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University of Denver

Mary, Quite Contrary: The Novels of Mary Davys, 1700–1727

Abstract

dc:description.abstract

<p>As a relatively unknown author, Mary Davys (1674-1732) has garnered scant scholarly attention and little admiration for her work. Those who have written on Davys’s prose fiction most often mention the last three texts she published, <em>Familiar Letters betwixt a Gentleman and a Lady</em> (1716), <em>The Reform’d Coquet</em> (1724), and <em>The Accomplish’d Rake</em> (1727), yet rare mention is made of her first three novels. Moreover, of her later novels, many scholars read them as socially conservative and as representations of Davys’s support of and belief in patriarchy. My project disproves the long-standing and generally agreed upon conceptions regarding Davys’s writings and demonstrates the significance of her life’s work to studies of the novel. By investigating contemporary cultural issues, discussing the popular genres and modes of early eighteenth-century England, and comparing and contrasting Davys’s fiction to other authors’, I explore the myriad ways in which Davys experimented with the formal properties of the novel. Also, by closely examining each novel independently, I foreground Davys’s willingness to engage with charged contemporary topics such as rape, suicide, the laws surrounding inheritance, and male privilege. Not only does she engage with these topics; there is a discernable voice of protest imbedded in the narratives. At times, the techniques Davys employed and the plots she created in her work obscured her social concerns, yet with close reading, subversion also surfaces as one of Davys’s methods. An analysis of Davys’s experimentations with prose fiction and form illuminates the ways in which those innovations allowed Davys to criticize the culture in which she lived. Furthermore, an investigation of the whole of Davys’s work and the totality of her novels—looking at both form and content—exemplifies the importance of Davys for students of feminist thought and the development of the novel.</p>

Degree

thesis:*
Name thesis:degree_name
Ph.D.
Level thesis:degree_level
Dissertation
Year
2015

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Weizenbeck, Nichol Irene
Contributors dc:contributor
  • Linda Bensel-Meyers
  • Rachel Feder
  • Clark Davis
  • Diane Waldman
  • Bradford Mudge

Subjects

dc:subject × 9

Rights

dc:rights
Statement dc:rights
  • <p>Copyright is held by the author. This work may only be accessed by members of the University of Denver community. The work is provided by permission of the author for individual research purposes only and may not be further copied or distributed. User is responsible for all copyright compliance.</p>
Language dc:language
en

Identifiers

dc:identifier.*
Repository record dc:identifier
https://digitalcommons.du.edu/restrictedetd/89
OAI identifier oai:identifier
oai:digitalcommons.du.edu:restrictedetd-1094

Chain of custody

source
Harvested from
University of Denver
Base URL
digitalcommons.du.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Weizenbeck, Nichol Irene. Mary, Quite Contrary: The Novels of Mary Davys, 1700–1727. Dissertation thesis, 2015. https://digitalcommons.du.edu/restrictedetd/89