{"id":{"repo_id":"durham","oai_identifier":"oai:etheses.durham.ac.uk:1161"},"canonical_url":"https://search.dev.ndltd.org/etd/durham/oai:etheses.durham.ac.uk:1161","repository":{"repo_id":"durham","name":"Durham University","base_url":"http://etheses.dur.ac.uk/cgi/oai2"},"display":{"title":"Half-finished streets, Illimitable Horizons and Enclosed Intimacy: the landscapes of Elizabeth Gaskells writing.","abstract":"The study of Gaskell's use of place lies at the heart of the argument in this thesis. Recollections of her early years and places visited during her writing career help to create vividly evoked, topographically secure locations, which provide the structural foundations for her narratives. The major novels, the biography of Charlotte Brontë, and several short stories are used to illustrate the argument, although all her work is underpinned by a belief in the intimate connections between human beings and their environment. Chapter I offers an original landscape classification of her work and sets out the concepts that support the argument, e. g. Moretti's model of narrative structure and the concept of 'environmental determinism'. Chapter 2 focuses on Manchester's urban- industrial environment as portrayed realistically in Mary Barton and as a fictional representation in North and South. The argument focuses on the way in which Gaskell's familiarity with the town, and her compulsion to write about its people, combined to produce a narrative structure founded on a selective morphology of a town undergoing rapid urbanisation, manifest in it shalf-finished streets'. The physical conditions of Manchester are seen as one of the factors determining human destiny. Chapters 3,4 and 5 deal with the works of the 'wildscape' phase of her writing. Although discussed separately, Ruth, The Life of Charlotte Bronte and Sylvia's Lovers are linked by featureless, treeless expanses of moorland and seascape with 'illimitable horizons'. Chapter 6 establishes the topographical security of Gaskell's fictionalised rural and provincial landscapes. It explores the extent to which lives are dominated by the 'enclosed intimacy' of their physical and social environment in Wives and Daughters and a selection of shorter fiction. In conclusion, Chapter 7 identifies Gaskell as a 'northern' novelist whose work has been found to be enriched by a belief in the close connection between character and environment.","abstract_html":"The study of Gaskell's use of place lies at the heart of the argument in this thesis. Recollections of her early years and places visited during her writing career help to create vividly evoked, topographically secure locations, which provide the structural foundations for her narratives. The major novels, the biography of Charlotte Brontë, and several short stories are used to illustrate the argument, although all her work is underpinned by a belief in the intimate connections between human beings and their environment. Chapter I offers an original landscape classification of her work and sets out the concepts that support the argument, e. g. Moretti's model of narrative structure and the concept of 'environmental determinism'. Chapter 2 focuses on Manchester's urban- industrial environment as portrayed realistically in Mary Barton and as a fictional representation in North and South. The argument focuses on the way in which Gaskell's familiarity with the town, and her compulsion to write about its people, combined to produce a narrative structure founded on a selective morphology of a town undergoing rapid urbanisation, manifest in it shalf-finished streets'. The physical conditions of Manchester are seen as one of the factors determining human destiny. Chapters 3,4 and 5 deal with the works of the 'wildscape' phase of her writing. Although discussed separately, Ruth, The Life of Charlotte Bronte and Sylvia's Lovers are linked by featureless, treeless expanses of moorland and seascape with 'illimitable horizons'. Chapter 6 establishes the topographical security of Gaskell's fictionalised rural and provincial landscapes. It explores the extent to which lives are dominated by the 'enclosed intimacy' of their physical and social environment in Wives and Daughters and a selection of shorter fiction. In conclusion, Chapter 7 identifies Gaskell as a 'northern' novelist whose work has been found to be enriched by a belief in the close connection between character and environment.","abstract_has_math":false,"creators":["Twinn, Frances Elizabeth"],"institution":"Durham University","degree_name":"PhD","degree_level":"doctoral","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1999,"date_issued":"1999","date_published":"1999","updated_at":"2026-07-24T02:11:24Z","subjects":[],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.grantnumber","label":"Dc Identifier Grantnumber","values":["EThOS (BL)"],"render_values":[{"text":"EThOS (BL)","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Twinn, Frances Elizabeth"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["1999"]},{"key":"dc:date.issued","label":"Date","values":["1999"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["English Studies, Department of"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["Durham University"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://etheses.durham.ac.uk/id/eprint/1161/"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["PhD"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.grantnumber","label":"Dc Identifier Grantnumber","values":["EThOS (BL)"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://etheses.durham.ac.uk/id/eprint/1161/1/1161.