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Eastern Kentucky University

An Examination of Toccata Line Movements in Prokofiev's Piano Music

Abstract

dc:description.abstract

<p>Sergei Prokofiev categorized his compositions by grouping them into several "lines," namely, the classical, modern, toccata, and lyrical lines. This thesis will examine six solo piano works by Sergei Prokofiev, their relationship to one another, and their relative significance in context of Prokofiev's oeuvre as a whole. Three of the movements are specifically listed by the composer in the toccata line category, and the remaining three possess arresting similarities that could place them in that line. </p> <p>Chapter 1 places the following six compositions in historical context of Prokofiev's career as composer and pianist: Scherzo, Opus 12, No. 2; Third Sonata, Op. 28, Etude in C minor, Opus 2, No. 4; Suggestion diabolique, Opus 4, No. 4; Toccata in D minor, Opus 11; and the final movement of Seventh Sonata, Op. 83. It also examines some societal preconceptions and biases of the composer's time collectively in favor of or opposed to his musical aesthetic and voice. Chapter 2 deals with small and large-scale form as well as motivic and thematic development. Chapter 3 presents the rhythmic processes at work within each of the six movements, comparing and contrasting surface, middle, and core-level time factors that either govern the moto perpetuo thread or stray from it. Chapter 4 discusses the harmonic language of these works, such as chromaticism and dissonance treatment. Chapter 5 summarizes the findings and explores possible explanations for Prokofiev's statement that the toccata line works are his "least important." </p>

Degree

thesis:*
Name thesis:degree_name
Master of Music (MM)
Level thesis:degree_level
Master's
Discipline thesis:degree_discipline
Music
Grantor dc:publisher
Eastern Kentucky University
Year
2014

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Michael, Jeremie

Subjects

dc:subject × 5

Rights

dc:rights
Statement dc:rights
  • Copyright 2014 Jeremie Michael

Identifiers

dc:identifier.*
Repository record dc:identifier
https://encompass.eku.edu/etd/293
OAI identifier oai:identifier
oai:encompass.eku.edu:etd-1291

Chain of custody

source
Harvested from
Eastern Kentucky University
Base URL
encompass.eku.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Michael, Jeremie. An Examination of Toccata Line Movements in Prokofiev's Piano Music. Master's thesis, Eastern Kentucky University, 2014. https://encompass.eku.edu/etd/293