{"id":{"repo_id":"denver","oai_identifier":"oai:digitalcommons.du.edu:etd-1696"},"canonical_url":"https://search.dev.ndltd.org/etd/denver/oai:digitalcommons.du.edu:etd-1696","repository":{"repo_id":"denver","name":"University of Denver","base_url":"https://digitalcommons.du.edu/do/oai/"},"display":{"title":"Rhetorical Imperialism","abstract":"<p>José Donoso’s <em>The Obscene Bird of Night</em> is often described as a grotesque labyrinth of symbols and images representative of the Latin Boom literary moment. The novel’s purposefully ambiguous construction opens itself up to two opposing readings that reveal discrepancies and conflicts in postcolonial and globalization studies, and as such, my project consists of two papers, easily read separately or in conversation with one another. The first proposes a reading of the novel as an assertion of marginal identity onto the world stage, ultimately upholding the indigenous native as a source of strength. Here, the novel’s appropriation of the folklore works to subversively challenge imperial and global power structures through the native’s own narrative. The second proposes an understanding of the novel’s cultural appropriation as an exploitative commodification of marginal identity. Here, the novel privileges imperial power by creating a narrative that functions as a continuation of imperial ideology and control through narrative. Both readings, however, work to understand the power of narratives and rhetoric to uphold or alter global power structures. Ultimately, the novel assists in revealing a disjuncture between the rhetoric and practice of contemporary narrative, establishing the paradox of postcolonial thought to perpetuate that which it works to condemn.</p>","abstract_html":"&lt;p&gt;José Donoso’s &lt;em&gt;The Obscene Bird of Night&lt;/em&gt; is often described as a grotesque labyrinth of symbols and images representative of the Latin Boom literary moment. The novel’s purposefully ambiguous construction opens itself up to two opposing readings that reveal discrepancies and conflicts in postcolonial and globalization studies, and as such, my project consists of two papers, easily read separately or in conversation with one another. The first proposes a reading of the novel as an assertion of marginal identity onto the world stage, ultimately upholding the indigenous native as a source of strength. Here, the novel’s appropriation of the folklore works to subversively challenge imperial and global power structures through the native’s own narrative. The second proposes an understanding of the novel’s cultural appropriation as an exploitative commodification of marginal identity. Here, the novel privileges imperial power by creating a narrative that functions as a continuation of imperial ideology and control through narrative. Both readings, however, work to understand the power of narratives and rhetoric to uphold or alter global power structures. Ultimately, the novel assists in revealing a disjuncture between the rhetoric and practice of contemporary narrative, establishing the paradox of postcolonial thought to perpetuate that which it works to condemn.&lt;/p&gt;","abstract_has_math":false,"creators":["Welty, Allison"],"institution":null,"degree_name":"M.A.","degree_level":"Masters Thesis","degree_discipline":null,"degree_department":null,"school":null,"contributors":["Eric Gould, Ph.D.","Maik Nwosu","Richard Clemmer-Smith"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-01-01T08:00:00Z","date_published":"2015-01-01T08:00:00Z","updated_at":"2026-07-24T02:02:53Z","subjects":["Cultural commodification","Globalization","Hegemony","Indigenous folklore","José Donoso","Postcolonial","English Language and Literature","Indigenous Studies","Other English Language and Literature","Race, Ethnicity and Post-Colonial Studies"],"languages":["en"],"rights":["<p>Copyright is held by the author. User is responsible for all copyright compliance.</p>"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.du.edu/etd/697","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Eric Gould, Ph.D.","Maik Nwosu","Richard Clemmer-Smith"]},{"key":"dc:creator","label":"Author","values":["Welty, Allison"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2001-01-01T08:00:00Z"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Cultural commodification","Globalization","Hegemony","Indigenous folklore","José Donoso","Postcolonial","English Language and Literature","Indigenous Studies","Other English Language and Literature","Race, Ethnicity and Post-Colonial Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["<p>Copyright is held by the author. 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Here, the novel’s appropriation of the folklore works to subversively challenge imperial and global power structures through the native’s own narrative. The second proposes an understanding of the novel’s cultural appropriation as an exploitative commodification of marginal identity. Here, the novel privileges imperial power by creating a narrative that functions as a continuation of imperial ideology and control through narrative. Both readings, however, work to understand the power of narratives and rhetoric to uphold or alter global power structures. Ultimately, the novel assists in revealing a disjuncture between the rhetoric and practice of contemporary narrative, establishing the paradox of postcolonial thought to perpetuate that which it works to condemn.</p>"]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Rhetorical Imperialism"]}]}],"canonical_facts":{"dc:contributor":["Eric Gould, Ph.D.","Maik Nwosu","Richard Clemmer-Smith"],"dc:creator":["Welty, Allison"],"dc:date.available":["2001-01-01T08:00:00Z"],"dc:description.abstract":["<p>José Donoso’s <em>The Obscene Bird of Night</em> is often described as a grotesque labyrinth of symbols and images representative of the Latin Boom literary moment. The novel’s purposefully ambiguous construction opens itself up to two opposing readings that reveal discrepancies and conflicts in postcolonial and globalization studies, and as such, my project consists of two papers, easily read separately or in conversation with one another. The first proposes a reading of the novel as an assertion of marginal identity onto the world stage, ultimately upholding the indigenous native as a source of strength. Here, the novel’s appropriation of the folklore works to subversively challenge imperial and global power structures through the native’s own narrative. The second proposes an understanding of the novel’s cultural appropriation as an exploitative commodification of marginal identity. Here, the novel privileges imperial power by creating a narrative that functions as a continuation of imperial ideology and control through narrative. Both readings, however, work to understand the power of narratives and rhetoric to uphold or alter global power structures. Ultimately, the novel assists in revealing a disjuncture between the rhetoric and practice of contemporary narrative, establishing the paradox of postcolonial thought to perpetuate that which it works to condemn.</p>"],"dc:format":["application/pdf"],"dc:identifier":["https://digitalcommons.du.edu/etd/697"],"dc:language":["en"],"dc:rights":["<p>Copyright is held by the author. User is responsible for all copyright compliance.</p>"],"dc:subject":["Cultural commodification","Globalization","Hegemony","Indigenous folklore","José Donoso","Postcolonial","English Language and Literature","Indigenous Studies","Other English Language and Literature","Race, Ethnicity and Post-Colonial Studies"],"dc:title":["Rhetorical Imperialism"],"thesis:degree_level":["Masters Thesis"],"thesis:degree_name":["M.A."]},"updated_at":"2026-07-24T02:02:53Z"}