{"id":{"repo_id":"eku","oai_identifier":"oai:encompass.eku.edu:etd-1781"},"canonical_url":"https://search.dev.ndltd.org/etd/eku/oai:encompass.eku.edu:etd-1781","repository":{"repo_id":"eku","name":"Eastern Kentucky University","base_url":"https://encompass.eku.edu/do/oai/"},"display":{"title":"Calling All Cast Members: Elevating Material Objects and Ambient Environments to Non-Human Rhetorical Actors in Arden of Faversham","abstract":"Material rhetoric and ambient rhetoric frameworks offer a unique lens to view the materiality in early modern drama. Using these principles, as well as Actor-Network Theory and Affect Theory, objects and environments can be elevated to non-human actors in a play’s rhetorical situation. Arden of Faversham engages heavily with the material world at every level of the play, making it a prime candidate for such an analysis. The material objects, ambient environments, and geographical places in Arden of Faversham remain so crucial that they become non-human rhetorical actors, complimenting and complicating the human actors. The play cannot be severed from the material. A methodology called Non-Human Actor Elevation is used to detail the importance of non-human actors in Arden of Faversham.","abstract_html":"Material rhetoric and ambient rhetoric frameworks offer a unique lens to view the materiality in early modern drama. Using these principles, as well as Actor-Network Theory and Affect Theory, objects and environments can be elevated to non-human actors in a play’s rhetorical situation. Arden of Faversham engages heavily with the material world at every level of the play, making it a prime candidate for such an analysis. The material objects, ambient environments, and geographical places in Arden of Faversham remain so crucial that they become non-human rhetorical actors, complimenting and complicating the human actors. The play cannot be severed from the material. A methodology called Non-Human Actor Elevation is used to detail the importance of non-human actors in Arden of Faversham.","abstract_has_math":false,"creators":["Pulaski, Tara Michelle"],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":null,"degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-05-12T07:00:00Z","date_published":"2023-05-12T07:00:00Z","updated_at":"2026-07-24T02:16:00Z","subjects":["Ambient Rhetoric;Arden of Faversham;Early Modern Drama;Material Rhetoric;Materialism;Non-Human Actor"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://encompass.eku.edu/etd/783","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Pulaski, Tara Michelle"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Ambient Rhetoric;Arden of Faversham;Early Modern Drama;Material Rhetoric;Materialism;Non-Human Actor"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://encompass.eku.edu/etd/783"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Material rhetoric and ambient rhetoric frameworks offer a unique lens to view the materiality in early modern drama. Using these principles, as well as Actor-Network Theory and Affect Theory, objects and environments can be elevated to non-human actors in a play’s rhetorical situation. Arden of Faversham engages heavily with the material world at every level of the play, making it a prime candidate for such an analysis. The material objects, ambient environments, and geographical places in Arden of Faversham remain so crucial that they become non-human rhetorical actors, complimenting and complicating the human actors. The play cannot be severed from the material. A methodology called Non-Human Actor Elevation is used to detail the importance of non-human actors in Arden of Faversham."]},{"key":"dc:title","label":"Title","values":["Calling All Cast Members: Elevating Material Objects and Ambient Environments to Non-Human Rhetorical Actors in Arden of Faversham"]}]}],"canonical_facts":{"dc:creator":["Pulaski, Tara Michelle"],"dc:description.abstract":["Material rhetoric and ambient rhetoric frameworks offer a unique lens to view the materiality in early modern drama. Using these principles, as well as Actor-Network Theory and Affect Theory, objects and environments can be elevated to non-human actors in a play’s rhetorical situation. Arden of Faversham engages heavily with the material world at every level of the play, making it a prime candidate for such an analysis. The material objects, ambient environments, and geographical places in Arden of Faversham remain so crucial that they become non-human rhetorical actors, complimenting and complicating the human actors. The play cannot be severed from the material. A methodology called Non-Human Actor Elevation is used to detail the importance of non-human actors in Arden of Faversham."],"dc:identifier":["https://encompass.eku.edu/etd/783"],"dc:subject":["Ambient Rhetoric;Arden of Faversham;Early Modern Drama;Material Rhetoric;Materialism;Non-Human Actor"],"dc:title":["Calling All Cast Members: Elevating Material Objects and Ambient Environments to Non-Human Rhetorical Actors in Arden of Faversham"],"thesis:degree_discipline":["English"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T02:16:00Z"}