{"id":{"repo_id":"dialnet","oai_identifier":"oai:dialnet.unirioja.es:TES0000023184"},"canonical_url":"https://search.dev.ndltd.org/etd/dialnet/oai:dialnet.unirioja.es:TES0000023184","repository":{"repo_id":"dialnet","name":"Dialnet","base_url":"https://dialnet.unirioja.es/oaites/OAIHandler"},"display":{"title":"“El idiota en familia”: de Manuel Vázquez Montalbán génesis de la serie Carvalho y retrato desencantado de la España de 1977","abstract":"This dissertation analyses the relationship between the three transitional novels of Manuel Vázquez Montalbán—La soledad del mánager, Los mares del sur, and Asesinato en el Comité Central and the series of articles titled El idiota en familia, which the author wrote for Interviú magazine in 1977, a key year for understanding the Spanish Transition. These articles featured detective Carvalho and journalist Señor Vázquez, a clear reference to the author himself. Therefore, this study first examines the key elements of the noir genre and the first two works featuring Carvalho: Yo maté a Kennedy and Tatuaje. Secondly, it explores the author's journalistic work, the main media outlets in which he published, and the significance of pseudonyms in his writing, as some of them served as clear precursors to the detective. After analysing the fifty-three articles published in the magazine, the study establishes connections between these articles and the three transitional novels in terms of themes, characters, and intertextual elements.","abstract_html":"This dissertation analyses the relationship between the three transitional novels of Manuel Vázquez Montalbán—La soledad del mánager, Los mares del sur, and Asesinato en el Comité Central and the series of articles titled El idiota en familia, which the author wrote for Interviú magazine in 1977, a key year for understanding the Spanish Transition. These articles featured detective Carvalho and journalist Señor Vázquez, a clear reference to the author himself. Therefore, this study first examines the key elements of the noir genre and the first two works featuring Carvalho: Yo maté a Kennedy and Tatuaje. Secondly, it explores the author's journalistic work, the main media outlets in which he published, and the significance of pseudonyms in his writing, as some of them served as clear precursors to the detective. After analysing the fifty-three articles published in the magazine, the study establishes connections between these articles and the three transitional novels in terms of themes, characters, and intertextual elements.","abstract_has_math":false,"creators":["Acebal Peláez, David"],"institution":"Universidad de La Rioja (España)","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Muro Munilla, Miguel Ángel (Universidad de La Rioja)"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025","date_published":"2025","updated_at":"2026-07-24T06:27:07Z","subjects":[],"languages":["spa"],"rights":["LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dialnet.unirioja.es/servlet/oaites?codigo=381942","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Muro Munilla, Miguel Ángel (Universidad de La Rioja)"]},{"key":"dc:creator","label":"Author","values":["Acebal Peláez, David"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2025"]},{"key":"dc:publisher","label":"Institution","values":["Universidad de La Rioja (España)"]},{"key":"dc:type","label":"Dc Type","values":["text (thesis)"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["spa"]},{"key":"dc:rights","label":"Dc Rights","values":["LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dialnet.unirioja.es/servlet/oaites?codigo=381942"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This dissertation analyses the relationship between the three transitional novels of Manuel Vázquez Montalbán—La soledad del mánager, Los mares del sur, and Asesinato en el Comité Central and the series of articles titled El idiota en familia, which the author wrote for Interviú magazine in 1977, a key year for understanding the Spanish Transition. These articles featured detective Carvalho and journalist Señor Vázquez, a clear reference to the author himself. Therefore, this study first examines the key elements of the noir genre and the first two works featuring Carvalho: Yo maté a Kennedy and Tatuaje. Secondly, it explores the author's journalistic work, the main media outlets in which he published, and the significance of pseudonyms in his writing, as some of them served as clear precursors to the detective. After analysing the fifty-three articles published in the magazine, the study establishes connections between these articles and the three transitional novels in terms of themes, characters, and intertextual elements.","Esta tesis analiza la relación existente entre las tres novelas transicionales de Manuel Vázquez Montalbán: La soledad del mánager, Los mares del sur y Asesinato en el Comité Central con la serie de artículos de «El idiota en familia» que el autor escribía para la revista Interviú durante el año 1977, año clave para entender la Transición española y que tenía por protagonistas al detective Carvalho y al periodista denominado señor Vázquez, clara referencia al propio autor. Por ello, se realiza, en primer lugar, un estudio de las claves del género negro y de las dos primeras obras que protagoniza Carvalho: Yo maté a Kennedy y Tatuaje. En segundo lugar, se realiza un estudio de la obra periodística del autor, de los principales medios de comunicación en los que publica y de la importancia que los seudónimos tienen en su obra, ya que algunos se convierten en claros precedentes del detective. Tras el análisis de los cincuenta y tres artículos publicados en la revista se realiza la relación de temas, de personajes y de elementos intertextuales entre estos artículos y las tres novelas transicionales."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["“El idiota en familia”: de Manuel Vázquez Montalbán génesis de la serie Carvalho y retrato desencantado de la España de 1977"]}]}],"canonical_facts":{"dc:contributor":["Muro Munilla, Miguel Ángel (Universidad de La Rioja)"],"dc:creator":["Acebal Peláez, David"],"dc:date":["2025"],"dc:description":["This dissertation analyses the relationship between the three transitional novels of Manuel Vázquez Montalbán—La soledad del mánager, Los mares del sur, and Asesinato en el Comité Central and the series of articles titled El idiota en familia, which the author wrote for Interviú magazine in 1977, a key year for understanding the Spanish Transition. These articles featured detective Carvalho and journalist Señor Vázquez, a clear reference to the author himself. Therefore, this study first examines the key elements of the noir genre and the first two works featuring Carvalho: Yo maté a Kennedy and Tatuaje. Secondly, it explores the author's journalistic work, the main media outlets in which he published, and the significance of pseudonyms in his writing, as some of them served as clear precursors to the detective. After analysing the fifty-three articles published in the magazine, the study establishes connections between these articles and the three transitional novels in terms of themes, characters, and intertextual elements.","Esta tesis analiza la relación existente entre las tres novelas transicionales de Manuel Vázquez Montalbán: La soledad del mánager, Los mares del sur y Asesinato en el Comité Central con la serie de artículos de «El idiota en familia» que el autor escribía para la revista Interviú durante el año 1977, año clave para entender la Transición española y que tenía por protagonistas al detective Carvalho y al periodista denominado señor Vázquez, clara referencia al propio autor. Por ello, se realiza, en primer lugar, un estudio de las claves del género negro y de las dos primeras obras que protagoniza Carvalho: Yo maté a Kennedy y Tatuaje. En segundo lugar, se realiza un estudio de la obra periodística del autor, de los principales medios de comunicación en los que publica y de la importancia que los seudónimos tienen en su obra, ya que algunos se convierten en claros precedentes del detective. Tras el análisis de los cincuenta y tres artículos publicados en la revista se realiza la relación de temas, de personajes y de elementos intertextuales entre estos artículos y las tres novelas transicionales."],"dc:format":["application/pdf"],"dc:identifier":["https://dialnet.unirioja.es/servlet/oaites?codigo=381942"],"dc:language":["spa"],"dc:publisher":["Universidad de La Rioja (España)"],"dc:rights":["LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI"],"dc:title":["“El idiota en familia”: de Manuel Vázquez Montalbán génesis de la serie Carvalho y retrato desencantado de la España de 1977"],"dc:type":["text (thesis)"]},"updated_at":"2026-07-24T06:27:07Z"}