{"id":{"repo_id":"denver","oai_identifier":"oai:digitalcommons.du.edu:restrictedetd-1001"},"canonical_url":"https://search.dev.ndltd.org/etd/denver/oai:digitalcommons.du.edu:restrictedetd-1001","repository":{"repo_id":"denver","name":"University of Denver","base_url":"https://digitalcommons.du.edu/do/oai/"},"display":{"title":"Trauma and Poetry: A Look at Two Poems by Carolyn Forché","abstract":"<p>The following is a look at two poems by Carolyn Forché, “Nocturne” and “On Earth” to explore ways in which traumatic grief is conveyed through poetic expression and structure. The first chapter, “Finding a Home for the Dead: Processing Trauma and Remembering the Lost,” looks at ways in which poetic testimony honors and makes sacred space for the deceased. In particular, we look at ways in which the metaphoric space of the home gives shape and structure to traumatic memories. The second chapter, “Ripple Effects of Trauma: Contextualizing Experience in a World of Violence,” is a look at the poem “On Earth” as an extension of the traumatic events of “Nocturne.” In this poem, the implicit author tries to contextualize the trauma of the first poem within a larger social narrative. She does this through the ritualistic process of recapitulation with the reader, listing an array of violent images to re-orient the psyche to a pre-violence state.</p>","abstract_html":"&lt;p&gt;The following is a look at two poems by Carolyn Forché, “Nocturne” and “On Earth” to explore ways in which traumatic grief is conveyed through poetic expression and structure. The first chapter, “Finding a Home for the Dead: Processing Trauma and Remembering the Lost,” looks at ways in which poetic testimony honors and makes sacred space for the deceased. In particular, we look at ways in which the metaphoric space of the home gives shape and structure to traumatic memories. The second chapter, “Ripple Effects of Trauma: Contextualizing Experience in a World of Violence,” is a look at the poem “On Earth” as an extension of the traumatic events of “Nocturne.” In this poem, the implicit author tries to contextualize the trauma of the first poem within a larger social narrative. She does this through the ritualistic process of recapitulation with the reader, listing an array of violent images to re-orient the psyche to a pre-violence state.&lt;/p&gt;","abstract_has_math":false,"creators":["Adams, Amber M."],"institution":null,"degree_name":"M.A.","degree_level":"Masters Thesis","degree_discipline":null,"degree_department":null,"school":null,"contributors":["Bin Ramke"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-11-01T07:00:00Z","date_published":"2013-11-01T07:00:00Z","updated_at":"2026-07-24T02:01:25Z","subjects":["Arts and Humanities","Comparative Literature","Creative Writing","Poetry"],"languages":["en"],"rights":["<p>Copyright is held by the author. This work may only be accessed by members of the University of Denver community. The work is provided by permission of the author for individual research purposes only and may not be further copied or distributed. User is responsible for all copyright compliance.</p>"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.du.edu/restrictedetd/4","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Bin Ramke"]},{"key":"dc:creator","label":"Author","values":["Adams, Amber M."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_level","label":"Degree Level","values":["Masters Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arts and Humanities","Comparative Literature","Creative Writing","Poetry"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["<p>Copyright is held by the author. This work may only be accessed by members of the University of Denver community. The work is provided by permission of the author for individual research purposes only and may not be further copied or distributed. User is responsible for all copyright compliance.</p>"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.du.edu/restrictedetd/4"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>The following is a look at two poems by Carolyn Forché, “Nocturne” and “On Earth” to explore ways in which traumatic grief is conveyed through poetic expression and structure. The first chapter, “Finding a Home for the Dead: Processing Trauma and Remembering the Lost,” looks at ways in which poetic testimony honors and makes sacred space for the deceased. In particular, we look at ways in which the metaphoric space of the home gives shape and structure to traumatic memories. The second chapter, “Ripple Effects of Trauma: Contextualizing Experience in a World of Violence,” is a look at the poem “On Earth” as an extension of the traumatic events of “Nocturne.” In this poem, the implicit author tries to contextualize the trauma of the first poem within a larger social narrative. She does this through the ritualistic process of recapitulation with the reader, listing an array of violent images to re-orient the psyche to a pre-violence state.</p>"]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Trauma and Poetry: A Look at Two Poems by Carolyn Forché"]}]}],"canonical_facts":{"dc:contributor":["Bin Ramke"],"dc:creator":["Adams, Amber M."],"dc:description.abstract":["<p>The following is a look at two poems by Carolyn Forché, “Nocturne” and “On Earth” to explore ways in which traumatic grief is conveyed through poetic expression and structure. The first chapter, “Finding a Home for the Dead: Processing Trauma and Remembering the Lost,” looks at ways in which poetic testimony honors and makes sacred space for the deceased. In particular, we look at ways in which the metaphoric space of the home gives shape and structure to traumatic memories. The second chapter, “Ripple Effects of Trauma: Contextualizing Experience in a World of Violence,” is a look at the poem “On Earth” as an extension of the traumatic events of “Nocturne.” In this poem, the implicit author tries to contextualize the trauma of the first poem within a larger social narrative. She does this through the ritualistic process of recapitulation with the reader, listing an array of violent images to re-orient the psyche to a pre-violence state.</p>"],"dc:format":["application/pdf"],"dc:identifier":["https://digitalcommons.du.edu/restrictedetd/4"],"dc:language":["en"],"dc:rights":["<p>Copyright is held by the author. This work may only be accessed by members of the University of Denver community. The work is provided by permission of the author for individual research purposes only and may not be further copied or distributed. User is responsible for all copyright compliance.</p>"],"dc:subject":["Arts and Humanities","Comparative Literature","Creative Writing","Poetry"],"dc:title":["Trauma and Poetry: A Look at Two Poems by Carolyn Forché"],"thesis:degree_level":["Masters Thesis"],"thesis:degree_name":["M.A."]},"updated_at":"2026-07-24T02:01:25Z"}