{"id":{"repo_id":"dominican","oai_identifier":"oai:scholar.dominican.edu:humanities-print-theses-1075"},"canonical_url":"https://search.dev.ndltd.org/etd/dominican/oai:scholar.dominican.edu:humanities-print-theses-1075","repository":{"repo_id":"dominican","name":"Dominican University of California","base_url":"https://scholar.dominican.edu/do/oai/"},"display":{"title":"Little Dorrit: A Study in Viewpoint","abstract":"<p>It is my intention to analyze and evaluate Dickens' use of limited viewpoint in the character of Arthur Clennam, not completely since Little Dorrit is a very long novel, but in enough detail to indicate his importance in the structure of the novel. I plan to show, first, that the unity of his consciousness is a key factor in the organizing principle governing plot structure; secondly, that as the various plots progress, and as Arthur becomes more or less personally involved, Dickens shifts the voice structure from subjective to objective methods of pres­entation, sometimes with more subtlety than he generally is given credit for; thirdly, that other characters, such as Amy Dorrit and Daniel Doyce, complement Clennam's role as observer and balance his subjectivity.</p>","abstract_html":"&lt;p&gt;It is my intention to analyze and evaluate Dickens&#x27; use of limited viewpoint in the character of Arthur Clennam, not completely since Little Dorrit is a very long novel, but in enough detail to indicate his importance in the structure of the novel. I plan to show, first, that the unity of his consciousness is a key factor in the organizing principle governing plot structure; secondly, that as the various plots progress, and as Arthur becomes more or less personally involved, Dickens shifts the voice structure from subjective to objective methods of pres­entation, sometimes with more subtlety than he generally is given credit for; thirdly, that other characters, such as Amy Dorrit and Daniel Doyce, complement Clennam&#x27;s role as observer and balance his subjectivity.&lt;/p&gt;","abstract_has_math":false,"creators":["MacDonald, Mary Loyola"],"institution":null,"degree_name":"Master of Arts","degree_level":"Master's Thesis","degree_discipline":"Humanities","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1958,"date_issued":"1958-01-01T08:00:00Z","date_published":"1958-01-01T08:00:00Z","updated_at":"2026-07-24T02:05:59Z","subjects":["Humanities","Arts and Humanities"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholar.dominican.edu/humanities-print-theses/76","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["MacDonald, Mary Loyola"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Humanities"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master's Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Humanities","Arts and Humanities"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholar.dominican.edu/humanities-print-theses/76"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>It is my intention to analyze and evaluate Dickens' use of limited viewpoint in the character of Arthur Clennam, not completely since Little Dorrit is a very long novel, but in enough detail to indicate his importance in the structure of the novel. I plan to show, first, that the unity of his consciousness is a key factor in the organizing principle governing plot structure; secondly, that as the various plots progress, and as Arthur becomes more or less personally involved, Dickens shifts the voice structure from subjective to objective methods of pres­entation, sometimes with more subtlety than he generally is given credit for; thirdly, that other characters, such as Amy Dorrit and Daniel Doyce, complement Clennam's role as observer and balance his subjectivity.</p>"]},{"key":"dc:title","label":"Title","values":["Little Dorrit: A Study in Viewpoint"]}]}],"canonical_facts":{"dc:creator":["MacDonald, Mary Loyola"],"dc:description.abstract":["<p>It is my intention to analyze and evaluate Dickens' use of limited viewpoint in the character of Arthur Clennam, not completely since Little Dorrit is a very long novel, but in enough detail to indicate his importance in the structure of the novel. I plan to show, first, that the unity of his consciousness is a key factor in the organizing principle governing plot structure; secondly, that as the various plots progress, and as Arthur becomes more or less personally involved, Dickens shifts the voice structure from subjective to objective methods of pres­entation, sometimes with more subtlety than he generally is given credit for; thirdly, that other characters, such as Amy Dorrit and Daniel Doyce, complement Clennam's role as observer and balance his subjectivity.</p>"],"dc:identifier":["https://scholar.dominican.edu/humanities-print-theses/76"],"dc:subject":["Humanities","Arts and Humanities"],"dc:title":["Little Dorrit: A Study in Viewpoint"],"thesis:degree_discipline":["Humanities"],"thesis:degree_level":["Master's Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T02:05:59Z"}