{"id":{"repo_id":"debrecen","oai_identifier":"oai:dea.lib.unideb.hu:2437/170565"},"canonical_url":"https://search.dev.ndltd.org/etd/debrecen/oai:dea.lib.unideb.hu:2437/170565","repository":{"repo_id":"debrecen","name":"University of Debrecen","base_url":"https://dea.lib.unideb.hu/server/oai/request"},"display":{"title":"Christian Themes in the Filmic Representation of C.S. Lewis' The Chronicles of Narnia, The Lion, the Witch and the Wardrobe","abstract":"Besides the Christian themes, I would like to lay emphasis on the filmic setting, as well. Firstly, I wish to study the features of the Gothic architecture and literature depicted in the film, namely, the representation of the frightening and gruesome atmosphere, the adoption of the supernatural and fantastic elements, the appearance of transgressions, the idea of the sublime and the employment of certain archetypes. By analyzing these qualities, the viewer might get a better comprehension of the complete work, as well as, the context of the filmic narrative... (Introduction)","abstract_html":"Besides the Christian themes, I would like to lay emphasis on the filmic setting, as well. Firstly, I wish to study the features of the Gothic architecture and literature depicted in the film, namely, the representation of the frightening and gruesome atmosphere, the adoption of the supernatural and fantastic elements, the appearance of transgressions, the idea of the sublime and the employment of certain archetypes. By analyzing these qualities, the viewer might get a better comprehension of the complete work, as well as, the context of the filmic narrative... (Introduction)","abstract_has_math":false,"creators":["Tóth, Andrea"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":"DE--TEK--Bölcsészettudományi Kar","school":null,"contributors":[],"advisors":["Moise, Gabriella"],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-06-07T11:46:41Z","date_published":"2013-06-07T11:46:41Z","updated_at":"2026-07-27T19:13:35Z","subjects":["christian fiction","interdisciplinary criticism","films"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2437/170565","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Moise, Gabriella"]},{"key":"dc:contributor.department","label":"Department","values":["DE--TEK--Bölcsészettudományi Kar"]},{"key":"dc:creator","label":"Author","values":["Tóth, Andrea"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2013-06-07T11:46:41Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2013-06-07T11:46:41Z"]},{"key":"dc:date.issued","label":"Date","values":["2013-06-07T11:46:41Z"]},{"key":"dc:type","label":"Dc Type","values":["diplomamunka"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["christian fiction","interdisciplinary criticism","films"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/2437/170565"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Besides the Christian themes, I would like to lay emphasis on the filmic setting, as well. Firstly, I wish to study the features of the Gothic architecture and literature depicted in the film, namely, the representation of the frightening and gruesome atmosphere, the adoption of the supernatural and fantastic elements, the appearance of transgressions, the idea of the sublime and the employment of certain archetypes. By analyzing these qualities, the viewer might get a better comprehension of the complete work, as well as, the context of the filmic narrative... (Introduction)"]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["egyetemi"]},{"key":"dc:title","label":"Title","values":["Christian Themes in the Filmic Representation of C.S. Lewis' The Chronicles of Narnia, The Lion, the Witch and the Wardrobe"]}]}],"canonical_facts":{"dc:contributor.advisor":["Moise, Gabriella"],"dc:contributor.department":["DE--TEK--Bölcsészettudományi Kar"],"dc:creator":["Tóth, Andrea"],"dc:date.accessioned":["2013-06-07T11:46:41Z"],"dc:date.available":["2013-06-07T11:46:41Z"],"dc:date.issued":["2013-06-07T11:46:41Z"],"dc:description.abstract":["Besides the Christian themes, I would like to lay emphasis on the filmic setting, as well. Firstly, I wish to study the features of the Gothic architecture and literature depicted in the film, namely, the representation of the frightening and gruesome atmosphere, the adoption of the supernatural and fantastic elements, the appearance of transgressions, the idea of the sublime and the employment of certain archetypes. By analyzing these qualities, the viewer might get a better comprehension of the complete work, as well as, the context of the filmic narrative... (Introduction)"],"dc:description.degree":["egyetemi"],"dc:identifier.uri":["http://hdl.handle.net/2437/170565"],"dc:language.iso":["en"],"dc:subject":["christian fiction","interdisciplinary criticism","films"],"dc:title":["Christian Themes in the Filmic Representation of C.S. Lewis' The Chronicles of Narnia, The Lion, the Witch and the Wardrobe"],"dc:type":["diplomamunka"]},"updated_at":"2026-07-27T19:13:35Z"}