{"id":{"repo_id":"de-montfort","oai_identifier":"oai:dora.dmu.ac.uk:2086/25953"},"canonical_url":"https://search.dev.ndltd.org/etd/de-montfort/oai:dora.dmu.ac.uk:2086/25953","repository":{"repo_id":"de-montfort","name":"De Montfort University","base_url":"https://dora.dmu.ac.uk/server/oai/request"},"display":{"title":"KinaeSonic Frameworks: Practicing dramaturgical thinking in dance and music improvisation-as-performance from a Rhythm Tap practitioner perspective","abstract":"This Doctoral practice informed research explores the intersection of dramaturgy, improvisation studies and dance and music collaborative practices, viewed from a Rhythm Tap practitioner perspective. A broad scope of dance and music improvisation-as-performance practices are considered through the lens of dramaturgical thinking to highlight the unique dramaturgical offers available and engage in creative processes that address ethical issues of agency, responsibility, authorship and ownership. This thesis proposes that improvisation-as-performance occupies a particular temporal relationship to creative process with implications for artistic direction, collaboration and facilitation of collective dramaturgical thinking during devising and performance creative processes. My practitioner-researcher standpoint as a Rhythm Tap improviser has informed the development of a kinaesonic approach to dramaturgical thinking in improvisation-as-performance, contextualised with reference to discourse and praxis in Jazz Studies, Dramaturgy, Performance Devising, Improvisation Studies and a range of dance and music improvisation- as-performance practices. The research outcomes include a series of three frameworks, a series of collective dramaturgical thinking strategies and this written thesis which are intended to be considered together as a body of praxis that can be applied in professional and education contexts. My Frameworks developed through practice research are original contributions to knowledge and include the Dramaturgical Qualities Map, Collaboration Spectrum Framework, and Dramaturgical Thinking Process Model. These are accompanied by a series of dramaturgical thinking facilitation strategies that have been developed through practice which form a contribution to practice. During the process of developing my Frameworks and facilitation strategies through multiple iterative practice case studies, I have developed two concepts: Horizontal Proxemics of Practice, and the Creation Timeframe Continuum that have shaped the research outcomes and are shared in this written thesis as contributions to knowledge.","abstract_html":"This Doctoral practice informed research explores the intersection of dramaturgy, improvisation studies and dance and music collaborative practices, viewed from a Rhythm Tap practitioner perspective. A broad scope of dance and music improvisation-as-performance practices are considered through the lens of dramaturgical thinking to highlight the unique dramaturgical offers available and engage in creative processes that address ethical issues of agency, responsibility, authorship and ownership. This thesis proposes that improvisation-as-performance occupies a particular temporal relationship to creative process with implications for artistic direction, collaboration and facilitation of collective dramaturgical thinking during devising and performance creative processes. My practitioner-researcher standpoint as a Rhythm Tap improviser has informed the development of a kinaesonic approach to dramaturgical thinking in improvisation-as-performance, contextualised with reference to discourse and praxis in Jazz Studies, Dramaturgy, Performance Devising, Improvisation Studies and a range of dance and music improvisation- as-performance practices. The research outcomes include a series of three frameworks, a series of collective dramaturgical thinking strategies and this written thesis which are intended to be considered together as a body of praxis that can be applied in professional and education contexts. My Frameworks developed through practice research are original contributions to knowledge and include the Dramaturgical Qualities Map, Collaboration Spectrum Framework, and Dramaturgical Thinking Process Model. These are accompanied by a series of dramaturgical thinking facilitation strategies that have been developed through practice which form a contribution to practice. During the process of developing my Frameworks and facilitation strategies through multiple iterative practice case studies, I have developed two concepts: Horizontal Proxemics of Practice, and the Creation Timeframe Continuum that have shaped the research outcomes and are shared in this written thesis as contributions to knowledge.","abstract_has_math":false,"creators":["Murray, Jessica"],"institution":"De Montfort University","degree_name":"PhD","degree_level":"Doctoral","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025-03","date_published":"2025-03","updated_at":"2026-07-24T06:18:31Z","subjects":[],"languages":[],"rights":[],"rights_urls":["https://dora.dmu.ac.uk/bitstreams/80b95223-17fc-4cea-b814-dbff62fd25c5/download"],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Murray, Jessica"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2025-03"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Faculty of Arts, Design and Humanities"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["De Montfort University"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://hdl.handle.net/2086/25953"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or