The manifold operations of the gothic double

<p>The gothic novel’s emergence as a dominant genre in the 19th century is illustrative of a shift in popular ideology taking place in Western Europe during this period. Competing viewpoints, particularly between opposing classes, directly reflect the uncertainties, anxieties, and aspirations of a continent undergoing a significant transition. Because the gothic draws upon the tension between contending attitudes—spiritualism and secularism, realism and romanticism, nationalism and imperialism, and aristocratic and bourgeois—it exposes how ideology embedded in these concepts either adds to or detracts from the greater good of the community.</p> <p>The technique of <em>doubling</em> is utilized to locate divergent ideologies and to demonstrate the complexity of reconciling them. The preferential treatment of middle-class values in the gothic helped shift mainstream conceptions of morality. In combination with contemporary critical theory, through the treatment of doubles, this thesis aims to address how the gothic influenced shifts in social and cultural trends.</p>

Name thesis:degree_name

Master of Arts (MA)

Level thesis:degree_level

Open Access Thesis

Discipline thesis:degree_discipline

English Language and Literature

Year dc:date.available

2010

Author dc:creator

• DeMars, Brian

Contributors dc:contributor

• Abby Coykendall, Ph.D, Chair
• Elisabeth Däumer, Ph.D

• English Language and Literature

Repository record dc:identifier

https://commons.emich.edu/theses/272

OAI identifier oai:identifier

oai:commons.emich.edu:theses-1271