Theories of diabolism have, since antiquity, made manifest societal fears of the unknown. Demonology, as discipline, flourished within the West accordingly; to function, at the inception of early modern science and during the \"transition\" to capitalism, as a device to translate alterity. At this juncture, theories of the demonic were occulted under scientific methodologies and institutionalized across the structures of modernity. \"Evil\", as discursive paradigm, was politically incarnated, canonized, and absorbed under the auspices of the state towards the consummation of socio-political \"diabolic\" enemies of society. In continuity with the past, \"evil\" continues to operate in the contemporary as a primary thematic frame by which alterity is isolated, cauterized and criminalized. The phenomena of \"addiction\" is a marked example, which is both affected by and reflective of a \"popular demonology\" that proliferates throughout the political and the socio-cultural in the justification of systematic repression. By taking one season of the popular anthology, American Horror Story, as heuristic device, this paper intends to trouble the rhetoric of \"addiction\" and to elucidate its fixity within \"long forgotten\" theories of \"demonic possession\". Narratives which horrifically depict \"addiction\" as demonic tenure, within the popular, not only actively incarnate but politicize the \"addict\" under a mythology of drug use that reifies their \"evil\" and underwrites their liminal positionality and perpetual suspension on the axes of sin ∕sickness. As hyperbolic dramatizations of drug use fail to produce, but conversely actively defuse, viable counter-narratives of \"addiction\" they negate broader structural critique of the phenomena and, in effect, grossly delimit the conditions of possibility for the \"addicted\" subject- whose outcomes are always and already known.
","abstract_html":"<p>Theories of diabolism have, since antiquity, made manifest societal fears of the unknown. Demonology, as discipline, flourished within the West accordingly; to function, at the inception of early modern science and during the "transition" to capitalism, as a device to translate alterity. At this juncture, theories of the demonic were occulted under scientific methodologies and institutionalized across the structures of modernity. "Evil", as discursive paradigm, was politically incarnated, canonized, and absorbed under the auspices of the state towards the consummation of socio-political "diabolic" enemies of society. In continuity with the past, "evil" continues to operate in the contemporary as a primary thematic frame by which alterity is isolated, cauterized and criminalized. The phenomena of "addiction" is a marked example, which is both affected by and reflective of a "popular demonology" that proliferates throughout the political and the socio-cultural in the justification of systematic repression. By taking one season of the popular anthology, American Horror Story, as heuristic device, this paper intends to trouble the rhetoric of "addiction" and to elucidate its fixity within "long forgotten" theories of "demonic possession". Narratives which horrifically depict "addiction" as demonic tenure, within the popular, not only actively incarnate but politicize the "addict" under a mythology of drug use that reifies their "evil" and underwrites their liminal positionality and perpetual suspension on the axes of sin ∕sickness. As hyperbolic dramatizations of drug use fail to produce, but conversely actively defuse, viable counter-narratives of "addiction" they negate broader structural critique of the phenomena and, in effect, grossly delimit the conditions of possibility for the "addicted" subject- whose outcomes are always and already known. </p>","abstract_has_math":false,"creators":["Martinez, Kyra Ann"],"institution":"Eastern Kentucky University","degree_name":"Master of Science (MS)","degree_level":"Master's","degree_discipline":"Justice Studies","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-01-01T08:00:00Z","date_published":"2017-01-01T08:00:00Z","updated_at":"2026-07-24T02:15:39Z","subjects":["addiction","demonology","feminism","horror","ideology","spatiality","Criminology","Film and Media Studies","Social Control, Law, Crime, and Deviance"],"languages":[],"rights":["Copyright 2017 Kyra Ann Martinez"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://encompass.eku.edu/etd/457","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Martinez, Kyra Ann"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:publisher","label":"Institution","values":["Encompass Digital Archive, Eastern Kentucky University"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Justice Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master's"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Science (MS)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Eastern Kentucky University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["addiction","demonology","feminism","horror","ideology","spatiality","Criminology","Film and Media Studies","Social Control, Law, Crime, and