Back to results

University of Dundee

The Architecture of Analogy: An Inquiry into Aldo Rossi's Theory of the City, the Discipline, the Type, and the Analogue

Abstract

dc:description.abstract

The aim of this dissertation is to put forward conceptual frameworks to inquire into and update the following theoretical categories of Aldo Rossi’s architectural production: the city as an artefact, the idea of type, architectural autonomy, history understood as collective imagination, and the concept of the analogical city. On one hand, our inquiry puts forward a close reading of particular aspects of Rossi’s formal and theoretical production, examining Rossi’s work as well as other commentators on Rossi’s work. On the other, the inquiry is supported by a selective reading of major figures as well as canonical theories and projects from the discipline of architecture. In both cases detailed readings of texts, drawings, built and unbuilt work is undertaken to extrapolate the theoretical categories as well as key descriptive characteristics. These develop the conceptual frameworks which are diagrams that visualise the relations between categories and characteristics.<br/> Revisiting Rossi helps us re-engage with architecture as a discipline that simultaneously produces its own historical-formal body of knowledge while co-determining the wider social imagination. The discipline has, in the last decades, become weakened by the continuing proliferation of unique architecture-objects and the rejection of architecture’s fixed terms of reference. By discussing the category of discipline, we point to future work on how architecture negotiates its formal condition and its societal role. We re-learn that architecture is an instrument that puts forward singular alternative ways of living – formal possibilities – and critical interpretations of existing conditions – theoretical alternatives. <br/> The primary method of inquiry is visual and literary montage. Simultaneously analytic and synthetic, montage provides a way to isolate theoretical categories and formal examples from the mass of material, then produce new insight by making connections between things otherwise different.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy
Level dc:type.qualificationlevel
Doctoral Thesis
Grantor dc:publisher.institution
University of Dundee
Year dc:date.issued
2014

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • McEwan, Cameron
Advisors dc:contributor.advisor
  • Hutton, Graeme
  • Holm, Lorens

Subjects

dc:subject × 10

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
oai:discovery.dundee.ac.uk:studenttheses/1a014dcb-9b04-4e26-9559-a95676fa7891
OAI identifier oai:identifier
oai:discovery.dundee.ac.uk:studenttheses/1a014dcb-9b04-4e26-9559-a95676fa7891

Chain of custody

source
Harvested from
University of Dundee
Base URL
discovery.dundee.ac.uk/ws/oai
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

McEwan, Cameron. The Architecture of Analogy: An Inquiry into Aldo Rossi's Theory of the City, the Discipline, the Type, and the Analogue. Doctoral Thesis thesis, University of Dundee, 2014. https://discovery.dundee.ac.uk/en/studentTheses/1a014dcb-9b04-4e26-9559-a95676fa7891