{"id":{"repo_id":"dominican","oai_identifier":"oai:scholar.dominican.edu:humanities-print-theses-1118"},"canonical_url":"https://search.dev.ndltd.org/etd/dominican/oai:scholar.dominican.edu:humanities-print-theses-1118","repository":{"repo_id":"dominican","name":"Dominican University of California","base_url":"https://scholar.dominican.edu/do/oai/"},"display":{"title":"A Reevaluation of the Croxton Play of the Sacrament","abstract":"<p>The purpose of this paper, then, is to reevaluate the Play of the Sacrament using the text to answer criticism which has been generally unfavorable. The majority of critics find a lack of moral purpose in the play due to an abundance of the grotesque. However, the presence of so much Christian Doctrine, particularly in the banns and throughout the third part of the play, indicates a definite moral purpose on the part of the dramatist. I suggest that the combination of grotesque and Christian elements reflects a particular technique of the dramatist. This technique is the presentation of a moral lesson styled to suit the taste of a fifteenth century audience whose religion contained an admixture of credulous beliefs and grotesque levity.</p>","abstract_html":"&lt;p&gt;The purpose of this paper, then, is to reevaluate the Play of the Sacrament using the text to answer criticism which has been generally unfavorable. The majority of critics find a lack of moral purpose in the play due to an abundance of the grotesque. However, the presence of so much Christian Doctrine, particularly in the banns and throughout the third part of the play, indicates a definite moral purpose on the part of the dramatist. I suggest that the combination of grotesque and Christian elements reflects a particular technique of the dramatist. This technique is the presentation of a moral lesson styled to suit the taste of a fifteenth century audience whose religion contained an admixture of credulous beliefs and grotesque levity.&lt;/p&gt;","abstract_has_math":false,"creators":["Sullivan, Mary Boniface"],"institution":null,"degree_name":"Master of Arts","degree_level":"Master's Thesis","degree_discipline":"Humanities","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1968,"date_issued":"1968-01-01T08:00:00Z","date_published":"1968-01-01T08:00:00Z","updated_at":"2026-07-24T02:05:51Z","subjects":["Humanities","Arts and Humanities"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholar.dominican.edu/humanities-print-theses/119","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Sullivan, Mary Boniface"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Humanities"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master's Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Humanities","Arts and Humanities"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholar.dominican.edu/humanities-print-theses/119"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>The purpose of this paper, then, is to reevaluate the Play of the Sacrament using the text to answer criticism which has been generally unfavorable. The majority of critics find a lack of moral purpose in the play due to an abundance of the grotesque. However, the presence of so much Christian Doctrine, particularly in the banns and throughout the third part of the play, indicates a definite moral purpose on the part of the dramatist. I suggest that the combination of grotesque and Christian elements reflects a particular technique of the dramatist. This technique is the presentation of a moral lesson styled to suit the taste of a fifteenth century audience whose religion contained an admixture of credulous beliefs and grotesque levity.</p>"]},{"key":"dc:title","label":"Title","values":["A Reevaluation of the Croxton Play of the Sacrament"]}]}],"canonical_facts":{"dc:creator":["Sullivan, Mary Boniface"],"dc:description.abstract":["<p>The purpose of this paper, then, is to reevaluate the Play of the Sacrament using the text to answer criticism which has been generally unfavorable. The majority of critics find a lack of moral purpose in the play due to an abundance of the grotesque. However, the presence of so much Christian Doctrine, particularly in the banns and throughout the third part of the play, indicates a definite moral purpose on the part of the dramatist. I suggest that the combination of grotesque and Christian elements reflects a particular technique of the dramatist. This technique is the presentation of a moral lesson styled to suit the taste of a fifteenth century audience whose religion contained an admixture of credulous beliefs and grotesque levity.</p>"],"dc:identifier":["https://scholar.dominican.edu/humanities-print-theses/119"],"dc:subject":["Humanities","Arts and Humanities"],"dc:title":["A Reevaluation of the Croxton Play of the Sacrament"],"thesis:degree_discipline":["Humanities"],"thesis:degree_level":["Master's Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T02:05:51Z"}