Post-modernism asserts that the world as we know it does not exist independently from the symbolic interpretations we formulate about it. This symbolic and ever unfolding interpretation of reality applies to our understanding of science as well as philosophy, to religion as well as art. In striving to describe religious experiences, various cultures have developed complex symbolic languages whose purpose is to reference a culturally understood version of sacred reality as presented through religion. Religions contribute to shaping these cultural perceptions of reality by utilizing symbolic acts, objects, events, qualities, or concepts to express otherwise inexpressible elements of a culture’s cosmology and ethos. Considering this, it becomes apparent that sacred symbol system formation can be identified and traced within cultures. Analyzing Zen Buddhism from this perspective as it flourished in twelfth century Japan is particularly interesting in light of the rapid proliferation of new symbol systems emerging in its wake. These included symbolic acts such as tea ceremony, Sumi-e painting styles, Zazen meditation, and haiku poetry. By creating, or providing new reference points for, these highly symbolic acts, Zen Buddhist monks altered the ethos and world-view of medieval Japanese culture in a powerful, pervasive, and long-lasting manner. From a post-modern perspective therefore, Zen Buddhism was acting as a catalyst for sacred symbol formation in medieval Japanese society after the introduction of that society to Zen.
","abstract_html":"<p>Post-modernism asserts that the world as we know it does not exist independently from the symbolic interpretations we formulate about it. This symbolic and ever unfolding interpretation of reality applies to our understanding of science as well as philosophy, to religion as well as art. In striving to describe religious experiences, various cultures have developed complex symbolic languages whose purpose is to reference a culturally understood version of sacred reality as presented through religion. Religions contribute to shaping these cultural perceptions of reality by utilizing symbolic acts, objects, events, qualities, or concepts to express otherwise inexpressible elements of a culture’s cosmology and ethos. Considering this, it becomes apparent that sacred symbol system formation can be identified and traced within cultures. Analyzing Zen Buddhism from this perspective as it flourished in twelfth century Japan is particularly interesting in light of the rapid proliferation of new symbol systems emerging in its wake. These included symbolic acts such as tea ceremony, Sumi-e painting styles, Zazen meditation, and haiku poetry. By creating, or providing new reference points for, these highly symbolic acts, Zen Buddhist monks altered the ethos and world-view of medieval Japanese culture in a powerful, pervasive, and long-lasting manner. From a post-modern perspective therefore, Zen Buddhism was acting as a catalyst for sacred symbol formation in medieval Japanese society after the introduction of that society to Zen.</p>","abstract_has_math":false,"creators":["Roper, Kendall Ann"],"institution":null,"degree_name":"Master of Arts","degree_level":"Master's Thesis","degree_discipline":"Graduate Humanities","degree_department":null,"school":null,"contributors":["Leslie Ross, PhD","Judith Halebsky, PhD"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018-05-01T07:00:00Z","date_published":"2018-05-01T07:00:00Z","updated_at":"2026-07-24T02:04:51Z","subjects":["Zen","Medieval Japan","Cultural Symbol Systems","Post Modernism","Arts","Asian Art and Architecture","Buddhist Studies","History of Religions of Eastern Origins","Medieval Studies","Other Philosophy","Religious Thought, Theology and Philosophy of Religion"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholar.dominican.edu/masters-theses/327","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Leslie Ross, PhD","Judith Halebsky, PhD"]},{"key":"dc:creator","label":"Author","values":["Roper, Kendall Ann"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-05-10T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Graduate Humanities"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master's Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Zen","Medieval Japan","Cultural Symbol Systems","Post Modernism","Arts","Asian Art and Architecture","Buddhist Studies","History of Religions of Eastern Origins","Medieval Studies","Other Philosophy","Religious Thought, Theology and Philosophy of Religion"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholar.dominican.edu/masters-theses/327"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Post-modernism asserts that the world as we know it does not exist independently from the symbolic interpretations we formulate about it. This symbolic and ever unfolding interpretation of reality applies to our understanding of science as well as philosophy, to religion as well as art. In striving to describe religious experiences, various cultures have developed complex symbolic languages whose purpose is to reference a culturally understood version of sacred reality as presented through religion. Religions contribute to shaping these cultural perceptions of reality by utilizing symbolic acts, objects, events, qualities, or concepts to express otherwise inexpressible elements of a culture’s cosmology and ethos. Considering this, it becomes apparent that sacred symbol system formation can be identified and traced within cultures. Analyzing Zen Buddhism from this perspective as it flourished in twelfth century Japan is particularly interesting in light of the rapid proliferation of new symbol systems emerging in its wake. These included symbolic acts such as tea ceremony, Sumi-e painting styles, Zazen meditation, and haiku poetry. By creating, or providing new reference points for, these highly symbolic acts, Zen Buddhist monks altered the ethos and world-view of medieval Japanese culture in a powerful, pervasive, and long-lasting manner. From a post-modern perspective therefore, Zen Buddhism was acting as a catalyst for sacred symbol formation in medieval Japanese society after the introduction of that society to Zen.
"]},{"key":"dc:title","label":"Title","values":["Medieval Japanese Zen: Catalyst for Symbol System Formation"]}]}],"canonical_facts":{"dc:contributor":["Leslie Ross, PhD","Judith Halebsky, PhD"],"dc:creator":["Roper, Kendall Ann"],"dc:date.available":["2018-05-10T07:00:00Z"],"dc:description.abstract":["Post-modernism asserts that the world as we know it does not exist independently from the symbolic interpretations we formulate about it. This symbolic and ever unfolding interpretation of reality applies to our understanding of science as well as philosophy, to religion as well as art. In striving to describe religious experiences, various cultures have developed complex symbolic languages whose purpose is to reference a culturally understood version of sacred reality as presented through religion. Religions contribute to shaping these cultural perceptions of reality by utilizing symbolic acts, objects, events, qualities, or concepts to express otherwise inexpressible elements of a culture’s cosmology and ethos. Considering this, it becomes apparent that sacred symbol system formation can be identified and traced within cultures. Analyzing Zen Buddhism from this perspective as it flourished in twelfth century Japan is particularly interesting in light of the rapid proliferation of new symbol systems emerging in its wake. These included symbolic acts such as tea ceremony, Sumi-e painting styles, Zazen meditation, and haiku poetry. By creating, or providing new reference points for, these highly symbolic acts, Zen Buddhist monks altered the ethos and world-view of medieval Japanese culture in a powerful, pervasive, and long-lasting manner. From a post-modern perspective therefore, Zen Buddhism was acting as a catalyst for sacred symbol formation in medieval Japanese society after the introduction of that society to Zen.
"],"dc:identifier":["https://scholar.dominican.edu/masters-theses/327"],"dc:subject":["Zen","Medieval Japan","Cultural Symbol Systems","Post Modernism","Arts","Asian Art and Architecture","Buddhist Studies","History of Religions of Eastern Origins","Medieval Studies","Other Philosophy","Religious Thought, Theology and Philosophy of Religion"],"dc:title":["Medieval Japanese Zen: Catalyst for Symbol System Formation"],"thesis:degree_discipline":["Graduate Humanities"],"thesis:degree_level":["Master's Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T02:04:51Z"}