{"id":{"repo_id":"eku","oai_identifier":"oai:encompass.eku.edu:etd-1008"},"canonical_url":"https://search.dev.ndltd.org/etd/eku/oai:encompass.eku.edu:etd-1008","repository":{"repo_id":"eku","name":"Eastern Kentucky University","base_url":"https://encompass.eku.edu/do/oai/"},"display":{"title":"Postwar Media Manifestations and Don DeLillo","abstract":"<p>Media's influence on postwar American culture is undeniable. Don DeLillo's fiction is often a commentary on that influence. Hyperreality, Simulacra, Consumerism, and News Addiction are all regular themes in DeLillo's novels; this paper explores all of these concepts through the lens of media theory. Special attention is given to the novels <em>White Noise, Americana,</em> and <em>Mao II,</em> as well as to the media theorists Jean Baudrillard, Walter Benjamin, and Antonio Gramsci. The paper is both a history and a critique of postwar consumer culture and the role that media plays in the construction of that culture.</p>","abstract_html":"&lt;p&gt;Media&#x27;s influence on postwar American culture is undeniable. Don DeLillo&#x27;s fiction is often a commentary on that influence. Hyperreality, Simulacra, Consumerism, and News Addiction are all regular themes in DeLillo&#x27;s novels; this paper explores all of these concepts through the lens of media theory. Special attention is given to the novels &lt;em&gt;White Noise, Americana,&lt;/em&gt; and &lt;em&gt;Mao II,&lt;/em&gt; as well as to the media theorists Jean Baudrillard, Walter Benjamin, and Antonio Gramsci. The paper is both a history and a critique of postwar consumer culture and the role that media plays in the construction of that culture.&lt;/p&gt;","abstract_has_math":false,"creators":["Boldt, Joshua Adam"],"institution":"Eastern Kentucky University","degree_name":"Master of Arts (MA)","degree_level":"Master's","degree_discipline":"English and Theatre","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01-01T08:00:00Z","date_published":"2011-01-01T08:00:00Z","updated_at":"2026-07-24T02:15:13Z","subjects":["Baudrillard","Benjamin","DeLillo","hyperreality","media","simulacra","American Literature","Mass Communication"],"languages":[],"rights":["Copyright 2011 Joshua Adam Boldt"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://encompass.eku.edu/etd/09","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Boldt, Joshua Adam"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:publisher","label":"Institution","values":["Encompass Digital Archive, Eastern Kentucky University"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English and Theatre"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master's"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Eastern Kentucky University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Baudrillard","Benjamin","DeLillo","hyperreality","media","simulacra","American Literature","Mass Communication"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2011 Joshua Adam Boldt"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://encompass.eku.edu/etd/09"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Media's influence on postwar American culture is undeniable. Don DeLillo's fiction is often a commentary on that influence. Hyperreality, Simulacra, Consumerism, and News Addiction are all regular themes in DeLillo's novels; this paper explores all of these concepts through the lens of media theory. Special attention is given to the novels <em>White Noise, Americana,</em> and <em>Mao II,</em> as well as to the media theorists Jean Baudrillard, Walter Benjamin, and Antonio Gramsci. The paper is both a history and a critique of postwar consumer culture and the role that media plays in the construction of that culture.</p>"]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:source","label":"Dc Source","values":["Encompass Digital Archive: Online Theses and Dissertations"]},{"key":"dc:title","label":"Title","values":["Postwar Media Manifestations and Don DeLillo"]}]}],"canonical_facts":{"dc:creator":["Boldt, Joshua Adam"],"dc:description.abstract":["<p>Media's influence on postwar American culture is undeniable. Don DeLillo's fiction is often a commentary on that influence. Hyperreality, Simulacra, Consumerism, and News Addiction are all regular themes in DeLillo's novels; this paper explores all of these concepts through the lens of media theory. Special attention is given to the novels <em>White Noise, Americana,</em> and <em>Mao II,</em> as well as to the media theorists Jean Baudrillard, Walter Benjamin, and Antonio Gramsci. 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