{"id":{"repo_id":"dialnet","oai_identifier":"oai:dialnet.unirioja.es:TES0000023222"},"canonical_url":"https://search.dev.ndltd.org/etd/dialnet/oai:dialnet.unirioja.es:TES0000023222","repository":{"repo_id":"dialnet","name":"Dialnet","base_url":"https://dialnet.unirioja.es/oaites/OAIHandler"},"display":{"title":"Joaquín Larregla Urbieta (1865-1945). Vida, obra y técnica pianística","abstract":"Joaquín Larregla Urbieta (Lumbier, Navarra, 1865 - Madrid, 1945) was one of the representative figures of composition, teaching, and Spanish interpretation during one of the most prosperous periods of pianistic literature worldwide. The rise of romanticism and nationalist movements coincided with the technical and mechanical perfection of the piano, in an era where the passion for travel and exploring the unique in art increased, which in turn heightened the presence of Spanish musicians in other countries and the arrival of great foreign figures in Spain, foreign musicians who are recognized as composers, concert artists, and founders of technical piano schools. Frédéric Chopin, Franz Liszt, and the American Louis M. Gottschalk are explicitly recognized as prestigious composers and pianists, alongside the Spanish Isaac Albéniz and Enrique Granados in our country. However, other prominent personalities worth considering in these same fields of writing and piano interpretation were overshadowed, and perhaps as a consequence, they were not given the recognition they deserved, likely because they coincided in time with the aforementioned figures. Joaquín Larregla began his artistic journey fitting the profile of a child prodigy on the piano, soon becoming a recognized concert pianist on Spanish and European stages, especially in Italy, France, and Switzerland. He is the author of an extensive catalog of works for piano, in addition to cultivating vocal, chamber, and orchestral genres. This research aims to bring to light the contributions and creative work of Larregla, by uncovering a composer who pays special attention to writing and piano technique, with the mark of a virtuosic pianist showcasing true technical feats alongside lyrical introspections. These qualities are also utilized for the training of future concert performers during his teaching period at the Royal Conservatory of Music of Madrid. To complement the roles of composer, concert performer, and educator, his academic aspect is highlighted through his membership in the Royal Academy of Fine Arts of San Fernando. All of this completes a multifaceted profile in Spain at the time through a legacy that is as unknown as it is little interpreted.","abstract_html":"Joaquín Larregla Urbieta (Lumbier, Navarra, 1865 - Madrid, 1945) was one of the representative figures of composition, teaching, and Spanish interpretation during one of the most prosperous periods of pianistic literature worldwide. The rise of romanticism and nationalist movements coincided with the technical and mechanical perfection of the piano, in an era where the passion for travel and exploring the unique in art increased, which in turn heightened the presence of Spanish musicians in other countries and the arrival of great foreign figures in Spain, foreign musicians who are recognized as composers, concert artists, and founders of technical piano schools. Frédéric Chopin, Franz Liszt, and the American Louis M. Gottschalk are explicitly recognized as prestigious composers and pianists, alongside the Spanish Isaac Albéniz and Enrique Granados in our country. However, other prominent personalities worth considering in these same fields of writing and piano interpretation were overshadowed, and perhaps as a consequence, they were not given the recognition they deserved, likely because they coincided in time with the aforementioned figures. Joaquín Larregla began his artistic journey fitting the profile of a child prodigy on the piano, soon becoming a recognized concert pianist on Spanish and European stages, especially in Italy, France, and Switzerland. He is the author of an extensive catalog of works for piano, in addition to cultivating vocal, chamber, and orchestral genres. This research aims to bring to light the contributions and creative work of Larregla, by uncovering a composer who pays special attention to writing and piano technique, with the mark of a virtuosic pianist showcasing true technical feats alongside lyrical introspections. These qualities are also utilized for the training of future concert performers during his teaching period at the Royal Conservatory of Music of Madrid. To complement the roles of composer, concert performer, and educator, his academic aspect is highlighted through his membership in the Royal Academy of Fine Arts of San Fernando. All of this completes a multifaceted profile in Spain at the time through a legacy that is as unknown as it is little interpreted.","abstract_has_math":false,"creators":["Val, Raquel del"],"institution":"Universidad de La Rioja (España)","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Cascudo García-Villaraco, Teresa (null)"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2026,"date_issued":"2026","date_published":"2026","updated_at":"2026-07-24T06:27:11Z","subjects":[],"languages":["spa"],"rights":["LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dialnet.unirioja.es/servlet/oaites?codigo=398272","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Cascudo García-Villaraco, Teresa (null)"]},{"key":"dc:creator","label":"Author","values":["Val, Raquel del"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2026"]},{"key":"dc:publisher","label":"Institution","values":["Universidad de La Rioja (España)"]},{"key":"dc:type","label":"Dc Type","values":["text (thesis)"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["spa"]},{"key":"dc:rights","label":"Dc Rights","values":["LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. 