{"id":{"repo_id":"ecu","oai_identifier":"oai:thescholarship.ecu.edu:10342/11133"},"canonical_url":"https://search.dev.ndltd.org/etd/ecu/oai:thescholarship.ecu.edu:10342/11133","repository":{"repo_id":"ecu","name":"East Carolina University","base_url":"https://thescholarship.ecu.edu/server/oai/request"},"display":{"title":"Breaking the chains of colonial Christianity : origins and purposes of weaponized Chrisitianity in postcolonial literature","abstract":"In this thesis, I examine how weaponized colonial Christianity was the most effective means of Black subordination, and I assert that weaponized colonial Christianity gave license to Europeans to chronologically invade African geographies, commodify and objectify African bodies and negate African identity. Weaponized Christianity fostered anti-Blackness. Through textual analysis of selected colonial/postcolonial, I explored Chimamanda Ngozi Adichie's novel, Purple Hibiscus; Harriet Beecher Stowe's novel, Uncle Tom's Cabin; Olaudah Equiano's autobiography, The Interesting Narrative Life of Olaudah Equiano, or Gustavus Vassa, the African, Written by Himself; Richard Wright's novel, Uncle Tom's Children; and Alice Walker's novel, The Third Life of Grange Copeland through a post-colonial lens of oppression and present European weaponization of Biblical ideologies as the underpinning of historical and contemporary Black oppression, as such ideologies were/are reinforced by majoritarian institutions and performative practices that created a global problematized social hierarchy that became more intractable as it persisted.","abstract_html":"In this thesis, I examine how weaponized colonial Christianity was the most effective means of Black subordination, and I assert that weaponized colonial Christianity gave license to Europeans to chronologically invade African geographies, commodify and objectify African bodies and negate African identity. Weaponized Christianity fostered anti-Blackness. Through textual analysis of selected colonial/postcolonial, I explored Chimamanda Ngozi Adichie's novel, Purple Hibiscus; Harriet Beecher Stowe's novel, Uncle Tom's Cabin; Olaudah Equiano's autobiography, The Interesting Narrative Life of Olaudah Equiano, or Gustavus Vassa, the African, Written by Himself; Richard Wright's novel, Uncle Tom's Children; and Alice Walker's novel, The Third Life of Grange Copeland through a post-colonial lens of oppression and present European weaponization of Biblical ideologies as the underpinning of historical and contemporary Black oppression, as such ideologies were/are reinforced by majoritarian institutions and performative practices that created a global problematized social hierarchy that became more intractable as it persisted.","abstract_has_math":false,"creators":["McMillion, Jamal Laruba"],"institution":"East Carolina University","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":"English","school":null,"contributors":[],"advisors":["Deena, Seodial F. H. (Seodial Frank Hubert), 1956-"],"committee_chairs":[],"committee_members":["Banks, William P","Gueye, Marame","Watson, Reginald"],"year":2022,"date_issued":"2022-07-20","date_published":"2022-07-20","updated_at":"2026-07-24T02:13:37Z","subjects":["The Bible and Black oppression","Made in his own image"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10342/11133","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Deena, Seodial F. H. 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Weaponized Christianity fostered anti-Blackness. Through textual analysis of selected colonial/postcolonial, I explored Chimamanda Ngozi Adichie's novel, Purple Hibiscus; Harriet Beecher Stowe's novel, Uncle Tom's Cabin; Olaudah Equiano's autobiography, The Interesting Narrative Life of Olaudah Equiano, or Gustavus Vassa, the African, Written by Himself; Richard Wright's novel, Uncle Tom's Children; and Alice Walker's novel, The Third Life of Grange Copeland through a post-colonial lens of oppression and present European weaponization of Biblical ideologies as the underpinning of historical and contemporary Black oppression, as such ideologies were/are reinforced by majoritarian institutions and performative practices that created a global problematized social hierarchy that became more intractable as it persisted."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Breaking the chains of colonial Christianity : origins and purposes of weaponized Chrisitianity in postcolonial literature"]}]}],"canonical_facts":{"dc:contributor.advisor":["Deena, Seodial F. H. (Seodial Frank Hubert), 1956-"],"dc:contributor.committeemember":["Banks, William P","Gueye, Marame","Watson, Reginald"],"dc:contributor.department":["English"],"dc:creator":["McMillion, Jamal Laruba"],"dc:date.accessioned":["2022-09-12T19:18:26Z"],"dc:date.available":["2022-09-12T19:18:26Z"],"dc:date.issued":["2022-07-20"],"dc:description.abstract":["In this thesis, I examine how weaponized colonial Christianity was the most effective means of Black subordination, and I assert that weaponized colonial Christianity gave license to Europeans to chronologically invade African geographies, commodify and objectify African bodies and negate African identity. Weaponized Christianity fostered anti-Blackness. Through textual analysis of selected colonial/postcolonial, I explored Chimamanda Ngozi Adichie's novel, Purple Hibiscus; Harriet Beecher Stowe's novel, Uncle Tom's Cabin; Olaudah Equiano's autobiography, The Interesting Narrative Life of Olaudah Equiano, or Gustavus Vassa, the African, Written by Himself; Richard Wright's novel, Uncle Tom's Children; and Alice Walker's novel, The Third Life of Grange Copeland through a post-colonial lens of oppression and present European weaponization of Biblical ideologies as the underpinning of historical and contemporary Black oppression, as such ideologies were/are reinforced by majoritarian institutions and performative practices that created a global problematized social hierarchy that became more intractable as it persisted."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["http://hdl.handle.net/10342/11133"],"dc:language.iso":["en"],"dc:publisher":["East Carolina University"],"dc:subject":["The Bible and Black oppression","Made in his own image"],"dc:title":["Breaking the chains of colonial Christianity : origins and purposes of weaponized Chrisitianity in postcolonial literature"],"dc:type":["Master's Thesis"]},"updated_at":"2026-07-24T02:13:37Z"}