{"id":{"repo_id":"dominican","oai_identifier":"oai:scholar.dominican.edu:humanities-print-theses-1293"},"canonical_url":"https://search.dev.ndltd.org/etd/dominican/oai:scholar.dominican.edu:humanities-print-theses-1293","repository":{"repo_id":"dominican","name":"Dominican University of California","base_url":"https://scholar.dominican.edu/do/oai/"},"display":{"title":"Mirror Images: Leses of Reflection","abstract":"<p>My culminating thesis is a combination of my own creative work in black and white photography along with research and writing on the topic of “reflections’’ in selected examples from art history. My photography is a two year culmination of working in the dark room, developing and printing, through the use of traditional techniques, a series of thirty-five images that relate to my research on “reflections” as an art historical subject. This photographic study examines the theme of reflections through the use of light: sunlight, mirrors, metal, glass and water. My written thesis discusses the seventeenth century Dutch and Flemish masters and their influence on French painter Jean Bapiste Simeon Chardin (1699-1779) of the eighteenth century. It also considers several twentieth century black and white photographers, Imogen Cunningham (1883-1976), Edward Weston (1886-1958) and Irving Penn (1917-2009), whose still life works, as well as my own, focus on the theme oi “reflections.</p>","abstract_html":"&lt;p&gt;My culminating thesis is a combination of my own creative work in black and white photography along with research and writing on the topic of “reflections’’ in selected examples from art history. My photography is a two year culmination of working in the dark room, developing and printing, through the use of traditional techniques, a series of thirty-five images that relate to my research on “reflections” as an art historical subject. This photographic study examines the theme of reflections through the use of light: sunlight, mirrors, metal, glass and water. My written thesis discusses the seventeenth century Dutch and Flemish masters and their influence on French painter Jean Bapiste Simeon Chardin (1699-1779) of the eighteenth century. It also considers several twentieth century black and white photographers, Imogen Cunningham (1883-1976), Edward Weston (1886-1958) and Irving Penn (1917-2009), whose still life works, as well as my own, focus on the theme oi “reflections.&lt;/p&gt;","abstract_has_math":false,"creators":["Weitzman, Chyah"],"institution":null,"degree_name":"Master of Arts","degree_level":"Master's Thesis","degree_discipline":"Humanities","degree_department":null,"school":null,"contributors":["Leslie Ross, PhD","Lynn Sondag, MFA"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-01-01T08:00:00Z","date_published":"2012-01-01T08:00:00Z","updated_at":"2026-07-24T02:05:51Z","subjects":["Humanities","Arts and Humanities"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholar.dominican.edu/humanities-print-theses/294","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Leslie Ross, PhD","Lynn Sondag, MFA"]},{"key":"dc:creator","label":"Author","values":["Weitzman, Chyah"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Humanities"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master's Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Humanities","Arts and Humanities"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholar.dominican.edu/humanities-print-theses/294"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>My culminating thesis is a combination of my own creative work in black and white photography along with research and writing on the topic of “reflections’’ in selected examples from art history. My photography is a two year culmination of working in the dark room, developing and printing, through the use of traditional techniques, a series of thirty-five images that relate to my research on “reflections” as an art historical subject. This photographic study examines the theme of reflections through the use of light: sunlight, mirrors, metal, glass and water. My written thesis discusses the seventeenth century Dutch and Flemish masters and their influence on French painter Jean Bapiste Simeon Chardin (1699-1779) of the eighteenth century. It also considers several twentieth century black and white photographers, Imogen Cunningham (1883-1976), Edward Weston (1886-1958) and Irving Penn (1917-2009), whose still life works, as well as my own, focus on the theme oi “reflections.</p>"]},{"key":"dc:title","label":"Title","values":["Mirror Images: Leses of Reflection"]}]}],"canonical_facts":{"dc:contributor":["Leslie Ross, PhD","Lynn Sondag, MFA"],"dc:creator":["Weitzman, Chyah"],"dc:description.abstract":["<p>My culminating thesis is a combination of my own creative work in black and white photography along with research and writing on the topic of “reflections’’ in selected examples from art history. My photography is a two year culmination of working in the dark room, developing and printing, through the use of traditional techniques, a series of thirty-five images that relate to my research on “reflections” as an art historical subject. This photographic study examines the theme of reflections through the use of light: sunlight, mirrors, metal, glass and water. My written thesis discusses the seventeenth century Dutch and Flemish masters and their influence on French painter Jean Bapiste Simeon Chardin (1699-1779) of the eighteenth century. It also considers several twentieth century black and white photographers, Imogen Cunningham (1883-1976), Edward Weston (1886-1958) and Irving Penn (1917-2009), whose still life works, as well as my own, focus on the theme oi “reflections.</p>"],"dc:identifier":["https://scholar.dominican.edu/humanities-print-theses/294"],"dc:subject":["Humanities","Arts and Humanities"],"dc:title":["Mirror Images: Leses of Reflection"],"thesis:degree_discipline":["Humanities"],"thesis:degree_level":["Master's Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T02:05:51Z"}