{"id":{"repo_id":"eastern-wash","oai_identifier":"oai:dc.ewu.edu:theses-1903"},"canonical_url":"https://search.dev.ndltd.org/etd/eastern-wash/oai:dc.ewu.edu:theses-1903","repository":{"repo_id":"eastern-wash","name":"Eastern Washington University","base_url":"https://dc.ewu.edu/do/oai/"},"display":{"title":"A re-examination of the work of Eugene Atget","abstract":"<p>Atget's content and style are re-examined. The purpose of this thesis is to analyze facts about Atget's life, to draw conclusions about his technical, contextual and formal style, and to determine whether the published view of his style is representative of his work as a whole. Conclusions are drawn through an examination of a variety of written source material and from examination of some of Atget's original prints. Eugene Atget's photographs of Paris and its surrounding areas are beautiful, atmospheric images. Yet, Atget's utilitarian interest in the document illustrates his intention to create a sociological, historical and anthropological view of Paris. Once this intention is assumed, his work takes on a political meaning.</p>","abstract_html":"&lt;p&gt;Atget&#x27;s content and style are re-examined. The purpose of this thesis is to analyze facts about Atget&#x27;s life, to draw conclusions about his technical, contextual and formal style, and to determine whether the published view of his style is representative of his work as a whole. Conclusions are drawn through an examination of a variety of written source material and from examination of some of Atget&#x27;s original prints. Eugene Atget&#x27;s photographs of Paris and its surrounding areas are beautiful, atmospheric images. Yet, Atget&#x27;s utilitarian interest in the document illustrates his intention to create a sociological, historical and anthropological view of Paris. Once this intention is assumed, his work takes on a political meaning.&lt;/p&gt;","abstract_has_math":false,"creators":["Arpin, Marcel Joseph"],"institution":null,"degree_name":"Master of Arts (MA) in College Instruction","degree_level":"Thesis: EWU Only","degree_discipline":"Art","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1990,"date_issued":"1990-01-01T08:00:00Z","date_published":"1990-01-01T08:00:00Z","updated_at":"2026-07-24T02:12:46Z","subjects":["Photography","Theory and Criticism"],"languages":[],"rights":["Access perpetually restricted to EWU users with an active EWU NetID"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dc.ewu.edu/theses/907","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Arpin, Marcel Joseph"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis: EWU Only"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA) in College Instruction"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Photography","Theory and Criticism"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Access perpetually restricted to EWU users with an active EWU NetID"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dc.ewu.edu/theses/907"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Atget's content and style are re-examined. The purpose of this thesis is to analyze facts about Atget's life, to draw conclusions about his technical, contextual and formal style, and to determine whether the published view of his style is representative of his work as a whole. Conclusions are drawn through an examination of a variety of written source material and from examination of some of Atget's original prints. Eugene Atget's photographs of Paris and its surrounding areas are beautiful, atmospheric images. Yet, Atget's utilitarian interest in the document illustrates his intention to create a sociological, historical and anthropological view of Paris. Once this intention is assumed, his work takes on a political meaning.</p>"]},{"key":"dc:title","label":"Title","values":["A re-examination of the work of Eugene Atget"]}]}],"canonical_facts":{"dc:creator":["Arpin, Marcel Joseph"],"dc:description.abstract":["<p>Atget's content and style are re-examined. The purpose of this thesis is to analyze facts about Atget's life, to draw conclusions about his technical, contextual and formal style, and to determine whether the published view of his style is representative of his work as a whole. Conclusions are drawn through an examination of a variety of written source material and from examination of some of Atget's original prints. Eugene Atget's photographs of Paris and its surrounding areas are beautiful, atmospheric images. Yet, Atget's utilitarian interest in the document illustrates his intention to create a sociological, historical and anthropological view of Paris. Once this intention is assumed, his work takes on a political meaning.</p>"],"dc:identifier":["https://dc.ewu.edu/theses/907"],"dc:rights":["Access perpetually restricted to EWU users with an active EWU NetID"],"dc:subject":["Photography","Theory and Criticism"],"dc:title":["A re-examination of the work of Eugene Atget"],"thesis:degree_discipline":["Art"],"thesis:degree_level":["Thesis: EWU Only"],"thesis:degree_name":["Master of Arts (MA) in College Instruction"]},"updated_at":"2026-07-24T02:12:46Z"}