{"id":{"repo_id":"east-anglia","oai_identifier":"oai:ueaeprints.uea.ac.uk:47609"},"canonical_url":"https://search.dev.ndltd.org/etd/east-anglia/oai:ueaeprints.uea.ac.uk:47609","repository":{"repo_id":"east-anglia","name":"University of East Anglia","base_url":"https://ueaeprints.uea.ac.uk/cgi/oai2"},"display":{"title":"Percussion in an electronic environment","abstract":"This essay is an account of the process of making work for a new percussion/software performance environment built using Max/Msp, with an electronic drum kit as control interface. Each of the works are Audio-visual responses to a number of key stimuli - the experience of urbanness, representations and accounts of mental illness, childhood and memory, and physicality - which are recurring concerns in my work. Submitted along with the supporting text are DVD documents ofthe four main pieces of work, which are presented here as medium-specific 'versions' of the pieces- i.e. edited specifically for for DVD replay rather than as 'neutral' documentation. Also submitted are the materials needed to perform each of the pieces, including written performance instructions and the Max/Msp patches (containing the relevant media) for each piece. *[N.B.: A DVD was attached to this thesis at the time of its submission. Please refer to the author for further details.]*","abstract_html":"This essay is an account of the process of making work for a new percussion/software performance environment built using Max/Msp, with an electronic drum kit as control interface. Each of the works are Audio-visual responses to a number of key stimuli - the experience of urbanness, representations and accounts of mental illness, childhood and memory, and physicality - which are recurring concerns in my work. 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