{"id":{"repo_id":"denver","oai_identifier":"oai:digitalcommons.du.edu:etd-1557"},"canonical_url":"https://search.dev.ndltd.org/etd/denver/oai:digitalcommons.du.edu:etd-1557","repository":{"repo_id":"denver","name":"University of Denver","base_url":"https://digitalcommons.du.edu/do/oai/"},"display":{"title":"Margaret Cavendish's Exploration of Consciousness in Her Writings","abstract":"<p>Writing at a time when women had few property rights, were given scarce educational opportunities, and were viewed as incorrigibly irrational, the largely autodidactic English intellectual Margaret Cavendish is fascinated by knowledge and how to secure for herself a place in the micro- as well as macrocosmic community of letters. In particular, Cavendish holds an abiding interest in what we now call \"consciousness\" which she attributes to every piece of matter. Throughout the universe, the three aspects of matter--inanimate, sensate, and rational--are omnipresent. While throughout all of Cavendish's eclectic literary creation, consciousness is the unifying principle. Her exploration of consciousness manifests itself across genres--in scenes from her fiction, in the themes of her poetry, in her philosophical principles, and in her explanations of the natural world. I maintain that although this is not commonly recognized, Cavendish's principle of pervasive consciousness is a premise throughout her writings.</p>","abstract_html":"&lt;p&gt;Writing at a time when women had few property rights, were given scarce educational opportunities, and were viewed as incorrigibly irrational, the largely autodidactic English intellectual Margaret Cavendish is fascinated by knowledge and how to secure for herself a place in the micro- as well as macrocosmic community of letters. In particular, Cavendish holds an abiding interest in what we now call &quot;consciousness&quot; which she attributes to every piece of matter. Throughout the universe, the three aspects of matter--inanimate, sensate, and rational--are omnipresent. While throughout all of Cavendish&#x27;s eclectic literary creation, consciousness is the unifying principle. Her exploration of consciousness manifests itself across genres--in scenes from her fiction, in the themes of her poetry, in her philosophical principles, and in her explanations of the natural world. I maintain that although this is not commonly recognized, Cavendish&#x27;s principle of pervasive consciousness is a premise throughout her writings.&lt;/p&gt;","abstract_has_math":false,"creators":["Rogan de Ramirez, Cynthia Lynne"],"institution":null,"degree_name":"M.A.","degree_level":"Masters Thesis","degree_discipline":null,"degree_department":null,"school":null,"contributors":["W Scott Howard, Ph.D.","Jan Gorak","Ingrid Tague"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01-01T08:00:00Z","date_published":"2011-01-01T08:00:00Z","updated_at":"2026-07-24T02:02:45Z","subjects":["Cavendish","Consciousness","Descartes","Hobbes","Newcastle","Panpsychism","English Language and Literature","Literature in English, Anglophone outside British Isles and North America"],"languages":["en"],"rights":["<p>Copyright is held by the author. User is responsible for all copyright compliance.</p>"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.du.edu/etd/558","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["W Scott Howard, Ph.D.","Jan Gorak","Ingrid Tague"]},{"key":"dc:creator","label":"Author","values":["Rogan de Ramirez, Cynthia Lynne"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2001-01-01T08:00:00Z"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Cavendish","Consciousness","Descartes","Hobbes","Newcastle","Panpsychism","English Language and Literature","Literature in English, Anglophone outside British Isles and North America"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["<p>Copyright is held by the author. User is responsible for all copyright compliance.</p>"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.du.edu/etd/558"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Writing at a time when women had few property rights, were given scarce educational opportunities, and were viewed as incorrigibly irrational, the largely autodidactic English intellectual Margaret Cavendish is fascinated by knowledge and how to secure for herself a place in the micro- as well as macrocosmic community of letters. In particular, Cavendish holds an abiding interest in what we now call \"consciousness\" which she attributes to every piece of matter. Throughout the universe, the three aspects of matter--inanimate, sensate, and rational--are omnipresent. While throughout all of Cavendish's eclectic literary creation, consciousness is the unifying principle. Her exploration of consciousness manifests itself across genres--in scenes from her fiction, in the themes of her poetry, in her philosophical principles, and in her explanations of the natural world. I maintain that although this is not commonly recognized, Cavendish's principle of pervasive consciousness is a premise throughout her writings.</p>"]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Margaret Cavendish's Exploration of Consciousness in Her Writings"]}]}],"canonical_facts":{"dc:contributor":["W Scott Howard, Ph.D.","Jan Gorak","Ingrid Tague"],"dc:creator":["Rogan de Ramirez, Cynthia Lynne"],"dc:date.available":["2001-01-01T08:00:00Z"],"dc:description.abstract":["<p>Writing at a time when women had few property rights, were given scarce educational opportunities, and were viewed as incorrigibly irrational, the largely autodidactic English intellectual Margaret Cavendish is fascinated by knowledge and how to secure for herself a place in the micro- as well as macrocosmic community of letters. In particular, Cavendish holds an abiding interest in what we now call \"consciousness\" which she attributes to every piece of matter. Throughout the universe, the three aspects of matter--inanimate, sensate, and rational--are omnipresent. While throughout all of Cavendish's eclectic literary creation, consciousness is the unifying principle. Her exploration of consciousness manifests itself across genres--in scenes from her fiction, in the themes of her poetry, in her philosophical principles, and in her explanations of the natural world. I maintain that although this is not commonly recognized, Cavendish's principle of pervasive consciousness is a premise throughout her writings.</p>"],"dc:format":["application/pdf"],"dc:identifier":["https://digitalcommons.du.edu/etd/558"],"dc:language":["en"],"dc:rights":["<p>Copyright is held by the author. User is responsible for all copyright compliance.</p>"],"dc:subject":["Cavendish","Consciousness","Descartes","Hobbes","Newcastle","Panpsychism","English Language and Literature","Literature in English, Anglophone outside British Isles and North America"],"dc:title":["Margaret Cavendish's Exploration of Consciousness in Her Writings"],"thesis:degree_level":["Masters Thesis"],"thesis:degree_name":["M.A."]},"updated_at":"2026-07-24T02:02:45Z"}