Deviance"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2017 Kyra Ann Martinez"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://encompass.eku.edu/etd/457"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Theories of diabolism have, since antiquity, made manifest societal fears of the unknown. Demonology, as discipline, flourished within the West accordingly; to function, at the inception of early modern science and during the \"transition\" to capitalism, as a device to translate alterity. At this juncture, theories of the demonic were occulted under scientific methodologies and institutionalized across the structures of modernity. \"Evil\", as discursive paradigm, was politically incarnated, canonized, and absorbed under the auspices of the state towards the consummation of socio-political \"diabolic\" enemies of society. In continuity with the past, \"evil\" continues to operate in the contemporary as a primary thematic frame by which alterity is isolated, cauterized and criminalized. The phenomena of \"addiction\" is a marked example, which is both affected by and reflective of a \"popular demonology\" that proliferates throughout the political and the socio-cultural in the justification of systematic repression. By taking one season of the popular anthology, American Horror Story, as heuristic device, this paper intends to trouble the rhetoric of \"addiction\" and to elucidate its fixity within \"long forgotten\" theories of \"demonic possession\". Narratives which horrifically depict \"addiction\" as demonic tenure, within the popular, not only actively incarnate but politicize the \"addict\" under a mythology of drug use that reifies their \"evil\" and underwrites their liminal positionality and perpetual suspension on the axes of sin ∕sickness. As hyperbolic dramatizations of drug use fail to produce, but conversely actively defuse, viable counter-narratives of \"addiction\" they negate broader structural critique of the phenomena and, in effect, grossly delimit the conditions of possibility for the \"addicted\" subject- whose outcomes are always and already known.
"]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:source","label":"Dc Source","values":["Encompass Digital Archive: Online Theses and Dissertations"]},{"key":"dc:title","label":"Title","values":["The Devil in the Details: Popular Demonology, Addiction and Criminology"]}]}],"canonical_facts":{"dc:creator":["Martinez, Kyra Ann"],"dc:description.abstract":["Theories of diabolism have, since antiquity, made manifest societal fears of the unknown. Demonology, as discipline, flourished within the West accordingly; to function, at the inception of early modern science and during the \"transition\" to capitalism, as a device to translate alterity. At this juncture, theories of the demonic were occulted under scientific methodologies and institutionalized across the structures of modernity. \"Evil\", as discursive paradigm, was politically incarnated, canonized, and absorbed under the auspices of the state towards the consummation of socio-political \"diabolic\" enemies of society. In continuity with the past, \"evil\" continues to operate in the contemporary as a primary thematic frame by which alterity is isolated, cauterized and criminalized. The phenomena of \"addiction\" is a marked example, which is both affected by and reflective of a \"popular demonology\" that proliferates throughout the political and the socio-cultural in the justification of systematic repression. By taking one season of the popular anthology, American Horror Story, as heuristic device, this paper intends to trouble the rhetoric of \"addiction\" and to elucidate its fixity within \"long forgotten\" theories of \"demonic possession\". Narratives which horrifically depict \"addiction\" as demonic tenure, within the popular, not only actively incarnate but politicize the \"addict\" under a mythology of drug use that reifies their \"evil\" and underwrites their liminal positionality and perpetual suspension on the axes of sin ∕sickness. As hyperbolic dramatizations of drug use fail to produce, but conversely actively defuse, viable counter-narratives of \"addiction\" they negate broader structural critique of the phenomena and, in effect, grossly delimit the conditions of possibility for the \"addicted\" subject- whose outcomes are always and already known.
"],"dc:format":["application/pdf"],"dc:identifier":["https://encompass.eku.edu/etd/457"],"dc:publisher":["Encompass Digital Archive, Eastern Kentucky University"],"dc:rights":["Copyright 2017 Kyra Ann Martinez"],"dc:source":["Encompass Digital Archive: Online Theses and Dissertations"],"dc:subject":["addiction","demonology","feminism","horror","ideology","spatiality","Criminology","Film and Media Studies","Social Control, Law, Crime, and Deviance"],"dc:title":["The Devil in the Details: Popular Demonology, Addiction and Criminology"],"dc:type":["Master Thesis"],"thesis:degree_discipline":["Justice Studies"],"thesis:degree_level":["Master's"],"thesis:degree_name":["Master of Science (MS)"],"thesis:institution_name":["Eastern Kentucky University"]},"updated_at":"2026-07-24T02:15:39Z"}