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The rise of romanticism and nationalist movements coincided with the technical and mechanical perfection of the piano, in an era where the passion for travel and exploring the unique in art increased, which in turn heightened the presence of Spanish musicians in other countries and the arrival of great foreign figures in Spain, foreign musicians who are recognized as composers, concert artists, and founders of technical piano schools. Frédéric Chopin, Franz Liszt, and the American Louis M. Gottschalk are explicitly recognized as prestigious composers and pianists, alongside the Spanish Isaac Albéniz and Enrique Granados in our country. However, other prominent personalities worth considering in these same fields of writing and piano interpretation were overshadowed, and perhaps as a consequence, they were not given the recognition they deserved, likely because they coincided in time with the aforementioned figures. Joaquín Larregla began his artistic journey fitting the profile of a child prodigy on the piano, soon becoming a recognized concert pianist on Spanish and European stages, especially in Italy, France, and Switzerland. He is the author of an extensive catalog of works for piano, in addition to cultivating vocal, chamber, and orchestral genres. This research aims to bring to light the contributions and creative work of Larregla, by uncovering a composer who pays special attention to writing and piano technique, with the mark of a virtuosic pianist showcasing true technical feats alongside lyrical introspections. These qualities are also utilized for the training of future concert performers during his teaching period at the Royal Conservatory of Music of Madrid. To complement the roles of composer, concert performer, and educator, his academic aspect is highlighted through his membership in the Royal Academy of Fine Arts of San Fernando. All of this completes a multifaceted profile in Spain at the time through a legacy that is as unknown as it is little interpreted.","Joaquín Larregla Urbieta (Lumbier, Navarra, 1865 - Madrid, 1945) fue una de las figuras representativas de la composición, la docencia y la interpretación española durante uno de los períodos más prósperos de la literatura pianística a nivel mundial. El auge del romanticismo y los movimientos nacionalistas coinciden con el perfeccionamiento técnico y mecánico del piano, en una época en la que se acrecienta la pasión por los viajes y la exploración de lo singular en el arte, lo que aumenta la presencia de músicos españoles en otros países y la llegada de grandes figuras extranjeras a España, músicos foráneos que son reconocidos como compositores, concertistas y fundadores de escuelas técnicas del piano. Frédéric Chopin, Franz Liszt o el norteamericano Louis M. Gottschalk son reconocidos explícitamente como compositores y pianistas de prestigio, acompañados por los españoles Isaac Albéniz y Enrique Granados en nuestro país. Sin embargo, otras personalidades de una valía a considerar en estos mismos campos de la escritura y la interpretación pianística se vieron ensombrecidos, y quizá en consecuencia no se les atribuyó el reconocimiento merecido, probablemente por coincidir en el tiempo con las figuras anteriormente mencionadas. Joaquín Larregla comienza su andadura artística respondiendo al perfil de niño prodigio del piano, para convertirse poco después en un concertista reconocido en los escenarios españoles y europeos, especialmente en Italia, Francia y Suiza. Es autor de un extenso catálogo de obras para piano, además de cultivar el género vocal, camerístico y orquestal. Esta investigación tiene por objeto hacen emerger de la oscuridad las aportaciones y la labor creadora de Larregla, al descubrir a un compositor que cuida especialmente la escritura y la técnica para piano, con la impronta del pianista virtuoso exhibidor de verdaderos alardes técnicos junto a introspecciones líricas, condiciones que además aprovecha para la formación de futuros concertistas durante su período docente en el Real Conservatorio Superior de Música de Madrid. Para complementar las facetas de compositor, concertista y pedagogo se suma su rasgo académico a través de su pertenencia a la Real Academia de Bellas Artes de San Fernando. Todo ello completa un polifacético perfil en la España de la época a través de un legado tan desconocido como poco interpretado."