Abstract
dc:description.abstractIn this thesis I examine the relationship between a screenplay and the films made from it. I test the hypothesis that a film based on an original (not adapted from an existing text) screenplay is an adaptation of this screenplay. In order to investigate the potential range of adaptations that occur during the process of film production, I commissioned a short screenplay which was made into a film five times, by five different production teams, each entirely independent of one another. Utilising these films as my primary set of data, I engage in comparative analysis of the screenplay to the five films and of each of the five films to one another. My framework for analysis is grounded in adaptation studies, which has engaged in close comparative analysis of novel to film, but has not made significant inquiry into the discrete phase of adaptation between screenplay and film. Additionally, I argue that an investigation into the relationship between written and filmed creative work is ideally conducted by engaging with practice and practitioners. My thesis is therefore comprised of dual written and filmed components.
Degree
thesis:*- Name dc:type.qualificationname
- phd
- Level dc:type.qualificationlevel
- doctoral
- Grantor dc:publisher.institution
- University of East Anglia
- Year dc:date.issued
- 2016
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Oey, Jennifer
Rights
- Language dc:language
- en