{"id":{"repo_id":"duquesne","oai_identifier":"oai:dsc.duq.edu:etd-1429"},"canonical_url":"https://search.dev.ndltd.org/etd/duquesne/oai:dsc.duq.edu:etd-1429","repository":{"repo_id":"duquesne","name":"Duquesne","base_url":"https://dsc.duq.edu/do/oai/"},"display":{"title":"Fitzgerald in the Late 1910s: War and Women","abstract":"This dissertation analyzes historical and cultural factors that influenced F. Scott Fitzgerald's portrayal of women in three of his early works. In \"Sentiment—and the Use of Rouge, \" This Side of Paradise, and \"Head and Shoulders, \" women act as usurpers and destroyers, infiltrating male territory and taking on traditionally male roles. Fitzgerald reacts to changes in the status of women that had been occurring since the late 1800s. But the late 1910s, when the author composed these works, witnessed a hastening of women's progress and an intensification of the male anxiety resulting from these changes. Repercussions of the war in Europe did much to exacerbate men's fears. Here, I examine the many ways in which the war influenced American culture and how Fitzgerald, something of a self-appointed voice of his generation reflected the male panic resulting from changes in gender relations. To do so, I attempt to recover and reconstruct the zeitgeist of the late 1910s through an extensive reading of period print media. Chapter 1 treats \"Sentiment, \" one of the few Fitzgerald works to deal directly with the war. American periodicals published many articles dealing with European—and especially British—reactions to the war. \"Sentiment\" dramatizes controversies surrounding changes in fashion, \"war babies, \" \"khaki fever, \" and eugenics. In chapter 2, I discuss Fitzgerald's portrayal of the automobile in Paradise. Fitzgerald documents the new freedoms that young men and women of the 1910s enjoyed and the role the \"devil wagon\"—as period sources called the automobile—played in this liberation. The print media of the 1910s celebrated the motor vehicle's role on the battlefield and the woman driver's contributions to the war effort, thus creating an association between women, cars, and battlefield death. In the novel, the car becomes a vehicle of moral and physical destruction. Finally, I read \"Head\" as a commentary on gender role reversals during the war, when women invaded traditionally male territory in the workplace. This usurpation of male roles went all the way to the White House: Edith Wilson secretly made important political decisions as her husband Woodrow lay incapacitated after a stroke.","abstract_html":"This dissertation analyzes historical and cultural factors that influenced F. Scott Fitzgerald's portrayal of women in three of his early works. In "Sentiment—and the Use of Rouge, " This Side of Paradise, and "Head and Shoulders, " women act as usurpers and destroyers, infiltrating male territory and taking on traditionally male roles. Fitzgerald reacts to changes in the status of women that had been occurring since the late 1800s. But the late 1910s, when the author composed these works, witnessed a hastening of women's progress and an intensification of the male anxiety resulting from these changes. Repercussions of the war in Europe did much to exacerbate men's fears. Here, I examine the many ways in which the war influenced American culture and how Fitzgerald, something of a self-appointed voice of his generation reflected the male panic resulting from changes in gender relations. To do so, I attempt to recover and reconstruct the zeitgeist of the late 1910s through an extensive reading of period print media. Chapter 1 treats "Sentiment, " one of the few Fitzgerald works to deal directly with the war. American periodicals published many articles dealing with European—and especially British—reactions to the war. "Sentiment" dramatizes controversies surrounding changes in fashion, "war babies, " "khaki fever, " and eugenics. In chapter 2, I discuss Fitzgerald's portrayal of the automobile in Paradise. Fitzgerald documents the new freedoms that young men and women of the 1910s enjoyed and the role the "devil wagon"—as period sources called the automobile—played in this liberation. The print media of the 1910s celebrated the motor vehicle's role on the battlefield and the woman driver's contributions to the war effort, thus creating an association between women, cars, and battlefield death. In the novel, the car becomes a vehicle of moral and physical destruction. Finally, I read "Head" as a commentary on gender role reversals during the war, when women invaded traditionally male territory in the workplace. This usurpation of male roles went all the way to the White House: Edith Wilson secretly made important political decisions as her husband Woodrow lay incapacitated after a stroke.","abstract_has_math":false,"creators":["Clark, Richard M."],"institution":null,"degree_name":"PhD","degree_level":"Immediate Access","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Linda Kinnahan","Frederick Newberry","Greg Barnhisel"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2009,"date_issued":"2009-01-01T08:00:00Z","date_published":"2009-01-01T08:00:00Z","updated_at":"2026-07-24T02:09:27Z","subjects":["Fitzgerald","war","gender","automobile"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dsc.duq.edu/etd/416","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Linda Kinnahan","Frederick Newberry","Greg Barnhisel"]},{"key":"dc:creator","label":"Author","values":["Clark, Richard M."