11"]},{"key":"dc:date.issued","label":"Date","values":["2016-01"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of Literature, Film and Theatre Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Essex"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://repository.essex.ac.uk/16873/"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["phd"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["PR English literature"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://repository.essex.ac.uk/16873/1/phdTHEfinal.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation includes a novel entitled I Dreamt of Saltwater and Eggs and an accom- panying critical commentary which aims at examining themes and issues of post-colonial and commonwealth fiction in relation to the context of Cyprus. The novel is a magical realist story about a boy who sets out to find the girl he is in love with, while at the same time an anti-colonial fight breaks out in his homeland, Sarouiki. During his travels he is confronted with questions of identity, belonging and nationhood. While extensive research has been conducted on post-colonial writing and the over- running themes in fiction which falls under this category, Cyprus has remained fairly un- explored, mainly due to the fact that its anti-colonial struggle and post-colonial trauma are not deemed important enough. The thesis of this project is that magical realism as a genre is an organic occurrence that is interlinked with the post-colonial trauma in various countries. Magical realism serves as a way of seeing the world by using magic to understand the human dimensions of history. It is a way of reaching historical, national, and political truths and is thus a natural way of expression for post-colonial writers. By focusing on Cyprus, a fairly uninvestigated area of post-colonial writing, we can expand our understating of the issues and themes linked to this body of literature. As a Cypriot writer, I look at the ways in which I wrote I Dreamt of Saltwater and Eggs and how post-colonial discourses emerged in their creative process, and by doing so, I create the space to further explore minor post-colonial literatures in the light of the global issues they are linked to."]},{"key":"dc:format","label":"Dc Format","values":["text"]},{"key":"dc:title","label":"Title","values":["I Dreamt of Saltwater and Eggs: Magic, Nationhood, and the Writer-out-of-Country"]}]}],"canonical_facts":{"dc:creator":["Savva, Stefanie"],"dc:date":["2016-01-11"],"dc:date.issued":["2016-01"],"dc:description.abstract":["This dissertation includes a novel entitled I Dreamt of Saltwater and Eggs and an accom- panying critical commentary which aims at examining themes and issues of post-colonial and commonwealth fiction in relation to the context of Cyprus. The novel is a magical realist story about a boy who sets out to find the girl he is in love with, while at the same time an anti-colonial fight breaks out in his homeland, Sarouiki. During his travels he is confronted with questions of identity, belonging and nationhood. While extensive research has been conducted on post-colonial writing and the over- running themes in fiction which falls under this category, Cyprus has remained fairly un- explored, mainly due to the fact that its anti-colonial struggle and post-colonial trauma are not deemed important enough. The thesis of this project is that magical realism as a genre is an organic occurrence that is interlinked with the post-colonial trauma in various countries. Magical realism serves as a way of seeing the world by using magic to understand the human dimensions of history. It is a way of reaching historical, national, and political truths and is thus a natural way of expression for post-colonial writers. By focusing on Cyprus, a fairly uninvestigated area of post-colonial writing, we can expand our understating of the issues and themes linked to this body of literature. As a Cypriot writer, I look at the ways in which I wrote I Dreamt of Saltwater and Eggs and how post-colonial discourses emerged in their creative process, and by doing so, I create the space to further explore minor post-colonial literatures in the light of the global issues they are linked to."],"dc:format":["text"],"dc:identifier.uri":["https://repository.essex.ac.uk/16873/1/phdTHEfinal.pdf"],"dc:language":["en"],"dc:publisher.department":["Department of Literature, Film and Theatre Studies"],"dc:publisher.institution":["University of Essex"],"dc:relation.isreferencedby":["https://repository.essex.ac.uk/16873/"],"dc:subject":["PR English literature"],"dc:title":["I Dreamt of Saltwater and Eggs: Magic, Nationhood, and the Writer-out-of-Country"],"dc:type":["Thesis"],"dc:type.qualificationlevel":["doctoral"],"dc:type.qualificationname":["phd"]},"updated_at":"2026-07-24T02:18:05Z"}