{"id":{"repo_id":"dialnet","oai_identifier":"oai:dialnet.unirioja.es:TES0000022614"},"canonical_url":"https://search.dev.ndltd.org/etd/dialnet/oai:dialnet.unirioja.es:TES0000022614","repository":{"repo_id":"dialnet","name":"Dialnet","base_url":"https://dialnet.unirioja.es/oaites/OAIHandler"},"display":{"title":"\"Suenen dulces himnos\": orígenes de los himnarios evangélicos en España (fijación del corpus)","abstract":"Both the hymnography and the musical production that emerged in the nineteenthcentury Spanish Protestant area were a field of study that had been given little attention and which remained in a state of ignorance and forgetfulness, with occasional exceptions. 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