{"id":{"repo_id":"eit-nz","oai_identifier":"oai:null:10652/6223"},"canonical_url":"https://search.dev.ndltd.org/etd/eit-nz/oai:null:10652/6223","repository":{"repo_id":"eit-nz","name":"Eastern Institute of Technology","base_url":"https://www.researchbank.ac.nz/server/oai/request"},"display":{"title":"Tukutahi","abstract":"The title of this project is called Tukutahi, which means the synchronization of two or more subjects or objects moving together simultaneously. The central question in this dissertation asks, “How can I express the whanaungatanga of my mixed lineage using raranga?” This creative undertaking is about identity and the search of an ingredient that will enable my weaving techniques to display a combined relationship of a harmonious nature between my Māori and Scottish relatives. Although the whanaungatanga journey is not something that can be measured, what I have experienced, and its spiritual significance, has been an essential part of the academic journey.","abstract_html":"The title of this project is called Tukutahi, which means the synchronization of two or more subjects or objects moving together simultaneously. The central question in this dissertation asks, “How can I express the whanaungatanga of my mixed lineage using raranga?” This creative undertaking is about identity and the search of an ingredient that will enable my weaving techniques to display a combined relationship of a harmonious nature between my Māori and Scottish relatives. Although the whanaungatanga journey is not something that can be measured, what I have experienced, and its spiritual significance, has been an essential part of the academic journey.","abstract_has_math":false,"creators":["Stewart, Adrienne"],"institution":"Eastern Institute of Technology","degree_name":"Master of Professional Creative Practice/Te Hono ki Toi (Poutiritāeo)","degree_level":"Masters","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022","date_published":"2022","updated_at":"2026-07-24T02:14:55Z","subjects":["Aotearoa","New Zealand","Scotland","weaving","New Zealand flax (Phormium tenax)","kete","kishie","inter-racial marriage","identity"],"languages":["en"],"rights":["All rights reserved"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10652/6223","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Stewart, Adrienne"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2024-04-08T23:02:28Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2024-04-08T23:02:28Z"]},{"key":"dc:date.issued","label":"Date","values":["2022"]},{"key":"dc:type","label":"Dc Type","values":["Masters Thesis","Exegesis"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Professional Creative Practice/Te Hono ki Toi (Poutiritāeo)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Eastern Institute of Technology"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Aotearoa","New Zealand","Scotland","weaving","New Zealand flax (Phormium tenax)","kete","kishie","inter-racial marriage","identity"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["All rights reserved"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10652/6223"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The title of this project is called Tukutahi, which means the synchronization of two or more subjects or objects moving together simultaneously. 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The central question in this dissertation asks, “How can I express the whanaungatanga of my mixed lineage using raranga?” This creative undertaking is about identity and the search of an ingredient that will enable my weaving techniques to display a combined relationship of a harmonious nature between my Māori and Scottish relatives. 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