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University of Denver

“A Door Left Open”: Tracing Shakespeare’s Influence in Richard Wagner’s Der Ring des Nibelungen

Abstract

dc:description.abstract

<p>With the <em>Gesamtkunstwerk</em>, the “total work of art,” German opera composer Richard Wagner sought the perfect artistic synthesis of music and dramatic theater. Crucial to this vision was the idea that music and drama should be equally well constructed. However, while a considerable amount of Wagner scholarship has focused on the music Wagner composed, less has explored his methods for creating complex and psychologically rich characters. Richard Wagner the librettist spent considerable time and effort reading and studying the works of William Shakespeare, as evidenced by his wife’s journals, the contents of his library at Bayreuth, and his personal accounts. In this thesis, I explore resonances between the dramatic works of William Shakespeare (specifically <em>Hamlet</em>, <em>The Tempest</em>, and <em>Macbeth</em>) and characters in Wagner’s <em>Der Ring des Nibelungen</em>. This thesis delves first into the father/son relationship, examining how sons react to their father’s “Call to Action” through a study of Hagen/Alberich and Hamlet/the Ghost. Next, it inspects the father/daughter relationship through a daughter acting as witness to her father’s “Inability to Act” through Brünnhilde/Wotan and Miranda/Prospero. Finally, it probes ways female characters experience regret for actions they’ve taken, investigating “Feminine Madness,” guilt, and societal expectations through a comparison of Brünnhilde and two of Shakespeare’s female characters, Ophelia and Lady Macbeth.</p>

Degree

thesis:*
Name thesis:degree_name
M.A.
Level thesis:degree_level
Masters Thesis
Year dc:date.available
2017

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Bachman, Lindsay Elizabeth
Contributors dc:contributor
  • Jack Sheinbaum, Ph.D.
  • Antonia Banducci
  • Sarah Morelli
  • Ronald DeLyser

Subjects

dc:subject × 7

Rights

dc:rights
Statement dc:rights
  • <p>Copyright is held by the author. User is responsible for all copyright compliance.</p>
Language dc:language
en

Identifiers

dc:identifier.*
Repository record dc:identifier
https://digitalcommons.du.edu/etd/1338
OAI identifier oai:identifier
oai:digitalcommons.du.edu:etd-2338

Chain of custody

source
Harvested from
University of Denver
Base URL
digitalcommons.du.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Bachman, Lindsay Elizabeth. “A Door Left Open”: Tracing Shakespeare’s Influence in Richard Wagner’s Der Ring des Nibelungen. Masters Thesis thesis, 2017. https://digitalcommons.du.edu/etd/1338