{"id":{"repo_id":"emich","oai_identifier":"oai:commons.emich.edu:theses-2560"},"canonical_url":"https://search.dev.ndltd.org/etd/emich/oai:commons.emich.edu:theses-2560","repository":{"repo_id":"emich","name":"Eastern Michigan University","base_url":"https://commons.emich.edu/do/oai/"},"display":{"title":"Moments of excess: Type 1 diabetes and the myth of control in adolescent fiction for girls","abstract":"<p>This thesis is the first academic work to analyze the stories of the Type 1 diabetic teen girls of adolescent fiction. In novels for adolescent readers, these girls are often White, female, heterosexual, and middle class—resulting in a collective disability narrative that portrays an “every girl” and lacks cultural or political dimensions. This thesis explores the narratives of five fictional teen protagonists with Type 1 diabetes. They are: Stacey McGill from the Baby-Sitters Club series by Ann M. Martin, Rachel Deering in Lurlene McDaniel’s <em>Will I Ever Dance Again?</em> (1982), Mackenzie “Zie” Clark in Sarah White’s <em>Let Me List the Ways</em> (2018), Lucy Szabo in Pete Hautman’s <em>Sweetblood</em> (2003), and Virginia “Dare” Chase in Sarah Glenn Marsh’s <em>The Girls Are Never Gone</em> (2021). In these novels, diabetes is often made visible through moments of crisis—exemplifying what disability scholars David Mitchell and Sharon Snyder (2000) refer to as “disability as a material metaphor,” and ultimately furthering what American author Jeffery Bennett (2019) refers to as diabetes’ “crisis of signification.”</p>","abstract_html":"&lt;p&gt;This thesis is the first academic work to analyze the stories of the Type 1 diabetic teen girls of adolescent fiction. In novels for adolescent readers, these girls are often White, female, heterosexual, and middle class—resulting in a collective disability narrative that portrays an “every girl” and lacks cultural or political dimensions. This thesis explores the narratives of five fictional teen protagonists with Type 1 diabetes. They are: Stacey McGill from the Baby-Sitters Club series by Ann M. Martin, Rachel Deering in Lurlene McDaniel’s &lt;em&gt;Will I Ever Dance Again?&lt;/em&gt; (1982), Mackenzie “Zie” Clark in Sarah White’s &lt;em&gt;Let Me List the Ways&lt;/em&gt; (2018), Lucy Szabo in Pete Hautman’s &lt;em&gt;Sweetblood&lt;/em&gt; (2003), and Virginia “Dare” Chase in Sarah Glenn Marsh’s &lt;em&gt;The Girls Are Never Gone&lt;/em&gt; (2021). In these novels, diabetes is often made visible through moments of crisis—exemplifying what disability scholars David Mitchell and Sharon Snyder (2000) refer to as “disability as a material metaphor,” and ultimately furthering what American author Jeffery Bennett (2019) refers to as diabetes’ “crisis of signification.”&lt;/p&gt;","abstract_has_math":false,"creators":["LeGault, Michelle E."],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":"Open Access Thesis","degree_discipline":"English Language and Literature","degree_department":null,"school":null,"contributors":["Amanda K. Allen, Ph.D.","Annette Wannamaker, Ph.D."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-01-01T08:00:00Z","date_published":"2023-01-01T08:00:00Z","updated_at":"2026-07-24T02:17:47Z","subjects":["adolescent","chronic illness","diabetes","disability","girlhood","identity","Disability Studies","English Language and Literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://commons.emich.edu/theses/1189","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Amanda K. Allen, Ph.D.","Annette Wannamaker, Ph.D."]},{"key":"dc:creator","label":"Author","values":["LeGault, Michelle E."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2023-06-28T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English Language and Literature"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Open Access Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["adolescent","chronic illness","diabetes","disability","girlhood","identity","Disability Studies","English Language and Literature"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://commons.emich.edu/theses/1189"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>This thesis is the first academic work to analyze the stories of the Type 1 diabetic teen girls of adolescent fiction. In novels for adolescent readers, these girls are often White, female, heterosexual, and middle class—resulting in a collective disability narrative that portrays an “every girl” and lacks cultural or political dimensions. This thesis explores the narratives of five fictional teen protagonists with Type 1 diabetes. They are: Stacey McGill from the Baby-Sitters Club series by Ann M. Martin, Rachel Deering in Lurlene McDaniel’s <em>Will I Ever Dance Again?</em> (1982), Mackenzie “Zie” Clark in Sarah White’s <em>Let Me List the Ways</em> (2018), Lucy Szabo in Pete Hautman’s <em>Sweetblood</em> (2003), and Virginia “Dare” Chase in Sarah Glenn Marsh’s <em>The Girls Are Never Gone</em> (2021). In these novels, diabetes is often made visible through moments of crisis—exemplifying what disability scholars David Mitchell and Sharon Snyder (2000) refer to as “disability as a material metaphor,” and ultimately furthering what American author Jeffery Bennett (2019) refers to as diabetes’ “crisis of signification.”</p>"]},{"key":"dc:title","label":"Title","values":["Moments of excess: Type 1 diabetes and the myth of control in adolescent fiction for girls"]}]}],"canonical_facts":{"dc:contributor":["Amanda K. Allen, Ph.D.","Annette Wannamaker, Ph.D."],"dc:creator":["LeGault, Michelle E."],"dc:date.available":["2023-06-28T07:00:00Z"],"dc:description.abstract":["<p>This thesis is the first academic work to analyze the stories of the Type 1 diabetic teen girls of adolescent fiction. In novels for adolescent readers, these girls are often White, female, heterosexual, and middle class—resulting in a collective disability narrative that portrays an “every girl” and lacks cultural or political dimensions. This thesis explores the narratives of five fictional teen protagonists with Type 1 diabetes. They are: Stacey McGill from the Baby-Sitters Club series by Ann M. Martin, Rachel Deering in Lurlene McDaniel’s <em>Will I Ever Dance Again?</em> (1982), Mackenzie “Zie” Clark in Sarah White’s <em>Let Me List the Ways</em> (2018), Lucy Szabo in Pete Hautman’s <em>Sweetblood</em> (2003), and Virginia “Dare” Chase in Sarah Glenn Marsh’s <em>The Girls Are Never Gone</em> (2021). In these novels, diabetes is often made visible through moments of crisis—exemplifying what disability scholars David Mitchell and Sharon Snyder (2000) refer to as “disability as a material metaphor,” and ultimately furthering what American author Jeffery Bennett (2019) refers to as diabetes’ “crisis of signification.”</p>"],"dc:identifier":["https://commons.emich.edu/theses/1189"],"dc:subject":["adolescent","chronic illness","diabetes","disability","girlhood","identity","Disability Studies","English Language and Literature"],"dc:title":["Moments of excess: Type 1 diabetes and the myth of control in adolescent fiction for girls"],"thesis:degree_discipline":["English Language and Literature"],"thesis:degree_level":["Open Access Thesis"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T02:17:47Z"}