{"id":{"repo_id":"duquesne","oai_identifier":"oai:dsc.duq.edu:etd-1668"},"canonical_url":"https://search.dev.ndltd.org/etd/duquesne/oai:dsc.duq.edu:etd-1668","repository":{"repo_id":"duquesne","name":"Duquesne","base_url":"https://dsc.duq.edu/do/oai/"},"display":{"title":"The Innermost Point","abstract":"In Ranier Maria Rilke's To Music, he depicts an emotional musical experience as \"when the innermost point in us stands outside.\" The Innermost Point develops two themes: one rhythmically stable but melodically lacking, and the other melodious but rhythmically puzzling. Over the course of the piece each theme attains an identity in its own orchestral setting, but a harmonious balance between the two is only found when they function toward the same goal: The Innermost Point. The work is scored for full symphony orchestra and is approximately nine minutes in duration.","abstract_html":"In Ranier Maria Rilke's To Music, he depicts an emotional musical experience as "when the innermost point in us stands outside." The Innermost Point develops two themes: one rhythmically stable but melodically lacking, and the other melodious but rhythmically puzzling. Over the course of the piece each theme attains an identity in its own orchestral setting, but a harmonious balance between the two is only found when they function toward the same goal: The Innermost Point. The work is scored for full symphony orchestra and is approximately nine minutes in duration.","abstract_has_math":false,"creators":["Hidek, David"],"institution":null,"degree_name":"MM","degree_level":"Immediate Access","degree_discipline":"Composition","degree_department":null,"school":null,"contributors":["David Stock","Jessica Wiskus","David Cutler","Carole Riley"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2009,"date_issued":"2009-01-01T08:00:00Z","date_published":"2009-01-01T08:00:00Z","updated_at":"2026-07-24T02:09:46Z","subjects":["Composition","Modal","Orchestra","Pandiatonic","Rilke","Tone Cluster"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dsc.duq.edu/etd/652","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["David Stock","Jessica Wiskus","David Cutler","Carole Riley"]},{"key":"dc:creator","label":"Author","values":["Hidek, David"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-08-03T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Composition"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Immediate Access"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MM"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Composition","Modal","Orchestra","Pandiatonic","Rilke","Tone Cluster"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dsc.duq.edu/etd/652"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["In Ranier Maria Rilke's To Music, he depicts an emotional musical experience as \"when the innermost point in us stands outside.\" The Innermost Point develops two themes: one rhythmically stable but melodically lacking, and the other melodious but rhythmically puzzling. Over the course of the piece each theme attains an identity in its own orchestral setting, but a harmonious balance between the two is only found when they function toward the same goal: The Innermost Point. The work is scored for full symphony orchestra and is approximately nine minutes in duration."]},{"key":"dc:title","label":"Title","values":["The Innermost Point"]}]}],"canonical_facts":{"dc:contributor":["David Stock","Jessica Wiskus","David Cutler","Carole Riley"],"dc:creator":["Hidek, David"],"dc:date.available":["2018-08-03T07:00:00Z"],"dc:description.abstract":["In Ranier Maria Rilke's To Music, he depicts an emotional musical experience as \"when the innermost point in us stands outside.\" The Innermost Point develops two themes: one rhythmically stable but melodically lacking, and the other melodious but rhythmically puzzling. Over the course of the piece each theme attains an identity in its own orchestral setting, but a harmonious balance between the two is only found when they function toward the same goal: The Innermost Point. The work is scored for full symphony orchestra and is approximately nine minutes in duration."],"dc:identifier":["https://dsc.duq.edu/etd/652"],"dc:language":["English"],"dc:subject":["Composition","Modal","Orchestra","Pandiatonic","Rilke","Tone Cluster"],"dc:title":["The Innermost Point"],"thesis:degree_discipline":["Composition"],"thesis:degree_level":["Immediate Access"],"thesis:degree_name":["MM"]},"updated_at":"2026-07-24T02:09:46Z"}