{"id":{"repo_id":"duquesne","oai_identifier":"oai:dsc.duq.edu:etd-1280"},"canonical_url":"https://search.dev.ndltd.org/etd/duquesne/oai:dsc.duq.edu:etd-1280","repository":{"repo_id":"duquesne","name":"Duquesne","base_url":"https://dsc.duq.edu/do/oai/"},"display":{"title":"Graduate Recital, Voice","abstract":"This graduate recital in voice presents a wide scope of the soprano recital repertoire and explores the relationship between music and literature throughout the centuries. Mozart's \"Bella mia fiamma… Resta, o cara, \" K. 528 represents the Italian Classical period; the text is based on the Roman myth of the goddess Ceres. Strauss' Drei Lieder der Ophelia, Op. 67 represents German Lieder from the late-Romantic period; the set presents a German translation of Ophelia's mad scene from Shakespeare's Hamlet. Argento's Six Elizabethan Songs represent 20th-century music, but Argento draws the text from various poets of the Elizabethan era. Selected songs by Franz Liszt are representative of the French mélodie from the Romantic period; they set the text of the Romantic poet Victor Hugo. Rachmaninoff's Six Songs, Op. 38 represent the post-Romantic (nearly Impressionist) period and explore Russian Symbolist poetry.","abstract_html":"This graduate recital in voice presents a wide scope of the soprano recital repertoire and explores the relationship between music and literature throughout the centuries. Mozart's "Bella mia fiamma… Resta, o cara, " K. 528 represents the Italian Classical period; the text is based on the Roman myth of the goddess Ceres. Strauss' Drei Lieder der Ophelia, Op. 67 represents German Lieder from the late-Romantic period; the set presents a German translation of Ophelia's mad scene from Shakespeare's Hamlet. Argento's Six Elizabethan Songs represent 20th-century music, but Argento draws the text from various poets of the Elizabethan era. Selected songs by Franz Liszt are representative of the French mélodie from the Romantic period; they set the text of the Romantic poet Victor Hugo. Rachmaninoff's Six Songs, Op. 38 represent the post-Romantic (nearly Impressionist) period and explore Russian Symbolist poetry.","abstract_has_math":false,"creators":["Belczyk, Rebecca"],"institution":null,"degree_name":"MM","degree_level":"Immediate Access","degree_discipline":"Music Performance","degree_department":null,"school":null,"contributors":["Xiu-ru Li","Sr. Carole Ann Riley","Sr. Marie Agatha Ozah"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-01-01T08:00:00Z","date_published":"2012-01-01T08:00:00Z","updated_at":"2026-07-24T02:09:20Z","subjects":["Voice","Mozart","Strauss","Argento","Liszt","Rachmaninoff"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dsc.duq.edu/etd/276","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Xiu-ru Li","Sr. Carole Ann Riley","Sr. Marie Agatha Ozah"]},{"key":"dc:creator","label":"Author","values":["Belczyk, Rebecca"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-08-03T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music Performance"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Immediate Access"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MM"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Voice","Mozart","Strauss","Argento","Liszt","Rachmaninoff"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dsc.duq.edu/etd/276"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This graduate recital in voice presents a wide scope of the soprano recital repertoire and explores the relationship between music and literature throughout the centuries. Mozart's \"Bella mia fiamma… Resta, o cara, \" K. 528 represents the Italian Classical period; the text is based on the Roman myth of the goddess Ceres. Strauss' Drei Lieder der Ophelia, Op. 67 represents German Lieder from the late-Romantic period; the set presents a German translation of Ophelia's mad scene from Shakespeare's Hamlet. Argento's Six Elizabethan Songs represent 20th-century music, but Argento draws the text from various poets of the Elizabethan era. Selected songs by Franz Liszt are representative of the French mélodie from the Romantic period; they set the text of the Romantic poet Victor Hugo. Rachmaninoff's Six Songs, Op. 38 represent the post-Romantic (nearly Impressionist) period and explore Russian Symbolist poetry."]},{"key":"dc:title","label":"Title","values":["Graduate Recital, Voice"]}]}],"canonical_facts":{"dc:contributor":["Xiu-ru Li","Sr. Carole Ann Riley","Sr. Marie Agatha Ozah"],"dc:creator":["Belczyk, Rebecca"],"dc:date.available":["2018-08-03T07:00:00Z"],"dc:description.abstract":["This graduate recital in voice presents a wide scope of the soprano recital repertoire and explores the relationship between music and literature throughout the centuries. Mozart's \"Bella mia fiamma… Resta, o cara, \" K. 528 represents the Italian Classical period; the text is based on the Roman myth of the goddess Ceres. Strauss' Drei Lieder der Ophelia, Op. 67 represents German Lieder from the late-Romantic period; the set presents a German translation of Ophelia's mad scene from Shakespeare's Hamlet. Argento's Six Elizabethan Songs represent 20th-century music, but Argento draws the text from various poets of the Elizabethan era. Selected songs by Franz Liszt are representative of the French mélodie from the Romantic period; they set the text of the Romantic poet Victor Hugo. Rachmaninoff's Six Songs, Op. 38 represent the post-Romantic (nearly Impressionist) period and explore Russian Symbolist poetry."],"dc:identifier":["https://dsc.duq.edu/etd/276"],"dc:language":["English"],"dc:subject":["Voice","Mozart","Strauss","Argento","Liszt","Rachmaninoff"],"dc:title":["Graduate Recital, Voice"],"thesis:degree_discipline":["Music Performance"],"thesis:degree_level":["Immediate Access"],"thesis:degree_name":["MM"]},"updated_at":"2026-07-24T02:09:20Z"}