{"id":{"repo_id":"dominican","oai_identifier":"oai:scholar.dominican.edu:art-therapy-electronic-theses-2015-2021-1044"},"canonical_url":"https://search.dev.ndltd.org/etd/dominican/oai:scholar.dominican.edu:art-therapy-electronic-theses-2015-2021-1044","repository":{"repo_id":"dominican","name":"Dominican University of California","base_url":"https://scholar.dominican.edu/do/oai/"},"display":{"title":"Where the Glass Glows: Unpacking the Therapeutic Experiences of Adult Students in a Community-Based Open Glass Studio During a Pandemic","abstract":"<p>This qualitative study used categorizing and theming analysis to learn about how adult students of stained glass and makers of stained glass in a community-based open glass studio understand their experience of working with glass during the CO VID-19 pandemic. The aim of this study was to acquire an understanding about how working with glass was therapeutic during a pandemic. Open-ended surveys were used to understand the experiences of glass makers (n = 11) and students in a stained-glass studio (n = 26) and their responses were thematically categorized. The findings presented illustrate that creating stained glass objects both inside and outside of a community-based open glass studio was therapeutic for a variety of reasons including glass aesthetics, feelings of accomplishment, and a sense of community when engaging in a community-based open glass studio. These findings have relevance for both communitybased open art studios and art therapy practice in general.</p>","abstract_html":"&lt;p&gt;This qualitative study used categorizing and theming analysis to learn about how adult students of stained glass and makers of stained glass in a community-based open glass studio understand their experience of working with glass during the CO VID-19 pandemic. The aim of this study was to acquire an understanding about how working with glass was therapeutic during a pandemic. Open-ended surveys were used to understand the experiences of glass makers (n = 11) and students in a stained-glass studio (n = 26) and their responses were thematically categorized. The findings presented illustrate that creating stained glass objects both inside and outside of a community-based open glass studio was therapeutic for a variety of reasons including glass aesthetics, feelings of accomplishment, and a sense of community when engaging in a community-based open glass studio. These findings have relevance for both communitybased open art studios and art therapy practice in general.&lt;/p&gt;","abstract_has_math":false,"creators":["Palmer, Shelly A."],"institution":null,"degree_name":"Master of Arts in Marriage and Family Therapy","degree_level":"Master's Thesis","degree_discipline":"Art Therapy","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2021,"date_issued":"2021-01-01T08:00:00Z","date_published":"2021-01-01T08:00:00Z","updated_at":"2026-07-24T02:05:06Z","subjects":["Stained Glass","Art","Adult Students","Art Therapy","Glass Arts"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholar.dominican.edu/art-therapy-electronic-theses-2015-2021/45","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Palmer, Shelly A."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2024-04-04T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art Therapy"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master's Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts in Marriage and Family Therapy"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Stained Glass","Art","Adult Students","Art Therapy","Glass Arts"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholar.dominican.edu/art-therapy-electronic-theses-2015-2021/45"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>This qualitative study used categorizing and theming analysis to learn about how adult students of stained glass and makers of stained glass in a community-based open glass studio understand their experience of working with glass during the CO VID-19 pandemic. The aim of this study was to acquire an understanding about how working with glass was therapeutic during a pandemic. Open-ended surveys were used to understand the experiences of glass makers (n = 11) and students in a stained-glass studio (n = 26) and their responses were thematically categorized. The findings presented illustrate that creating stained glass objects both inside and outside of a community-based open glass studio was therapeutic for a variety of reasons including glass aesthetics, feelings of accomplishment, and a sense of community when engaging in a community-based open glass studio. These findings have relevance for both communitybased open art studios and art therapy practice in general.</p>"]},{"key":"dc:title","label":"Title","values":["Where the Glass Glows: Unpacking the Therapeutic Experiences of Adult Students in a Community-Based Open Glass Studio During a Pandemic"]}]}],"canonical_facts":{"dc:creator":["Palmer, Shelly A."],"dc:date.available":["2024-04-04T07:00:00Z"],"dc:description.abstract":["<p>This qualitative study used categorizing and theming analysis to learn about how adult students of stained glass and makers of stained glass in a community-based open glass studio understand their experience of working with glass during the CO VID-19 pandemic. The aim of this study was to acquire an understanding about how working with glass was therapeutic during a pandemic. Open-ended surveys were used to understand the experiences of glass makers (n = 11) and students in a stained-glass studio (n = 26) and their responses were thematically categorized. The findings presented illustrate that creating stained glass objects both inside and outside of a community-based open glass studio was therapeutic for a variety of reasons including glass aesthetics, feelings of accomplishment, and a sense of community when engaging in a community-based open glass studio. These findings have relevance for both communitybased open art studios and art therapy practice in general.</p>"],"dc:identifier":["https://scholar.dominican.edu/art-therapy-electronic-theses-2015-2021/45"],"dc:subject":["Stained Glass","Art","Adult Students","Art Therapy","Glass Arts"],"dc:title":["Where the Glass Glows: Unpacking the Therapeutic Experiences of Adult Students in a Community-Based Open Glass Studio During a Pandemic"],"thesis:degree_discipline":["Art Therapy"],"thesis:degree_level":["Master's Thesis"],"thesis:degree_name":["Master of Arts in Marriage and Family Therapy"]},"updated_at":"2026-07-24T02:05:06Z"}