{"id":{"repo_id":"dialnet","oai_identifier":"oai:dialnet.unirioja.es:TES0000023125"},"canonical_url":"https://search.dev.ndltd.org/etd/dialnet/oai:dialnet.unirioja.es:TES0000023125","repository":{"repo_id":"dialnet","name":"Dialnet","base_url":"https://dialnet.unirioja.es/oaites/OAIHandler"},"display":{"title":"Instituting Opera in Fernando VII's Madrid: Acculturation and Critical reception in the Age of Rossini (1813-1824)","abstract":"The period represented here coincides with Spain’s Rossini phenomenon, from the tentative early introduction of his and his contemporaries’ works, through their apex in popularity and the ensuing cultural phenomenon of local and national fanatical opera reception. During this period, which precedes the establishment of dedicated music periodicals by several decades, the country is not generally considered to have enjoyed consistent musical or theatrical press coverage, rendering their rediscovery during our research all the more exciting and significant. The origins of operatic criticism earlier in the Fernandine epoch have never been studied to full advantage, but rather largely eschewed as almost not having existed. Instead, scholars have intermittently lamented its absence (and of reviews), rather than pursuing a comprehensive, thorough comparative and historical analysis of its sources. Therefore, their examination goes hand-in-hand with the first-time chronicling of opera in that particular place and time. The investigation was approached in stages after painstakingly identifying and combing through sources beginning with the archival record, exhausted to the extent possible to flesh out the rather weak context which previous chroniclers lent to opera’s progression in the period. The performance rosters and chronology were collected by scouring the dailies for announcements and tabulating the data in table format. Finally, the exhaustive examination of all available periodicals culminated in the process of eliminating titles inconsequential to our purpose, and positive identification of those most relevant to the exercise. The phenomenon of Italian opera reception as experienced in the period had a profound impact and influence on the progression of societal mores, the development of culture, communication, and means of artistic expression.","abstract_html":"The period represented here coincides with Spain’s Rossini phenomenon, from the tentative early introduction of his and his contemporaries’ works, through their apex in popularity and the ensuing cultural phenomenon of local and national fanatical opera reception. During this period, which precedes the establishment of dedicated music periodicals by several decades, the country is not generally considered to have enjoyed consistent musical or theatrical press coverage, rendering their rediscovery during our research all the more exciting and significant. The origins of operatic criticism earlier in the Fernandine epoch have never been studied to full advantage, but rather largely eschewed as almost not having existed. Instead, scholars have intermittently lamented its absence (and of reviews), rather than pursuing a comprehensive, thorough comparative and historical analysis of its sources. Therefore, their examination goes hand-in-hand with the first-time chronicling of opera in that particular place and time. The investigation was approached in stages after painstakingly identifying and combing through sources beginning with the archival record, exhausted to the extent possible to flesh out the rather weak context which previous chroniclers lent to opera’s progression in the period. The performance rosters and chronology were collected by scouring the dailies for announcements and tabulating the data in table format. Finally, the exhaustive examination of all available periodicals culminated in the process of eliminating titles inconsequential to our purpose, and positive identification of those most relevant to the exercise. The phenomenon of Italian opera reception as experienced in the period had a profound impact and influence on the progression of societal mores, the development of culture, communication, and means of artistic expression.","abstract_has_math":false,"creators":["La Spina, Riccardo"],"institution":"Universidad de La Rioja (España)","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Cascudo García-Villaraco, Teresa (Universidad de La Rioja)","Clark, Walter Aaron (Universidad de La Rioja)"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024","date_published":"2024","updated_at":"2026-07-24T06:27:07Z","subjects":["Italian opera","Fernando VII","Rossini","Critical reception","Opera administration","Spanish musical theater","Opera criticism","Madrid theater","Spain periodicals"],"languages":["eng"],"rights":["LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dialnet.unirioja.es/servlet/oaites?codigo=325326","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Cascudo García-Villaraco, Teresa (Universidad de La Rioja)","Clark, Walter Aaron (Universidad de La Rioja)"]},{"key":"dc:creator","label":"Author","values":["La Spina, Riccardo"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2024"]},{"key":"dc:publisher","label":"Institution","values":["Universidad