{"id":{"repo_id":"eku","oai_identifier":"oai:encompass.eku.edu:etd-1846"},"canonical_url":"https://search.dev.ndltd.org/etd/eku/oai:encompass.eku.edu:etd-1846","repository":{"repo_id":"eku","name":"Eastern Kentucky University","base_url":"https://encompass.eku.edu/do/oai/"},"display":{"title":"Good for Her: Catharsis and Empowerment in Contemporary Literature","abstract":"A recent trend in readership within online discourse communities is the emergence of the genre called “Good for Her,” which contains themes of transgression beyond traditional expectations of socially acceptable feminine behavior by situating revenge arcs to celebrate actions that otherwise would have been perceived as reprehensible. The emergence and popularity of the genre in the post-2016 sociopolitical climate in the United States reflects the demand for marginalized communities to see versions of themselves represented in texts in which the protagonist avenges herself in the face of patriarchal oppression. The genre stems from canonical literary tropes also created in the midst of social unrest, and as the genre serves as a tool for marginalized communities to express their collective rage and highlight systemic injustices, the genre is worthy of consideration for literary merit despite its newness and composition of contemporary texts.","abstract_html":"A recent trend in readership within online discourse communities is the emergence of the genre called “Good for Her,” which contains themes of transgression beyond traditional expectations of socially acceptable feminine behavior by situating revenge arcs to celebrate actions that otherwise would have been perceived as reprehensible. The emergence and popularity of the genre in the post-2016 sociopolitical climate in the United States reflects the demand for marginalized communities to see versions of themselves represented in texts in which the protagonist avenges herself in the face of patriarchal oppression. The genre stems from canonical literary tropes also created in the midst of social unrest, and as the genre serves as a tool for marginalized communities to express their collective rage and highlight systemic injustices, the genre is worthy of consideration for literary merit despite its newness and composition of contemporary texts.","abstract_has_math":false,"creators":["Vaught, Jessica Lynn"],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":null,"degree_discipline":"English and Theatre","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-12-17T08:00:00Z","date_published":"2024-12-17T08:00:00Z","updated_at":"2026-07-24T02:16:04Z","subjects":["Contemporary;Good for Her;Literature;Readership;Revenge;Women","Modern Literature","Women's Studies"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://encompass.eku.edu/etd/848","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Vaught, Jessica Lynn"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["English and Theatre"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Contemporary;Good for Her;Literature;Readership;Revenge;Women","Modern Literature","Women's Studies"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://encompass.eku.edu/etd/848"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["A recent trend in readership within online discourse communities is the emergence of the genre called “Good for Her,” which contains themes of transgression beyond traditional expectations of socially acceptable feminine behavior by situating revenge arcs to celebrate actions that otherwise would have been perceived as reprehensible. The emergence and popularity of the genre in the post-2016 sociopolitical climate in the United States reflects the demand for marginalized communities to see versions of themselves represented in texts in which the protagonist avenges herself in the face of patriarchal oppression. The genre stems from canonical literary tropes also created in the midst of social unrest, and as the genre serves as a tool for marginalized communities to express their collective rage and highlight systemic injustices, the genre is worthy of consideration for literary merit despite its newness and composition of contemporary texts."]},{"key":"dc:title","label":"Title","values":["Good for Her: Catharsis and Empowerment in Contemporary Literature"]}]}],"canonical_facts":{"dc:creator":["Vaught, Jessica Lynn"],"dc:description.abstract":["A recent trend in readership within online discourse communities is the emergence of the genre called “Good for Her,” which contains themes of transgression beyond traditional expectations of socially acceptable feminine behavior by situating revenge arcs to celebrate actions that otherwise would have been perceived as reprehensible. The emergence and popularity of the genre in the post-2016 sociopolitical climate in the United States reflects the demand for marginalized communities to see versions of themselves represented in texts in which the protagonist avenges herself in the face of patriarchal oppression. The genre stems from canonical literary tropes also created in the midst of social unrest, and as the genre serves as a tool for marginalized communities to express their collective rage and highlight systemic injustices, the genre is worthy of consideration for literary merit despite its newness and composition of contemporary texts."],"dc:identifier":["https://encompass.eku.edu/etd/848"],"dc:subject":["Contemporary;Good for Her;Literature;Readership;Revenge;Women","Modern Literature","Women's Studies"],"dc:title":["Good for Her: Catharsis and Empowerment in Contemporary Literature"],"thesis:degree_discipline":["English and Theatre"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T02:16:04Z"}