This thesis examines Hawaiian quilt art from its earliest Polynesian kappa moe (barkcloth) to modern contemporary quilts. Hawaiian Fiber Arts, patchwork quilts, traditional appliqued quilts, flag quilts, contemporary quilts, and contemporary/sashiko quilts are presented. The time period studied in this thesis spans approximately 200 years. Data have been collected from archives, historical texts, quilt texts, museum visits, museum articles, and personal interviews. This thesis traces the changes and continuity of Hawaiian quilt art from its earliest inception by addressing historical, spiritual, and cultural changes. Change in technology and textiles continue to provide contemporary quilters with innovative materials for their art. Traditional Hawaiian quilt art continues to be a viable part of Hawaiian history, heritage, and traditions.
","abstract_html":"<p>This thesis examines Hawaiian quilt art from its earliest Polynesian <em>kappa moe</em> (barkcloth) to modern contemporary quilts. Hawaiian Fiber Arts, patchwork quilts, traditional appliqued quilts, flag quilts, contemporary quilts, and contemporary/sashiko quilts are presented. The time period studied in this thesis spans approximately 200 years. Data have been collected from archives, historical texts, quilt texts, museum visits, museum articles, and personal interviews. This thesis traces the changes and continuity of Hawaiian quilt art from its earliest inception by addressing historical, spiritual, and cultural changes. Change in technology and textiles continue to provide contemporary quilters with innovative materials for their art. Traditional Hawaiian quilt art continues to be a viable part of Hawaiian history, heritage, and traditions.</p>","abstract_has_math":false,"creators":["Jarvis, Marie Y."],"institution":null,"degree_name":"Master of Arts","degree_level":"Master's Thesis","degree_discipline":"Humanities","degree_department":null,"school":null,"contributors":["Leslie Ross, PhD","Heidi Chretien, PhD"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-01-01T08:00:00Z","date_published":"2010-01-01T08:00:00Z","updated_at":"2026-07-24T02:05:59Z","subjects":["Humanities","Arts and Humanities"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholar.dominican.edu/humanities-print-theses/278","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Leslie Ross, PhD","Heidi Chretien, PhD"]},{"key":"dc:creator","label":"Author","values":["Jarvis, Marie Y."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Humanities"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master's Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Humanities","Arts and Humanities"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholar.dominican.edu/humanities-print-theses/278"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis examines Hawaiian quilt art from its earliest Polynesian kappa moe (barkcloth) to modern contemporary quilts. Hawaiian Fiber Arts, patchwork quilts, traditional appliqued quilts, flag quilts, contemporary quilts, and contemporary/sashiko quilts are presented. The time period studied in this thesis spans approximately 200 years. Data have been collected from archives, historical texts, quilt texts, museum visits, museum articles, and personal interviews. This thesis traces the changes and continuity of Hawaiian quilt art from its earliest inception by addressing historical, spiritual, and cultural changes. Change in technology and textiles continue to provide contemporary quilters with innovative materials for their art. Traditional Hawaiian quilt art continues to be a viable part of Hawaiian history, heritage, and traditions.
"]},{"key":"dc:title","label":"Title","values":["Hawaiian Quilt Art: Continuity and Change"]}]}],"canonical_facts":{"dc:contributor":["Leslie Ross, PhD","Heidi Chretien, PhD"],"dc:creator":["Jarvis, Marie Y."],"dc:description.abstract":["This thesis examines Hawaiian quilt art from its earliest Polynesian kappa moe (barkcloth) to modern contemporary quilts. Hawaiian Fiber Arts, patchwork quilts, traditional appliqued quilts, flag quilts, contemporary quilts, and contemporary/sashiko quilts are presented. The time period studied in this thesis spans approximately 200 years. Data have been collected from archives, historical texts, quilt texts, museum visits, museum articles, and personal interviews. This thesis traces the changes and continuity of Hawaiian quilt art from its earliest inception by addressing historical, spiritual, and cultural changes. Change in technology and textiles continue to provide contemporary quilters with innovative materials for their art. Traditional Hawaiian quilt art continues to be a viable part of Hawaiian history, heritage, and traditions.
"],"dc:identifier":["https://scholar.dominican.edu/humanities-print-theses/278"],"dc:subject":["Humanities","Arts and Humanities"],"dc:title":["Hawaiian Quilt Art: Continuity and Change"],"thesis:degree_discipline":["Humanities"],"thesis:degree_level":["Master's Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T02:05:59Z"}