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De Montfort University

COMPOSITIONAL EXPLORATIONS OF PLASTIC SOUND

Abstract

dc:description.abstract

Each piece of music in this research is meant to explore a different aspect of music as a plastic art. Conclusions reached in the review of each new work were used to guide the development of the next. The notions of plasticity in sound, and sound as a plastic material were used to give the overall research a focal point. In exploring different types of composition, reciprocal plasticity between the materials and the developing ideas of the music are discussed in the context of ecological and biological psychology. By restricting all these works within the genre of 'plastic arts' it became necessary to introduce a new technique for instrumental composition. An aural model is used to replace the traditional written score. These instrumental works were developed entirely within an auditory situation.

Degree

thesis:*
Name dc:type.qualificationname
PhD
Level dc:type.qualificationlevel
Doctoral
Grantor dc:publisher.institution
De Montfort University
Year dc:date.issued
2007

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Nance, Richard Wesley

Rights

dc:rights

Chain of custody

source
Harvested from
De Montfort University
Base URL
dora.dmu.ac.uk/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
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citation

Nance, Richard Wesley. COMPOSITIONAL EXPLORATIONS OF PLASTIC SOUND. Doctoral thesis, De Montfort University, 2007.