dissertation"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["PhD"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["https://dora.dmu.ac.uk/bitstreams/80b95223-17fc-4cea-b814-dbff62fd25c5/download"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://dora.dmu.ac.uk/bitstreams/b30920bd-94c4-43eb-83f3-2d27ba501bca/download"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This Doctoral practice informed research explores the intersection of dramaturgy, improvisation studies and dance and music collaborative practices, viewed from a Rhythm Tap practitioner perspective. A broad scope of dance and music improvisation-as-performance practices are considered through the lens of dramaturgical thinking to highlight the unique dramaturgical offers available and engage in creative processes that address ethical issues of agency, responsibility, authorship and ownership. This thesis proposes that improvisation-as-performance occupies a particular temporal relationship to creative process with implications for artistic direction, collaboration and facilitation of collective dramaturgical thinking during devising and performance creative processes. My practitioner-researcher standpoint as a Rhythm Tap improviser has informed the development of a kinaesonic approach to dramaturgical thinking in improvisation-as-performance, contextualised with reference to discourse and praxis in Jazz Studies, Dramaturgy, Performance Devising, Improvisation Studies and a range of dance and music improvisation- as-performance practices. The research outcomes include a series of three frameworks, a series of collective dramaturgical thinking strategies and this written thesis which are intended to be considered together as a body of praxis that can be applied in professional and education contexts. My Frameworks developed through practice research are original contributions to knowledge and include the Dramaturgical Qualities Map, Collaboration Spectrum Framework, and Dramaturgical Thinking Process Model. These are accompanied by a series of dramaturgical thinking facilitation strategies that have been developed through practice which form a contribution to practice. During the process of developing my Frameworks and facilitation strategies through multiple iterative practice case studies, I have developed two concepts: Horizontal Proxemics of Practice, and the Creation Timeframe Continuum that have shaped the research outcomes and are shared in this written thesis as contributions to knowledge."]},{"key":"dc:format.checksum.md5","label":"Dc Format Checksum Md5","values":["bd41181d9a4c38b5ebacc69a027024d9","546ef2053458eaf8da94e259a1bebb74","1201bf9ea49bdd951fdee74999c9101c"]},{"key":"dc:title","label":"Title","values":["KinaeSonic Frameworks: Practicing dramaturgical thinking in dance and music improvisation-as-performance from a Rhythm Tap practitioner perspective"]}]}],"canonical_facts":{"dc:creator":["Murray, Jessica"],"dc:date.issued":["2025-03"],"dc:description.abstract":["This Doctoral practice informed research explores the intersection of dramaturgy, improvisation studies and dance and music collaborative practices, viewed from a Rhythm Tap practitioner perspective. A broad scope of dance and music improvisation-as-performance practices are considered through the lens of dramaturgical thinking to highlight the unique dramaturgical offers available and engage in creative processes that address ethical issues of agency, responsibility, authorship and ownership. This thesis proposes that improvisation-as-performance occupies a particular temporal relationship to creative process with implications for artistic direction, collaboration and facilitation of collective dramaturgical thinking during devising and performance creative processes. My practitioner-researcher standpoint as a Rhythm Tap improviser has informed the development of a kinaesonic approach to dramaturgical thinking in improvisation-as-performance, contextualised with reference to discourse and praxis in Jazz Studies, Dramaturgy, Performance Devising, Improvisation Studies and a range of dance and music improvisation- as-performance practices. The research outcomes include a series of three frameworks, a series of collective dramaturgical thinking strategies and this written thesis which are intended to be considered together as a body of praxis that can be applied in professional and education contexts. My Frameworks developed through practice research are original contributions to knowledge and include the Dramaturgical Qualities Map, Collaboration Spectrum Framework, and Dramaturgical Thinking Process Model. These are accompanied by a series of dramaturgical thinking facilitation strategies that have been developed through practice which form a contribution to practice. During the process of developing my Frameworks and facilitation strategies through multiple iterative practice case studies, I have developed two concepts: Horizontal Proxemics of Practice, and the Creation Timeframe Continuum that have shaped the research outcomes and are shared in this written thesis as contributions to knowledge."],"dc:format.checksum.md5":["bd41181d9a4c38b5ebacc69a027024d9","546ef2053458eaf8da94e259a1bebb74","1201bf9ea49bdd951fdee74999c9101c"],"dc:identifier.uri":["https://dora.dmu.ac.uk/bitstreams/b30920bd-94c4-43eb-83f3-2d27ba501bca/download"],"dc:publisher.department":["Faculty of Arts, Design and Humanities"],"dc:publisher.institution":["De Montfort University"],"dc:relation.isreferencedby":["https://hdl.handle.net/2086/25953"],"dc:rights":["https://dora.dmu.ac.uk/bitstreams/80b95223-17fc-4cea-b814-dbff62fd25c5/download"],"dc:title":["KinaeSonic Frameworks: Practicing dramaturgical thinking in dance and music improvisation-as-performance from a Rhythm Tap practitioner perspective"],"dc:type":["Thesis or dissertation"],"dc:type.qualificationlevel":["Doctoral"],"dc:type.qualificationname":["PhD"]},"updated_at":"2026-07-24T06:18:31Z"}