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-08-03T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Immediate Access"]},{"key":"thesis:degree_name","label":"Degree Name","values":["PhD"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Fitzgerald","war","gender","automobile"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dsc.duq.edu/etd/416"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation analyzes historical and cultural factors that influenced F. Scott Fitzgerald's portrayal of women in three of his early works. In \"Sentiment—and the Use of Rouge, \" This Side of Paradise, and \"Head and Shoulders, \" women act as usurpers and destroyers, infiltrating male territory and taking on traditionally male roles. Fitzgerald reacts to changes in the status of women that had been occurring since the late 1800s. But the late 1910s, when the author composed these works, witnessed a hastening of women's progress and an intensification of the male anxiety resulting from these changes. Repercussions of the war in Europe did much to exacerbate men's fears. Here, I examine the many ways in which the war influenced American culture and how Fitzgerald, something of a self-appointed voice of his generation reflected the male panic resulting from changes in gender relations. To do so, I attempt to recover and reconstruct the zeitgeist of the late 1910s through an extensive reading of period print media. Chapter 1 treats \"Sentiment, \" one of the few Fitzgerald works to deal directly with the war. American periodicals published many articles dealing with European—and especially British—reactions to the war. \"Sentiment\" dramatizes controversies surrounding changes in fashion, \"war babies, \" \"khaki fever, \" and eugenics. In chapter 2, I discuss Fitzgerald's portrayal of the automobile in Paradise. Fitzgerald documents the new freedoms that young men and women of the 1910s enjoyed and the role the \"devil wagon\"—as period sources called the automobile—played in this liberation. The print media of the 1910s celebrated the motor vehicle's role on the battlefield and the woman driver's contributions to the war effort, thus creating an association between women, cars, and battlefield death. In the novel, the car becomes a vehicle of moral and physical destruction. Finally, I read \"Head\" as a commentary on gender role reversals during the war, when women invaded traditionally male territory in the workplace. This usurpation of male roles went all the way to the White House: Edith Wilson secretly made important political decisions as her husband Woodrow lay incapacitated after a stroke."]},{"key":"dc:title","label":"Title","values":["Fitzgerald in the Late 1910s: War and Women"]}]}],"canonical_facts":{"dc:contributor":["Linda Kinnahan","Frederick Newberry","Greg Barnhisel"],"dc:creator":["Clark, Richard M."],"dc:date.available":["2018-08-03T07:00:00Z"],"dc:description.abstract":["This dissertation analyzes historical and cultural factors that influenced F. Scott Fitzgerald's portrayal of women in three of his early works. In \"Sentiment—and the Use of Rouge, \" This Side of Paradise, and \"Head and Shoulders, \" women act as usurpers and destroyers, infiltrating male territory and taking on traditionally male roles. Fitzgerald reacts to changes in the status of women that had been occurring since the late 1800s. But the late 1910s, when the author composed these works, witnessed a hastening of women's progress and an intensification of the male anxiety resulting from these changes. Repercussions of the war in Europe did much to exacerbate men's fears. Here, I examine the many ways in which the war influenced American culture and how Fitzgerald, something of a self-appointed voice of his generation reflected the male panic resulting from changes in gender relations. To do so, I attempt to recover and reconstruct the zeitgeist of the late 1910s through an extensive reading of period print media. Chapter 1 treats \"Sentiment, \" one of the few Fitzgerald works to deal directly with the war. American periodicals published many articles dealing with European—and especially British—reactions to the war. \"Sentiment\" dramatizes controversies surrounding changes in fashion, \"war babies, \" \"khaki fever, \" and eugenics. In chapter 2, I discuss Fitzgerald's portrayal of the automobile in Paradise. Fitzgerald documents the new freedoms that young men and women of the 1910s enjoyed and the role the \"devil wagon\"—as period sources called the automobile—played in this liberation. The print media of the 1910s celebrated the motor vehicle's role on the battlefield and the woman driver's contributions to the war effort, thus creating an association between women, cars, and battlefield death. In the novel, the car becomes a vehicle of moral and physical destruction. Finally, I read \"Head\" as a commentary on gender role reversals during the war, when women invaded traditionally male territory in the workplace. This usurpation of male roles went all the way to the White House: Edith Wilson secretly made important political decisions as her husband Woodrow lay incapacitated after a stroke."],"dc:identifier":["https://dsc.duq.edu/etd/416"],"dc:language":["English"],"dc:subject":["Fitzgerald","war","gender","automobile"],"dc:title":["Fitzgerald in the Late 1910s: War and Women"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Immediate Access"],"thesis:degree_name":["PhD"]},"updated_at":"2026-07-24T02:09:27Z"}