{"id":{"repo_id":"denver","oai_identifier":"oai:digitalcommons.du.edu:restrictedetd-1054"},"canonical_url":"https://search.dev.ndltd.org/etd/denver/oai:digitalcommons.du.edu:restrictedetd-1054","repository":{"repo_id":"denver","name":"University of Denver","base_url":"https://digitalcommons.du.edu/do/oai/"},"display":{"title":"Towners Call Us a Circus","abstract":"<p>Reality for 21<sup>st</sup> century Americans is increasingly fragmented between electronic, technological, chemical, and societal pressures. <em>Towners call us a circus</em> examines what happens to identity when exposed to ontological plurality, decay, and paradox. Set during the eve of World War I, the narrative follows a circus troupe finds itself in an ontological purgatory of being simultaneously alive and dead as they work to resolve their reality, and thus their identities, as one or the other.</p>","abstract_html":"&lt;p&gt;Reality for 21&lt;sup&gt;st&lt;/sup&gt; century Americans is increasingly fragmented between electronic, technological, chemical, and societal pressures. &lt;em&gt;Towners call us a circus&lt;/em&gt; examines what happens to identity when exposed to ontological plurality, decay, and paradox. Set during the eve of World War I, the narrative follows a circus troupe finds itself in an ontological purgatory of being simultaneously alive and dead as they work to resolve their reality, and thus their identities, as one or the other.&lt;/p&gt;","abstract_has_math":false,"creators":["Kelling, Patrick"],"institution":null,"degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":null,"degree_department":null,"school":null,"contributors":["Selah Saterstrom"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-06-01T07:00:00Z","date_published":"2015-06-01T07:00:00Z","updated_at":"2026-07-24T02:01:25Z","subjects":["Creative writing","Fiction","Arts and Humanities"],"languages":["en"],"rights":["<p>Copyright is held by the author. This work may only be accessed by members of the University of Denver community. 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Set during the eve of World War I, the narrative follows a circus troupe finds itself in an ontological purgatory of being simultaneously alive and dead as they work to resolve their reality, and thus their identities, as one or the other.</p>"]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Towners Call Us a Circus"]}]}],"canonical_facts":{"dc:contributor":["Selah Saterstrom"],"dc:creator":["Kelling, Patrick"],"dc:description.abstract":["<p>Reality for 21<sup>st</sup> century Americans is increasingly fragmented between electronic, technological, chemical, and societal pressures. <em>Towners call us a circus</em> examines what happens to identity when exposed to ontological plurality, decay, and paradox. 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