{"id":{"repo_id":"duquesne","oai_identifier":"oai:dsc.duq.edu:etd-2254"},"canonical_url":"https://search.dev.ndltd.org/etd/duquesne/oai:dsc.duq.edu:etd-2254","repository":{"repo_id":"duquesne","name":"Duquesne","base_url":"https://dsc.duq.edu/do/oai/"},"display":{"title":"Sin, History, and Liberty: Milton, Anna Letitia Barbauld, and Anne Grant in the Eighteen Hundreds","abstract":"My study examines the relationship between Anna Letitia Barbauld's Eighteen Hundred and Eleven, A Poem and Anne Grant's Eighteen Hundred and Thirteen, A Poem as well as Milton's presence in both texts. I argue that Grant does not merely offer a conservative counter to Barbauld's liberal condemnation of English politics during England's military engagement with Napoleonic France; rather, Grant provides a nuanced and balanced response to Barbauld in which Grant both acknowledges the faults of England and defends England as the source of liberty. Between these two positions is Milton, a towering cultural figure in England. Milton is not only a critic of English politics but also a champion of liberty. Thus, politically and poetically, Milton is the link between Barbauld's and Grant's prophetic poems. </p><p>In the first section of my study, I sketch Milton's Augustinian theology and politics with particular attention given to the Judeo-Christian paradigm of sin in Paradise Lost; I also chart his position within England's history and culture from the time of Milton through the period of Barbauld and Grant. In my second chapter, I examine Barbauld's religion and politics and how they are manifested in her poem, a poem that positions England as a fallen nation with no hope for regeneration. Finally, I examine Grant's theology and politics via her poetic response to Barbauld; Grant adopts Milton in her positioning of England as the fallen Christian hero and torch of liberty for the world.","abstract_html":"My study examines the relationship between Anna Letitia Barbauld&#x27;s Eighteen Hundred and Eleven, A Poem and Anne Grant&#x27;s Eighteen Hundred and Thirteen, A Poem as well as Milton&#x27;s presence in both texts. I argue that Grant does not merely offer a conservative counter to Barbauld&#x27;s liberal condemnation of English politics during England&#x27;s military engagement with Napoleonic France; rather, Grant provides a nuanced and balanced response to Barbauld in which Grant both acknowledges the faults of England and defends England as the source of liberty. Between these two positions is Milton, a towering cultural figure in England. Milton is not only a critic of English politics but also a champion of liberty. Thus, politically and poetically, Milton is the link between Barbauld&#x27;s and Grant&#x27;s prophetic poems. &lt;/p&gt;&lt;p&gt;In the first section of my study, I sketch Milton&#x27;s Augustinian theology and politics with particular attention given to the Judeo-Christian paradigm of sin in Paradise Lost; I also chart his position within England&#x27;s history and culture from the time of Milton through the period of Barbauld and Grant. In my second chapter, I examine Barbauld&#x27;s religion and politics and how they are manifested in her poem, a poem that positions England as a fallen nation with no hope for regeneration. Finally, I examine Grant&#x27;s theology and politics via her poetic response to Barbauld; Grant adopts Milton in her positioning of England as the fallen Christian hero and torch of liberty for the world.","abstract_has_math":false,"creators":["Stevenson, Justin"],"institution":null,"degree_name":"PhD","degree_level":"Immediate Access","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Susan Howard","Laura Engel","Danielle St. Hilaire"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-01-01T08:00:00Z","date_published":"2015-01-01T08:00:00Z","updated_at":"2026-07-24T02:10:29Z","subjects":["Anna Letitia Barbauld","Anne Grant","Augustine","Eighteen Hundred and Eleven","Eighteen Hundred and Thirteen","John Milton"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dsc.duq.edu/etd/1238","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Susan Howard","Laura Engel","Danielle St. Hilaire"]},{"key":"dc:creator","label":"Author","values":["Stevenson, Justin"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-08-03T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Immediate Access"]},{"key":"thesis:degree_name","label":"Degree Name","values":["PhD"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Anna Letitia Barbauld","Anne Grant","Augustine","Eighteen Hundred and Eleven","Eighteen Hundred and Thirteen","John Milton"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dsc.duq.edu/etd/1238"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["My study examines the relationship between Anna Letitia Barbauld's Eighteen Hundred and Eleven, A Poem and Anne Grant's Eighteen Hundred and Thirteen, A Poem as well as Milton's presence in both texts. I argue that Grant does not merely offer a conservative counter to Barbauld's liberal condemnation of English politics during England's military engagement with Napoleonic France; rather, Grant provides a nuanced and balanced response to Barbauld in which Grant both acknowledges the faults of England and defends England as the source of liberty. Between these two positions is Milton, a towering cultural figure in England. Milton is not only a critic of English politics but also a champion of liberty. Thus, politically and poetically, Milton is the link between Barbauld's and Grant's prophetic poems. </p><p>In the first section of my study, I sketch Milton's Augustinian theology and politics with particular attention given to the Judeo-Christian paradigm of sin in Paradise Lost; I also chart his position within England's history and culture from the time of Milton through the period of Barbauld and Grant. In my second chapter, I examine Barbauld's religion and politics and how they are manifested in her poem, a poem that positions England as a fallen nation with no hope for regeneration. Finally, I examine Grant's theology and politics via her poetic response to Barbauld; Grant adopts Milton in her positioning of England as the fallen Christian hero and torch of liberty for the world."]},{"key":"dc:title","label":"Title","values":["Sin, History, and Liberty: Milton, Anna Letitia Barbauld, and Anne Grant in the Eighteen Hundreds"]}]}],"canonical_facts":{"dc:contributor":["Susan Howard","Laura Engel","Danielle St. Hilaire"],"dc:creator":["Stevenson, Justin"],"dc:date.available":["2018-08-03T07:00:00Z"],"dc:description.abstract":["My study examines the relationship between Anna Letitia Barbauld's Eighteen Hundred and Eleven, A Poem and Anne Grant's Eighteen Hundred and Thirteen, A Poem as well as Milton's presence in both texts. I argue that Grant does not merely offer a conservative counter to Barbauld's liberal condemnation of English politics during England's military engagement with Napoleonic France; rather, Grant provides a nuanced and balanced response to Barbauld in which Grant both acknowledges the faults of England and defends England as the source of liberty. Between these two positions is Milton, a towering cultural figure in England. Milton is not only a critic of English politics but also a champion of liberty. Thus, politically and poetically, Milton is the link between Barbauld's and Grant's prophetic poems. </p><p>In the first section of my study, I sketch Milton's Augustinian theology and politics with particular attention given to the Judeo-Christian paradigm of sin in Paradise Lost; I also chart his position within England's history and culture from the time of Milton through the period of Barbauld and Grant. In my second chapter, I examine Barbauld's religion and politics and how they are manifested in her poem, a poem that positions England as a fallen nation with no hope for regeneration. Finally, I examine Grant's theology and politics via her poetic response to Barbauld; Grant adopts Milton in her positioning of England as the fallen Christian hero and torch of liberty for the world."],"dc:identifier":["https://dsc.duq.edu/etd/1238"],"dc:language":["English"],"dc:subject":["Anna Letitia Barbauld","Anne Grant","Augustine","Eighteen Hundred and Eleven","Eighteen Hundred and Thirteen","John Milton"],"dc:title":["Sin, History, and Liberty: Milton, Anna Letitia Barbauld, and Anne Grant in the Eighteen Hundreds"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Immediate Access"],"thesis:degree_name":["PhD"]},"updated_at":"2026-07-24T02:10:29Z"}