{"id":{"repo_id":"dundee","oai_identifier":"oai:discovery.dundee.ac.uk:studenttheses/660aaeea-9673-4832-8166-d6b967b32cc4"},"canonical_url":"https://search.dev.ndltd.org/etd/dundee/oai:discovery.dundee.ac.uk:studenttheses/660aaeea-9673-4832-8166-d6b967b32cc4","repository":{"repo_id":"dundee","name":"University of Dundee","base_url":"https://discovery.dundee.ac.uk/ws/oai"},"display":{"title":"The Artist as Troubadour: Exploring Creative Encounter through Song, Travel and Story","abstract":"This thesis is a reflection on my multi-disciplinary practice as a performing singer-songwriter and visual artist. The live performances I have made as a singer-songwriter provide the context for my research investigation into a relationship between performer, audience and environment developed in real-time. Research is practice-based and necessarily non-linear; triangulating audio, visual and textual languages in a polyphony of voicings that allows room for interpretation between methods of working. <br/><br/>Underpinning this research is my experience as an artist-in-residence with the Sambaa K’e Dene, a traditionally nomadic community of First Nations Canadians located in the Western Arctic. Development of music, drawing and printmaking projects with the Dene community, and first-hand experience of the Dene’s intimate relationship with the land, shaped my subsequent journey as a travelling musician in British Columbia and Alberta.<br/><br/>The song performances I made as a travelling musician provide the context for research into what I am calling ‘creative encounter’; a relationship between performer, audience and environment that develops collaboratively in real-time. Key areas of research include embodiment, embodied learning/practice, as a troubadour I am both ‘method’ and ‘medium’; qualities of ‘liveness’, ‘spontaneity’, ‘flow’ and ‘feel’ in an experiential process, and the transformative potential of song performance to become a conduit for connection.","abstract_html":"This thesis is a reflection on my multi-disciplinary practice as a performing singer-songwriter and visual artist. The live performances I have made as a singer-songwriter provide the context for my research investigation into a relationship between performer, audience and environment developed in real-time. Research is practice-based and necessarily non-linear; triangulating audio, visual and textual languages in a polyphony of voicings that allows room for interpretation between methods of working. &lt;br/&gt;&lt;br/&gt;Underpinning this research is my experience as an artist-in-residence with the Sambaa K’e Dene, a traditionally nomadic community of First Nations Canadians located in the Western Arctic. Development of music, drawing and printmaking projects with the Dene community, and first-hand experience of the Dene’s intimate relationship with the land, shaped my subsequent journey as a travelling musician in British Columbia and Alberta.&lt;br/&gt;&lt;br/&gt;The song performances I made as a travelling musician provide the context for research into what I am calling ‘creative encounter’; a relationship between performer, audience and environment that develops collaboratively in real-time. Key areas of research include embodiment, embodied learning/practice, as a troubadour I am both ‘method’ and ‘medium’; qualities of ‘liveness’, ‘spontaneity’, ‘flow’ and ‘feel’ in an experiential process, and the transformative potential of song performance to become a conduit for connection.","abstract_has_math":false,"creators":["Foster, Joanna"],"institution":"University of Dundee","degree_name":"Doctor of Philosophy","degree_level":"Doctoral Thesis","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Spence, Pernille","Mackenna, Tracy"],"committee_chairs":[],"committee_members":[],"year":2020,"date_issued":"2020","date_published":"2020","updated_at":"2026-07-24T02:08:52Z","subjects":["Embodied","Song","Drawing","Printmaking","Journey"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oai:discovery.dundee.ac.uk:studenttheses/660aaeea-9673-4832-8166-d6b967b32cc4"],"render_values":[{"text":"oai:discovery.dundee.ac.uk:studenttheses/660aaeea-9673-4832-8166-d6b967b32cc4","href":null,"code":true}]}]},"links":{"outbound_url":"https://discovery.dundee.ac.uk/en/studentTheses/660aaeea-9673-4832-8166-d6b967b32cc4","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Spence, Pernille","Mackenna, Tracy"]},{"key":"dc:contributor.sponsor","label":"Sponsor","values":["Wilhelmina Barns-Graham Trust"]},{"key":"dc:creator","label":"Author","values":["Foster, Joanna"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2020"]},{"key":"dc:date.issued","label":"Date","values":["2020"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Contemporary Art Practice"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Dundee"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://discovery.dundee.ac.uk/en/studentTheses/660aaeea-9673-4832-8166-d6b967b32cc4"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Doctoral Thesis"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["Doctor of Philosophy"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Embodied","Song","Drawing","Printmaking","Journey"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["oai:discovery.dundee.ac.uk:studenttheses/660aaeea-9673-4832-8166-d6b967b32cc4","https://discovery.dundee.ac.uk/en/studentTheses/660aaeea-9673-4832-8166-d6b967b32cc4"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://discovery.dundee.ac.uk/files/49752617/Thesis_Original.pdf","https://discovery.dundee.ac.uk/files/49787659/Journal.zip","https://discovery.dundee.ac.uk/files/49752618/Invitation.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis is a reflection on my multi-disciplinary practice as a performing singer-songwriter and visual artist. 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