This project investigates discourse about American wilderness, from the first European explorers through contemporary outdoor recreation, to reveal that wilderness is a socially constructed concept. By uncovering nine essential myths, this project argues that wilderness discourse is both influenced by and perpetuates American settler colonialism and racial capitalism. Section One traces a history of wilderness discourse to demonstrate that wilderness discourse establishes whites as citizens, as civilized, as courageous conquerors, as rightful owners to land, as protectors of space, and as beneficiaries of any potential profit. Section Two uses a content analysis of contemporary outdoor recreation websites to argue that attempts at multiculturalism in wilderness recreation fail to address underlying structures of power that justify settler colonialism and racial capitalism. Ultimately, Section Three advocates for “race radical” epistemologies of wilderness, using an analysis of visual art, as a means to challenge the structures of power embedded in wilderness discourse.
","abstract_html":"<p>This project investigates discourse about American wilderness, from the first European explorers through contemporary outdoor recreation, to reveal that wilderness is a socially constructed concept. By uncovering nine essential myths, this project argues that wilderness discourse is both influenced by and perpetuates American settler colonialism and racial capitalism. Section One traces a history of wilderness discourse to demonstrate that wilderness discourse establishes whites as citizens, as civilized, as courageous conquerors, as rightful owners to land, as protectors of space, and as beneficiaries of any potential profit. Section Two uses a content analysis of contemporary outdoor recreation websites to argue that attempts at multiculturalism in wilderness recreation fail to address underlying structures of power that justify settler colonialism and racial capitalism. Ultimately, Section Three advocates for “race radical” epistemologies of wilderness, using an analysis of visual art, as a means to challenge the structures of power embedded in wilderness discourse.</p>","abstract_has_math":false,"creators":["Corliss, Jamie"],"institution":null,"degree_name":null,"degree_level":"Thesis","degree_discipline":"Critical Ethnic Studies","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019-04-01T07:00:00Z","date_published":"2019-04-01T07:00:00Z","updated_at":"2026-07-24T02:04:00Z","subjects":["wilderness","settler colonialism","whiteness","multiculturalism","racial capitalism"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://via.library.depaul.edu/etd/264","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Corliss, Jamie"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2019-04-09T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Critical Ethnic Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["wilderness","settler colonialism","whiteness","multiculturalism","racial capitalism"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://via.library.depaul.edu/etd/264"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This project investigates discourse about American wilderness, from the first European explorers through contemporary outdoor recreation, to reveal that wilderness is a socially constructed concept. By uncovering nine essential myths, this project argues that wilderness discourse is both influenced by and perpetuates American settler colonialism and racial capitalism. Section One traces a history of wilderness discourse to demonstrate that wilderness discourse establishes whites as citizens, as civilized, as courageous conquerors, as rightful owners to land, as protectors of space, and as beneficiaries of any potential profit. Section Two uses a content analysis of contemporary outdoor recreation websites to argue that attempts at multiculturalism in wilderness recreation fail to address underlying structures of power that justify settler colonialism and racial capitalism. Ultimately, Section Three advocates for “race radical” epistemologies of wilderness, using an analysis of visual art, as a means to challenge the structures of power embedded in wilderness discourse.
"]},{"key":"dc:title","label":"Title","values":["White wilderness: race, capitalism, and alternative knowledges of natural space"]}]}],"canonical_facts":{"dc:creator":["Corliss, Jamie"],"dc:date.available":["2019-04-09T07:00:00Z"],"dc:description.abstract":["This project investigates discourse about American wilderness, from the first European explorers through contemporary outdoor recreation, to reveal that wilderness is a socially constructed concept. By uncovering nine essential myths, this project argues that wilderness discourse is both influenced by and perpetuates American settler colonialism and racial capitalism. Section One traces a history of wilderness discourse to demonstrate that wilderness discourse establishes whites as citizens, as civilized, as courageous conquerors, as rightful owners to land, as protectors of space, and as beneficiaries of any potential profit. Section Two uses a content analysis of contemporary outdoor recreation websites to argue that attempts at multiculturalism in wilderness recreation fail to address underlying structures of power that justify settler colonialism and racial capitalism. Ultimately, Section Three advocates for “race radical” epistemologies of wilderness, using an analysis of visual art, as a means to challenge the structures of power embedded in wilderness discourse.
"],"dc:identifier":["https://via.library.depaul.edu/etd/264"],"dc:subject":["wilderness","settler colonialism","whiteness","multiculturalism","racial capitalism"],"dc:title":["White wilderness: race, capitalism, and alternative knowledges of natural space"],"thesis:degree_discipline":["Critical Ethnic Studies"],"thesis:degree_level":["Thesis"]},"updated_at":"2026-07-24T02:04:00Z"}