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The study of Gaskell's use of place lies at the heart of the argument in this thesis. Recollections of her early years and places visited during her writing career help to create vividly evoked, topographically secure locations, which provide the structural foundations for her narratives. The major novels, the biography of Charlotte Brontë, and several short stories are used to illustrate the argument, although all her work is underpinned by a belief in the intimate connections between human beings and their environment. Chapter I offers an original landscape classification of her work and sets out the concepts that support the argument, e. g. Moretti's model of narrative structure and the concept of 'environmental determinism'. Chapter 2 focuses on Manchester's urban- industrial environment as portrayed realistically in Mary Barton and as a fictional representation in North and South. The argument focuses on the way in which Gaskell's familiarity with the town, and her compulsion to write about its people, combined to produce a narrative structure founded on a selective morphology of a town undergoing rapid urbanisation, manifest in it shalf-finished streets'. The physical conditions of Manchester are seen as one of the factors determining human destiny. Chapters 3,4 and 5 deal with the works of the 'wildscape' phase of her writing. Although discussed separately, Ruth, The Life of Charlotte Bronte and Sylvia's Lovers are linked by featureless, treeless expanses of moorland and seascape with 'illimitable horizons'. Chapter 6 establishes the topographical security of Gaskell's fictionalised rural and provincial landscapes. It explores the extent to which lives are dominated by the 'enclosed intimacy' of their physical and social environment in Wives and Daughters and a selection of shorter fiction. In conclusion, Chapter 7 identifies Gaskell as a 'northern' novelist whose work has been found to be enriched by a belief in the close connection between character and environment."]},{"key":"dc:format","label":"Dc Format","values":["text"]},{"key":"dc:title","label":"Title","values":["Half-finished streets, Illimitable Horizons and Enclosed Intimacy: the landscapes of Elizabeth Gaskells writing."]}]}],"canonical_facts":{"dc:creator":["Twinn, Frances Elizabeth"],"dc:date":["1999"],"dc:date.issued":["1999"],"dc:description.abstract":["The study of Gaskell's use of place lies at the heart of the argument in this thesis. Recollections of her early years and places visited during her writing career help to create vividly evoked, topographically secure locations, which provide the structural foundations for her narratives. The major novels, the biography of Charlotte Brontë, and several short stories are used to illustrate the argument, although all her work is underpinned by a belief in the intimate connections between human beings and their environment. Chapter I offers an original landscape classification of her work and sets out the concepts that support the argument, e. g. Moretti's model of narrative structure and the concept of 'environmental determinism'. Chapter 2 focuses on Manchester's urban- industrial environment as portrayed realistically in Mary Barton and as a fictional representation in North and South. The argument focuses on the way in which Gaskell's familiarity with the town, and her compulsion to write about its people, combined to produce a narrative structure founded on a selective morphology of a town undergoing rapid urbanisation, manifest in it shalf-finished streets'. The physical conditions of Manchester are seen as one of the factors determining human destiny. Chapters 3,4 and 5 deal with the works of the 'wildscape' phase of her writing. Although discussed separately, Ruth, The Life of Charlotte Bronte and Sylvia's Lovers are linked by featureless, treeless expanses of moorland and seascape with 'illimitable horizons'. Chapter 6 establishes the topographical security of Gaskell's fictionalised rural and provincial landscapes. It explores the extent to which lives are dominated by the 'enclosed intimacy' of their physical and social environment in Wives and Daughters and a selection of shorter fiction. In conclusion, Chapter 7 identifies Gaskell as a 'northern' novelist whose work has been found to be enriched by a belief in the close connection between character and environment."],"dc:format":["text"],"dc:identifier.grantnumber":["EThOS (BL)"],"dc:identifier.uri":["https://etheses.durham.ac.uk/id/eprint/1161/1/1161.pdf"],"dc:publisher.department":["English Studies, Department of"],"dc:publisher.institution":["Durham University"],"dc:relation.isreferencedby":["https://etheses.durham.ac.uk/id/eprint/1161/"],"dc:title":["Half-finished streets, Illimitable Horizons and Enclosed Intimacy: the landscapes of Elizabeth Gaskells writing."],"dc:type":["Thesis"],"dc:type.qualificationlevel":["doctoral"],"dc:type.qualificationname":["PhD"]},"updated_at":"2026-07-24T02:11:24Z"}