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Dominican University of California

Joyce's Symbolic Use of the Colors black, White, and Red in Ulysses

Abstract

dc:description.abstract

<p>Nearly every reader can discover something of importance in Ulysses. There is, of course, Joyce's stream-of-consciousness technique, which seems to present a first-hand recording of the flow of thoughts. There is also the creation of a whole new world in minuteness of detail. Add to this the immense vocabulary of Joyce, his painstaking search for le mot juste. Consider the complexity of his mythic parallels, both Greek and Irish. Take into account Joyce’s gift for developing sounds, words, and symbols for his own express purpose. And not even then will you have the modern complex that is Ulysses.</p>

Degree

thesis:*
Name thesis:degree_name
Master of Arts
Level thesis:degree_level
Master's Thesis
Discipline thesis:degree_discipline
Humanities
Year
1967

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Hutchison, Pennie Rae

Subjects

dc:subject × 2

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:scholar.dominican.edu:humanities-print-theses-1130

Chain of custody

source
Harvested from
Dominican University of California
Base URL
scholar.dominican.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Hutchison, Pennie Rae. Joyce's Symbolic Use of the Colors black, White, and Red in Ulysses. Master's Thesis thesis, 1967. https://scholar.dominican.edu/humanities-print-theses/131