This dissertation project sets out to perform a rhetorical and phenomenological analysis of the subjectivity that Césaire portrays in his epic poem Cahier d’un retour au pays natal, or Notebook of a Return to My Native Land. Césaire published and republished Cahier four times in a 17-year period and the modified accounts of subjectivity presented in the lines of the poem mirrors that of Césaire’s own human subjectivity. Césaire poetically unleashes Cahier and his Négritude project in an effort to shift the geography of reason from its self-appointed European center, to create a liminal space for the totalized and autonomous development of human subjectivity, and to reconceptualize understandings of humanism in an effort to create space for a future that is rich in its particularity—in this case the particularity of human subjectivity. Césaire did not call for a reparation of the past nor a reclamation of the present, but rather offered a proclamation for a future wherein any conceptualization of the universal would be constituted by the particularity of the human subject as it presents itself to the other and the world. The dissertation project will critically examine the communicative, rhetorical, and phenomenological significance of Césaire’s accounts of human subjectivity in Cahier and his Négritude project as forms of linguistic empowerment aimed squarely at de-centering, shifting, and perhaps expanding the geography of reason so as to create and preserve a liminal space for the totalized and autonomous development of the richness that is found in the particularity of all human subjectivity.
","abstract_html":"<p>This dissertation project sets out to perform a rhetorical and phenomenological analysis of the subjectivity that Césaire portrays in his epic poem <em>Cahier d’un retour au pays natal</em>, or <em>Notebook of a Return to My Native Land</em>. Césaire published and republished <em>Cahier </em>four times in a 17-year period and the modified accounts of subjectivity presented in the lines of the poem mirrors that of Césaire’s own human subjectivity. Césaire poetically unleashes <em>Cahier </em>and his <em>Négritude </em>project in an effort to shift the geography of reason from its self-appointed European center, to create a liminal space for the totalized and autonomous development of human subjectivity, and to reconceptualize understandings of humanism in an effort to create space for a future that is rich in its particularity—in this case the particularity of human subjectivity. Césaire did not call for a reparation of the past nor a reclamation of the present, but rather offered a proclamation for a future wherein any conceptualization of the universal would be constituted by the particularity of the human subject as it presents itself to the other and the world. The dissertation project will critically examine the communicative, rhetorical, and phenomenological significance of Césaire’s accounts of human subjectivity in <em>Cahier </em>and his <em>Négritude </em>project as forms of linguistic empowerment aimed squarely at de-centering, shifting, and perhaps expanding the geography of reason so as to create and preserve a liminal space for the totalized and autonomous development of the richness that is found in the particularity of all human subjectivity.</p>","abstract_has_math":false,"creators":["Binnie, Chelsea"],"institution":null,"degree_name":"PhD","degree_level":"Immediate Access","degree_discipline":"Communication and Rhetorical Studies","degree_department":null,"school":null,"contributors":["Erik A. Garrett","Ronald C. Arnett","Richard H. Thames"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018-12-21T08:00:00Z","date_published":"2018-12-21T08:00:00Z","updated_at":"2026-07-24T02:10:50Z","subjects":["Philosophy of Communicative Experience","Aimé Césaire","la Négritude","Cahier d'un retour au pays natal","Kenneth Burke","Rhetoric","Lewis R. Gordon","Phenomenology","Epistemology","French and Francophone Language and Literature","Philosophy","Race, Ethnicity and Post-Colonial Studies","Rhetoric and Composition"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dsc.duq.edu/etd/1730","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Erik A. Garrett","Ronald C. Arnett","Richard H. 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Césaire poetically unleashes Cahier and his Négritude project in an effort to shift the geography of reason from its self-appointed European center, to create a liminal space for the totalized and autonomous development of human subjectivity, and to reconceptualize understandings of humanism in an effort to create space for a future that is rich in its particularity—in this case the particularity of human subjectivity. Césaire did not call for a reparation of the past nor a reclamation of the present, but rather offered a proclamation for a future wherein any conceptualization of the universal would be constituted by the particularity of the human subject as it presents itself to the other and the world. The dissertation project will critically examine the communicative, rhetorical, and phenomenological significance of Césaire’s accounts of human subjectivity in Cahier and his Négritude project as forms of linguistic empowerment aimed squarely at de-centering, shifting, and perhaps expanding the geography of reason so as to create and preserve a liminal space for the totalized and autonomous development of the richness that is found in the particularity of all human subjectivity.
"]},{"key":"dc:title","label":"Title","values":["Four Phases of Subjectivity: A Rhetorical and Phenomenological Analysis of Aimé Césaire And Cahier D’un Retour Au Pays Natal"]}]}],"canonical_facts":{"dc:contributor":["Erik A. Garrett","Ronald C. Arnett","Richard H. Thames"],"dc:creator":["Binnie, Chelsea"],"dc:date.available":["2018-11-16T08:00:00Z"],"dc:description.abstract":["This dissertation project sets out to perform a rhetorical and phenomenological analysis of the subjectivity that Césaire portrays in his epic poem Cahier d’un retour au pays natal, or Notebook of a Return to My Native Land. Césaire published and republished Cahier four times in a 17-year period and the modified accounts of subjectivity presented in the lines of the poem mirrors that of Césaire’s own human subjectivity. Césaire poetically unleashes Cahier and his Négritude project in an effort to shift the geography of reason from its self-appointed European center, to create a liminal space for the totalized and autonomous development of human subjectivity, and to reconceptualize understandings of humanism in an effort to create space for a future that is rich in its particularity—in this case the particularity of human subjectivity. Césaire did not call for a reparation of the past nor a reclamation of the present, but rather offered a proclamation for a future wherein any conceptualization of the universal would be constituted by the particularity of the human subject as it presents itself to the other and the world. The dissertation project will critically examine the communicative, rhetorical, and phenomenological significance of Césaire’s accounts of human subjectivity in Cahier and his Négritude project as forms of linguistic empowerment aimed squarely at de-centering, shifting, and perhaps expanding the geography of reason so as to create and preserve a liminal space for the totalized and autonomous development of the richness that is found in the particularity of all human subjectivity.
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