{"id":{"repo_id":"dominican","oai_identifier":"oai:scholar.dominican.edu:humanities-print-theses-1149"},"canonical_url":"https://search.dev.ndltd.org/etd/dominican/oai:scholar.dominican.edu:humanities-print-theses-1149","repository":{"repo_id":"dominican","name":"Dominican University of California","base_url":"https://scholar.dominican.edu/do/oai/"},"display":{"title":"The Self-Deception of Julia in Byron's Don Juan","abstract":"<p>Indeed, almost every character of Don Juan represents some form of self- deception. Julia and Inez are victims of deceit through perverted sexual love; Lambro and Suwarrow are examples of deception through a perverted love of country Adeline and Henry are symbols of the hypocrisy of a perverted society. Of all these characters, however, the self-deception of Julia receives the most compre­hensive and exhaustive treatment. The controlling purpose of this paper, there­fore, is to analyze the self-deception of Julia as a reflection of Byron's central thesis of deceit. I shall first study the psychology of Julia's rationalization and its relationship to the structure of the poem; I shall then analyze the sa­tiric techniques of Julia's self-deception.</p>","abstract_html":"&lt;p&gt;Indeed, almost every character of Don Juan represents some form of self- deception. Julia and Inez are victims of deceit through perverted sexual love; Lambro and Suwarrow are examples of deception through a perverted love of country Adeline and Henry are symbols of the hypocrisy of a perverted society. Of all these characters, however, the self-deception of Julia receives the most compre­hensive and exhaustive treatment. The controlling purpose of this paper, there­fore, is to analyze the self-deception of Julia as a reflection of Byron&#x27;s central thesis of deceit. I shall first study the psychology of Julia&#x27;s rationalization and its relationship to the structure of the poem; I shall then analyze the sa­tiric techniques of Julia&#x27;s self-deception.&lt;/p&gt;","abstract_has_math":false,"creators":["Constantino, M. Rosarie"],"institution":null,"degree_name":"Master of Arts","degree_level":"Master's Thesis","degree_discipline":"Humanities","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1964,"date_issued":"1964-01-01T08:00:00Z","date_published":"1964-01-01T08:00:00Z","updated_at":"2026-07-24T02:05:51Z","subjects":["Humanities","Arts and Humanities"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholar.dominican.edu/humanities-print-theses/150","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Constantino, M. Rosarie"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Humanities"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master's Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Humanities","Arts and Humanities"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholar.dominican.edu/humanities-print-theses/150"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Indeed, almost every character of Don Juan represents some form of self- deception. Julia and Inez are victims of deceit through perverted sexual love; Lambro and Suwarrow are examples of deception through a perverted love of country Adeline and Henry are symbols of the hypocrisy of a perverted society. Of all these characters, however, the self-deception of Julia receives the most compre­hensive and exhaustive treatment. The controlling purpose of this paper, there­fore, is to analyze the self-deception of Julia as a reflection of Byron's central thesis of deceit. I shall first study the psychology of Julia's rationalization and its relationship to the structure of the poem; I shall then analyze the sa­tiric techniques of Julia's self-deception.</p>"]},{"key":"dc:title","label":"Title","values":["The Self-Deception of Julia in Byron's Don Juan"]}]}],"canonical_facts":{"dc:creator":["Constantino, M. Rosarie"],"dc:description.abstract":["<p>Indeed, almost every character of Don Juan represents some form of self- deception. Julia and Inez are victims of deceit through perverted sexual love; Lambro and Suwarrow are examples of deception through a perverted love of country Adeline and Henry are symbols of the hypocrisy of a perverted society. Of all these characters, however, the self-deception of Julia receives the most compre­hensive and exhaustive treatment. The controlling purpose of this paper, there­fore, is to analyze the self-deception of Julia as a reflection of Byron's central thesis of deceit. I shall first study the psychology of Julia's rationalization and its relationship to the structure of the poem; I shall then analyze the sa­tiric techniques of Julia's self-deception.</p>"],"dc:identifier":["https://scholar.dominican.edu/humanities-print-theses/150"],"dc:subject":["Humanities","Arts and Humanities"],"dc:title":["The Self-Deception of Julia in Byron's Don Juan"],"thesis:degree_discipline":["Humanities"],"thesis:degree_level":["Master's Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T02:05:51Z"}