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Joaquín Larregla Urbieta (1865-1945). Vida, obra y técnica pianística"]}]}],"canonical_facts":{"dc:contributor":["Cascudo García-Villaraco, Teresa (null)"],"dc:creator":["Val, Raquel del"],"dc:date":["2026"],"dc:description":["Joaquín Larregla Urbieta (Lumbier, Navarra, 1865 - Madrid, 1945) was one of the representative figures of composition, teaching, and Spanish interpretation during one of the most prosperous periods of pianistic literature worldwide. The rise of romanticism and nationalist movements coincided with the technical and mechanical perfection of the piano, in an era where the passion for travel and exploring the unique in art increased, which in turn heightened the presence of Spanish musicians in other countries and the arrival of great foreign figures in Spain, foreign musicians who are recognized as composers, concert artists, and founders of technical piano schools. Frédéric Chopin, Franz Liszt, and the American Louis M. Gottschalk are explicitly recognized as prestigious composers and pianists, alongside the Spanish Isaac Albéniz and Enrique Granados in our country. However, other prominent personalities worth considering in these same fields of writing and piano interpretation were overshadowed, and perhaps as a consequence, they were not given the recognition they deserved, likely because they coincided in time with the aforementioned figures. Joaquín Larregla began his artistic journey fitting the profile of a child prodigy on the piano, soon becoming a recognized concert pianist on Spanish and European stages, especially in Italy, France, and Switzerland. He is the author of an extensive catalog of works for piano, in addition to cultivating vocal, chamber, and orchestral genres. This research aims to bring to light the contributions and creative work of Larregla, by uncovering a composer who pays special attention to writing and piano technique, with the mark of a virtuosic pianist showcasing true technical feats alongside lyrical introspections. These qualities are also utilized for the training of future concert performers during his teaching period at the Royal Conservatory of Music of Madrid. To complement the roles of composer, concert performer, and educator, his academic aspect is highlighted through his membership in the Royal Academy of Fine Arts of San Fernando. All of this completes a multifaceted profile in Spain at the time through a legacy that is as unknown as it is little interpreted.","Joaquín Larregla Urbieta (Lumbier, Navarra, 1865 - Madrid, 1945) fue una de las figuras representativas de la composición, la docencia y la interpretación española durante uno de los períodos más prósperos de la literatura pianística a nivel mundial. El auge del romanticismo y los movimientos nacionalistas coinciden con el perfeccionamiento técnico y mecánico del piano, en una época en la que se acrecienta la pasión por los viajes y la exploración de lo singular en el arte, lo que aumenta la presencia de músicos españoles en otros países y la llegada de grandes figuras extranjeras a España, músicos foráneos que son reconocidos como compositores, concertistas y fundadores de escuelas técnicas del piano. Frédéric Chopin, Franz Liszt o el norteamericano Louis M. Gottschalk son reconocidos explícitamente como compositores y pianistas de prestigio, acompañados por los españoles Isaac Albéniz y Enrique Granados en nuestro país. Sin embargo, otras personalidades de una valía a considerar en estos mismos campos de la escritura y la interpretación pianística se vieron ensombrecidos, y quizá en consecuencia no se les atribuyó el reconocimiento merecido, probablemente por coincidir en el tiempo con las figuras anteriormente mencionadas. Joaquín Larregla comienza su andadura artística respondiendo al perfil de niño prodigio del piano, para convertirse poco después en un concertista reconocido en los escenarios españoles y europeos, especialmente en Italia, Francia y Suiza. Es autor de un extenso catálogo de obras para piano, además de cultivar el género vocal, camerístico y orquestal. Esta investigación tiene por objeto hacen emerger de la oscuridad las aportaciones y la labor creadora de Larregla, al descubrir a un compositor que cuida especialmente la escritura y la técnica para piano, con la impronta del pianista virtuoso exhibidor de verdaderos alardes técnicos junto a introspecciones líricas, condiciones que además aprovecha para la formación de futuros concertistas durante su período docente en el Real Conservatorio Superior de Música de Madrid. Para complementar las facetas de compositor, concertista y pedagogo se suma su rasgo académico a través de su pertenencia a la Real Academia de Bellas Artes de San Fernando. Todo ello completa un polifacético perfil en la España de la época a través de un legado tan desconocido como poco interpretado."],"dc:format":["application/pdf"],"dc:identifier":["https://dialnet.unirioja.es/servlet/oaites?codigo=398272"],"dc:language":["spa"],"dc:publisher":["Universidad de La Rioja (España)"],"dc:rights":["LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI"],"dc:title":["Joaquín Larregla Urbieta (1865-1945). Vida, obra y técnica pianística"],"dc:type":["text (thesis)"]},"updated_at":"2026-07-24T06:27:11Z"}