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University of Dundee

Paintings and their irreducibility to explanation : myth and multiform aesthetic experience

Abstract

dc:description.abstract

This Ph.D. consists of a written thesis developed alongside seventeen original oil paintings. The original purpose was to examine through thesis how creative painting practice and a reconsideration of myth in word and image would, or could, express my experience of post-war Bosnia in 1999. In light of the limitations identified with such an approach during the course of this study, the thesis became an analysis of the ways in which we explain art, focussing upon aspects of mythic explanation in particular. For example, by reconsidering James Macpherson‘s national epic Romantic myth The Poems of Ossian, I was able to study the main issues involved. Key writers include Joseph Campbell (1949), Carl Jung (1966) and Levi Strauss (1963/1968), before finally considering Wittgenstein's (1979) remarks on myth. Key contemporary artists include American Pop Surreal painters. The focus of this thesis is not explicitly about the war in Bosnia. It is not necessarily about myth, or of aesthetics philosophy, and it is not exclusively about the series of 17 original oil paintings developed during the course of this study. Rather this study concerns the way in which all of these elements combine to provide the rich and diverse human cultural experience we know as art. It considers thinking about the way in which art engages with the world, from an artist's perspective. The original contribution to knowledge arises from the way in which this study combines theory, practice and experience. The objective was therefore for original works of art to become the key to more interesting theorizing, and vice versa. The thesis concludes that painting is irreducible to explanation, and considers key research areas for future critical discourse.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy
Level dc:type.qualificationlevel
Doctoral Thesis
Grantor dc:publisher.institution
University of Dundee
Year dc:date.issued
2011

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Milburn, J. H.
Advisor dc:contributor.advisor
  • Modeen, Mary

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
oai:discovery.dundee.ac.uk:studenttheses/ae88fcfd-6c9c-42ef-8b0e-2c4a2b8a470d
OAI identifier oai:identifier
oai:discovery.dundee.ac.uk:studenttheses/ae88fcfd-6c9c-42ef-8b0e-2c4a2b8a470d

Chain of custody

source
Harvested from
University of Dundee
Base URL
discovery.dundee.ac.uk/ws/oai
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Milburn, J. H.. Paintings and their irreducibility to explanation : myth and multiform aesthetic experience. Doctoral Thesis thesis, University of Dundee, 2011. https://discovery.dundee.ac.uk/en/studentTheses/ae88fcfd-6c9c-42ef-8b0e-2c4a2b8a470d