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Eastern Kentucky University

Creating a Place for Monstrosity: The Forced Liminality and Limited Mobility of Codified Monstrosity in Leigh Bardugo's King of Scars

Abstract

dc:description.abstract

<p>The Young Adult Library Services Association (YALSA) outlines the purpose of young adult (YA) literature as addressing the unique needs of adolescents, which are “distinguished by unique needs that are – at minimum — physical, intellectual, emotional, and societal in nature” (Cart “Value” para. 8). This unique period in life is liminal, a time between childhood and adulthood. Adolescents search for meaning in the world around them, with literature as one avenue for self-discovery and affirmation. Mental health is one area teenagers seek answers, and YA literature has attempted to provide spaces to navigate those questions in popular contemporary works like Neal Shuterman’s Challenger Deep (2015) and John Green’s Turtles All the Way Down (2017); however, these mental health narratives largely apply to genres like romance and drama. These narratives also take place in speculative fiction, although veiled in fantasy elements like supernatural powers and fictional worlds. Leigh Bardugo’s King of Scars (2019) is one narrative where this underlying mental health narrative underpins the overarching plot of a character, Nikolai Lantsov, attempting to overcome his transformation into a monster. Applying a combination of psychoanalytic theory and place theory first uncovers the metaphor of monstrosity and what it codifies, and then provides the framework for criticizing how the construction of place limits a character’s mobility. This thesis argues that Nikolai’s half-human/half-monster identity roots him in a liminal space, which is reinforced and propagated by the people around him. Nikolai presents an complex case for study because his internal anxiety is made physical by the introduction of literal monstrosity, which is a unique feature of young adult speculative fiction. </p>

Degree

thesis:*
Name thesis:degree_name
Master of Arts (MA)
Level thesis:degree_level
Master's
Discipline thesis:degree_discipline
English and Theatre
Grantor dc:publisher
Eastern Kentucky University
Year
2020

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Lambert, Kaylee Brooke

Subjects

dc:subject × 9

Rights

dc:rights
Statement dc:rights
  • Copyright 2020 Kaylee Brooke Lambert

Identifiers

dc:identifier.*
Repository record dc:identifier
https://encompass.eku.edu/etd/661
OAI identifier oai:identifier
oai:encompass.eku.edu:etd-1659

Chain of custody

source
Harvested from
Eastern Kentucky University
Base URL
encompass.eku.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Lambert, Kaylee Brooke. Creating a Place for Monstrosity: The Forced Liminality and Limited Mobility of Codified Monstrosity in Leigh Bardugo's King of Scars. Master's thesis, Eastern Kentucky University, 2020. https://encompass.eku.edu/etd/661