{"id":{"repo_id":"duquesne","oai_identifier":"oai:dsc.duq.edu:etd-2091"},"canonical_url":"https://search.dev.ndltd.org/etd/duquesne/oai:dsc.duq.edu:etd-2091","repository":{"repo_id":"duquesne","name":"Duquesne","base_url":"https://dsc.duq.edu/do/oai/"},"display":{"title":"Graduate Recital, Clarinet","abstract":"This recital seeks to explore the various ways in which Eastern-European composers have utilized traditional folk-music as inspiration for their works. The programing focuses on several techniques used as a means for synthesizing folk-songs and art-music, ranging from setting preexisting melodies to accompaniment, to manipulating the idiomatic musical and linguistic features of folk-music as the basis for one's musical language. In addition, this recital reveals the wide range of styles and genres, including neoclassicism, expressionism, and polytonality, that can be derived from Eastern-European folk-songs. 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The programing focuses on several techniques used as a means for synthesizing folk-songs and art-music, ranging from setting preexisting melodies to accompaniment, to manipulating the idiomatic musical and linguistic features of folk-music as the basis for one's musical language. In addition, this recital reveals the wide range of styles and genres, including neoclassicism, expressionism, and polytonality, that can be derived from Eastern-European folk-songs. 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In addition, this recital reveals the wide range of styles and genres, including neoclassicism, expressionism, and polytonality, that can be derived from Eastern-European folk-songs. In this regard, the program itself highlights the relevance of folk-music as a viable source of inspiration for artistic expression."],"dc:identifier":["https://dsc.duq.edu/etd/1075"],"dc:language":["English"],"dc:subject":["Folk","Bartok","Lutoslawski"],"dc:title":["Graduate Recital, Clarinet"],"thesis:degree_discipline":["Music Performance"],"thesis:degree_level":["Immediate Access"],"thesis:degree_name":["MM"]},"updated_at":"2026-07-24T02:10:22Z"}