Abstract
dc:description.abstract<p>The following dissertation consists of a poetry manuscript and a personal essay that critically contextualizes the work. The collection of poetry “Hide” is an attempt to descend into the murmuring countries of the dead. As the word itself suggests, we see the hide of animals, the skin removed, tanned, toughened, to stretch over a hollow cylinder to make a drum, to drum the dead awake. We also hear the <em>hide</em> of concealment, what is hidden under the shirt. We hide and seek, run and hide. One for survival, another for play. The accompanying afterword explores the poetics of intimation in works that have influenced the poems.</p>
Degree
thesis:*- Name thesis:degree_name
- Ph.D.
- Level thesis:degree_level
- Dissertation
- Year
- 2019
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Ebeid, Carolina
- Contributors dc:contributor
-
- Graham Foust
Subjects
dc:subject × 3Rights
dc:rights- Statement dc:rights
-
- <p>Copyright is held by the author. This work may only be accessed by members of the University of Denver community. The work is provided by permission of the author for individual research purposes only and may not be further copied or distributed. User is responsible for all copyright compliance.</p>
- Language dc:language
- en
Identifiers
dc:identifier.*- Repository record dc:identifier
- https://digitalcommons.du.edu/restrictedetd/32
- OAI identifier oai:identifier
- oai:digitalcommons.du.edu:restrictedetd-1034