University of Denver
Interrogating Music-Historical Narratives Through Ralph Vaughan Williams's Five Mystical Songs
Abstract
dc:description.abstract<p>Although Ralph Vaughan Williams has remained an influential and well-liked composer throughout most decades since his death, the amount and specificity of scholarly writing about his work has been meager, and only during recent decades has it increased. One reason that Vaughan Williams has consistently been ignored is his use of "Romantic" harmonies during the twentieth century. This style complicates periodization of his work. By exploring other facets of his work and using alternative methods -- such as studies of the music's relationship to sociocultural movements, English music history, and history of genre -- for understanding his music, a greater comprehension of Vaughan Williams's work can be created. Such methods are applied to <em>Five Mystical Songs</em> (1911).</p>
Degree
thesis:*- Name thesis:degree_name
- M.A.
- Level thesis:degree_level
- Masters Thesis
- Year dc:date.available
- 2014
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Brock, Marilyn L.
- Contributors dc:contributor
-
- Jack Sheinbaum, Ph.D.
- Ingrid Tague
- Antonia Banducci
- Sarah Morelli
Subjects
dc:subject × 5Rights
dc:rights- Statement dc:rights
-
- <p>Copyright is held by the author. User is responsible for all copyright compliance.</p>
- Language dc:language
- en
Identifiers
dc:identifier.*- Repository record dc:identifier
- https://digitalcommons.du.edu/etd/89
- OAI identifier oai:identifier
- oai:digitalcommons.du.edu:etd-1088