de La Rioja (España)"]},{"key":"dc:type","label":"Dc Type","values":["text (thesis)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Italian opera","Fernando VII","Rossini","Critical reception","Opera administration","Spanish musical theater","Opera criticism","Madrid theater","Spain periodicals"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dialnet.unirioja.es/servlet/oaites?codigo=325326"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The period represented here coincides with Spain’s Rossini phenomenon, from the tentative early introduction of his and his contemporaries’ works, through their apex in popularity and the ensuing cultural phenomenon of local and national fanatical opera reception. During this period, which precedes the establishment of dedicated music periodicals by several decades, the country is not generally considered to have enjoyed consistent musical or theatrical press coverage, rendering their rediscovery during our research all the more exciting and significant. The origins of operatic criticism earlier in the Fernandine epoch have never been studied to full advantage, but rather largely eschewed as almost not having existed. Instead, scholars have intermittently lamented its absence (and of reviews), rather than pursuing a comprehensive, thorough comparative and historical analysis of its sources. Therefore, their examination goes hand-in-hand with the first-time chronicling of opera in that particular place and time. The investigation was approached in stages after painstakingly identifying and combing through sources beginning with the archival record, exhausted to the extent possible to flesh out the rather weak context which previous chroniclers lent to opera’s progression in the period. The performance rosters and chronology were collected by scouring the dailies for announcements and tabulating the data in table format. Finally, the exhaustive examination of all available periodicals culminated in the process of eliminating titles inconsequential to our purpose, and positive identification of those most relevant to the exercise. The phenomenon of Italian opera reception as experienced in the period had a profound impact and influence on the progression of societal mores, the development of culture, communication, and means of artistic expression."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Instituting Opera in Fernando VII's Madrid: Acculturation and Critical reception in the Age of Rossini (1813-1824)"]}]}],"canonical_facts":{"dc:contributor":["Cascudo García-Villaraco, Teresa (Universidad de La Rioja)","Clark, Walter Aaron (Universidad de La Rioja)"],"dc:creator":["La Spina, Riccardo"],"dc:date":["2024"],"dc:description":["The period represented here coincides with Spain’s Rossini phenomenon, from the tentative early introduction of his and his contemporaries’ works, through their apex in popularity and the ensuing cultural phenomenon of local and national fanatical opera reception. During this period, which precedes the establishment of dedicated music periodicals by several decades, the country is not generally considered to have enjoyed consistent musical or theatrical press coverage, rendering their rediscovery during our research all the more exciting and significant. The origins of operatic criticism earlier in the Fernandine epoch have never been studied to full advantage, but rather largely eschewed as almost not having existed. Instead, scholars have intermittently lamented its absence (and of reviews), rather than pursuing a comprehensive, thorough comparative and historical analysis of its sources. Therefore, their examination goes hand-in-hand with the first-time chronicling of opera in that particular place and time. The investigation was approached in stages after painstakingly identifying and combing through sources beginning with the archival record, exhausted to the extent possible to flesh out the rather weak context which previous chroniclers lent to opera’s progression in the period. The performance rosters and chronology were collected by scouring the dailies for announcements and tabulating the data in table format. Finally, the exhaustive examination of all available periodicals culminated in the process of eliminating titles inconsequential to our purpose, and positive identification of those most relevant to the exercise. The phenomenon of Italian opera reception as experienced in the period had a profound impact and influence on the progression of societal mores, the development of culture, communication, and means of artistic expression."],"dc:format":["application/pdf"],"dc:identifier":["https://dialnet.unirioja.es/servlet/oaites?codigo=325326"],"dc:language":["eng"],"dc:publisher":["Universidad de La Rioja (España)"],"dc:rights":["LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI"],"dc:subject":["Italian opera","Fernando VII","Rossini","Critical reception","Opera administration","Spanish musical theater","Opera criticism","Madrid theater","Spain periodicals"],"dc:title":["Instituting Opera in Fernando VII's Madrid: Acculturation and Critical reception in the Age of Rossini (1813-1824)"],"dc:type":["text (thesis)"]},"updated_at":"2026-07-24T06:27:07Z"}